Sara Varon: Day Two
Night school.
Night school.
WOW: join in the celebration of a new, modern revamp of a grand old DC superhero favorite from some of Britain’s finest! We’re all getting laid in this one, gang!
Sara Varon’s week of cartoon diaries begins with an interdepartmental cookie bake-off.
“Comics: Philosophy & Practice” gathered seventeen luminaries of the medium to discuss what it all means.
Here are a few things I have picked up on my travels.
Tucker doesn’t want to hear anyone complaining on the social media.
Minicomics and handsome books are appearing from countries not necessarily known for their alt-comics scenes. In this column, I’ll be looking at comics by cartoonists from Poland, Latvia, England, Ireland, the Netherlands, and Turkey.
Working through the new book.
He’s delved into such weighty topics as death, family, marriage, parenting, success, failure, the creative process, and the pleasures of drinking wine. What else is left to cover? Well, money.
Man, I used to get a break on holiday weekends. Why didn’t they think of me?
Wonder Woman meets the New Criticism, Tucker reads comics at work, & more.
In this excerpt from Jared Gardner’s Projections: Comics and the History of 21st-Century Storytelling, Wonder Woman meets Cleanth Brooks.
Deep thoughts about Batman.
As if it weren’t enough that comics are the domain of the obsessive control freak, there is a cartooning sect that perfectly defines the creative mania responsible for some of our greatest works: the one-artist anthology. This is its history.
The British author of Goliath talks to Hayley Campbell about storytelling, drawing and youthful dreams.
In this 2007 interview from The Comics Journal 287, Lynn Emmert talks to Alison Bechdel about the art of Fun Home and the politics of Dykes to Watch Out For.