Eleanor Davis: Day Two
Contemplating online feminism
Contemplating online feminism
Feiffer, Feiffer, Feiffer, Eleanor Davis, Frank Miller, Charles Burns, et cetera.
On the publication of Kill My Mother, which is being marketed as his first original graphic novel, the legendary cartoonist talks about noir, politics, the state of comics, and the tyranny of drawing backgrounds.
Some assignments are more difficult than others.
In this expanded intro and afterword to Jules Feiffer’s The Great Comic Book Heroes, he explains how the art and business of comic books has evolved since its origin.
Collins talks to Meghan Turbitt, and various links about the comics issues of the day.
A conversation with the creator of #foodporn and Lady Turbo about sex, Catholicism, grotesque imagery, the transition from fine art to comics, and “hot dudes serving food.”
Fiction writer and academic Brian Evenson joined Mike Dawson for a conversation about Chester Brown’s early graphic-novel, Ed the Happy Clown, which was first serialized in the one man anthology, Yummy Fur, and subsequently collected in a variety of formats.
The loves of a mangaka: XPOSED.
Modern art, comics, and some words with Seiichi Hayashi.
The first installment of a new monthly column, in which the cartoonist Julia Gfrörer uses principles of psychoanalysis, philosophy, and comparative mythology to deliberately overthink the symbolic language of comics.
The novelist and critic talks about the various incarnations of Ed the Happy Clown, the effects of format on the reader, changing his own mind on the best version of the story, and comics criticism in general.
The gangly years of an old legend.