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Model Building

Today on the site, we revisit Dana Gabbard’s 1989 interview with Don Rosa, whose Disney Duck work is presently being reprinted by Fantagraphics.

GABBARD: There’s a lot of pacing, suspense and detailing. Very vivid and very immediate is how I would describe your work.

ROSA: One problem I’ve always had is when somebody has invited me to speak at some school about creative writing or to give a lecture on this or that, I’ve always refused because I don’t consider myself an expert on this stuff. I don’t know what I’m doing — I just do it! I’ve never tried to figure out what my style is. I just sit down and do it. My training came from not trying to please anybody — just to do it for the fun of it. I made comic books for myself when I was little. And I just did it the way it seemed it should be done. I’m not saying this is the right way to do it. I just never thought about it and just sat down and started doing it.

And I never concentrated on developing any particular art style, since I wasn’t planning on doing it for a living. If I had, I’d have tried to learn how to draw a bit more in a Disney style rather than something that comes out looking like Robert Crumb. But I know where that comes from. Once I started doing stories for Gladstone, people said “they look like a cross between Carl Barks and Will Elder.” And there’s a lot to that. Because when I was little with all those Dell Comics my sister had, the only ones I really liked were Barks’ ducks and the Little Lulus. It’s much more difficult to explain to somebody what’s good about Little Lulu. I mean, what’s good about Carl Barks’ ducks is pretty evident. It stares you right in the face. The artwork is good, the stories are complex. More than anything else, I liked Barks’ style. But Little Lulu is a bit more elusive to explain … Anyway, after that I moved right into Mad Magazine (1957-1958) because my sister was in high school in those days and that’s probably what she started bringing home instead of Dell comics. So I was just a Mad Magazine fanatic for the next seven or eight years. I went right from Carl Barks to Will Elder and Basil Wolverton. I am a Robert Crumb fan. Of the so-called “underground” artists, he’s one of the only ones I really liked. But I never tried to imitate his art. I’m sure whatever drawing style I had must have developed by the time I first saw Crumb’s comics. Maybe it’s just a coincidence. Sometimes I try to explain it to myself, that neither I nor Robert Crumb took the stuff seriously. So we didn’t try to make it look pretty — we just started putting all that noodling little cross-hatching in there. From what I’m learning in the Robert Crumb sketchbooks and Complete Robert Crumb stuff from Fantagraphics, he used to make all these comic books for himself, too, just like I used to do. All sons of silly stories.

(Ooops, that wasn’t quite ready yet).

At the Wall Street Journal, Sarah Boxer reviews Krazy.

Great interview with cartoonist Laurenn McCubbin over at the LARB.

The great French cartoonist Gotlib has passed away.

 


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