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My Turn

Hi, today it’s Brian Nicholson interviewing Connor Willumsen:

So I really like that comic Swinespritzen a lot, which reminds me of Philip Guston a lot and Ben Jones also, so I’m sort of interested in new influences, but there’s also that quote someone said about Guston, “a mandarin pretending to be a stumblebum,” as he made the transition from abstract expressionism to the more cartoony figures, and I was wondering if, when you draw in more straight-forward or cartoony, or dumbed-down style, especially since Swinespritzen is about art and trying to draw, do you find it preferable, or do you find it “cheating,” like it’s using a shortcut, or is it faster, in any way?

No it’s not really any of these things to me. I definitely don’t qualify it in relationship to something I’ll do like an underdrawing for. I don’t qualify it as faster or dumber. I’m not intentionally trying to do something “stupid” when I make it. The way that particular comic looks is more of a result of how I draw it and where I chose to draw it. It’s more of a result of circumstances than it is a decision to be or think in a certain way. That comic was drawn on loose-leaf tear-out pages from a drug store notebook that was quite thin with a thin ball-point pen. That alone had an effect on the way it looked because I was restricted from being able to do certain things. It was less flexible. So I had to make deliberate movements that would accomodate that surface, which tended to be simplistic in profile. At times I would get in trouble with space organization and I’d have to overlap things. and I couldn’t be too clever about making things clear I had to be more blunt. The result of that is a more naive appearance at times but I made no effort to diminish technical prowess or whatever it is the quality distinction we’re making between that and something that looks more conventional or commercial or whatever.

What are your tools generally?

Well I have them here. It’s pretty simplistic. I try to use simple paper as much as possible. Inexpensive materials, loose papers. I use this little ballpoint pen here, that’s more thin than a normal ballpoint pen. This is the pen I did Swinespritzen in. Thin line pencils. Really simple. What I do and how it looks is a result of making my studio space as portable as possible. I’d like all of my supplies to fit into a relatively small backpack, if possible.

Elsewhere:

The filmmaker Susan Stern has revived her late husband Spain’s classic character Big Bitch for a series of animated shorts.

Anne Ishii has gathered a pretty hilarious group of quotes from Japanese cartoonist Jraiya during his visit to the US.

And, via Kim Deitch comes this amazing bit of early Disney animation.

https://www.youtube.com/watch?v=H58meqbp5Ps&list=PL1FEC991B4F3ACBCF&feature=share


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