Risograph Workbook 3
Ryan Cecil Smith on color, line, and Japan.
Ryan Cecil Smith on color, line, and Japan.
On the seventeenth episode of Comic Book Decalogue, Eddie Campbell talks Jack Kirby’s place in the canon, Mary Perkins On Stage, and the hazards of autobiography.
One day we’ll make use of all this.
Colour Code is one of the most interesting risograph printers in the world. We catch up with the Toronto-based Jesjit Gill and get the inside scoop on the continued “Mickey Z connection”…
A chat with the French cartoonist and illustrator of Glenn Gould: A Life Off Tempo.
Today on the site: Paul Tumey presents part two of his interview with My Favorite Thing is Monsters author Emil Ferris. Part one is here. Paul Tumey: I’ve worked out you averaged a page every three days. Does that sound about right? Emil Ferris: Actually it was probably about a page every two days. Paul… Read more »
“She uses the sketchbook idea as a way to change the grammar and syntax of the comics page …” – Art Spiegelman in The New York Times, February 17, 2017 (“First, Emil Ferris Was Paralyzed. Then Her Book Got Lost at Sea.” by Dana Hennings) This interview with Emil Ferris (see Part One here) was… Read more »
Burdened beasts suffer your sight: TODAY.
Andre Franquin, then and now.
My Favorite Thing is Monsters author Emil Ferris on her life as an artist and her love of monsters.
Goodnight Chevalier Jiro Taniguchi, de l’Ordre des Arts et des Lettres, Maestro del Fumetto, Knight of the Order of Arts and Letters and Master of Comics.
A few words on Jirō Taniguchi and where we sit.
Legend has it Mickey Z began the risograph revolution. We go to the source. How did it all happen?