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Friday, November 7th, 2003

Dogsbody
(The Comics Journal) It's Friday, and that means it's time for another edition of TCJ.com's minicomics review column,
Dogsbody. This Week, critic Daniel Holloway looks at work by Ben Hutchings, Tatiana Gill, Robert Elrod, and Adam Wallenta & Peov.
Posted @ 4:50 AM by Dirk Deppey | permalink


Michigan places restrictions on the display of printed material
(Censorship) On Wednesday, Michigan governor Jennifer Granholm signed into law
a bill that would restrict the public commerical display of printed material containing "sexually explicit" content, which the new law defines as anything "that depicts nudity, sexual excitement, erotic fondling, sexual intercourse, or sadomasochistic abuse." Retailers will have to either keep such material in a seperate "adult section" or display it behind the counter with the bottom two-thirds of the covers concealed; failure to do so could result in up to 93 days in jail, a $5,000 maximum fine, or both. Rick Haglund of The Ann Arbor News has a report:

"Supporters said the law, which takes effect Jan. 1, is needed to keep children under the age of 18 from being exposed to a growing amount of openly displayed, sexually obscene material.

" 'Our kids should not be exposed to the most graphic types of obscenity when they go to their neighborhood gas station to buy ice cream,' said Brad Snavely, executive director the Michigan Family Forum, a Lansing-based family policy group."

Gosh, that all sounds reasonable, doesn't it? It takes all of three paragraphs for writer and weblogger Todd VerBeek to completely demolish the alleged rationale for this law's existence:

"One of the fundamental contradictions of this law is that it fails to take into account the adage that 'you can't judge a book by its cover'. It screws this around in the opposite direction, by requiring the covers be be shielded, based on the (not visible) contents of the book. For example, a hardcore porn magazine whose cover showed only a smiling, fully-clothed photograph of one of the models, would have to be blocked from the view of children. Meanwhile, a more provocative image on the cover of Maxim would be unaffected, since the material inside skirts just below the thresholds of this law. An amendment to change the focus of the bill from the content to what was apparent from the actual covers, was defeated.

"This places an extra burden on shop owners, especially comics shop owners, who get a big batch of new mags to put on the shelves every week. They can't just look at the covers to see what books they need to cover up; they need to check the contents of each one. And unlike the rules against selling explicit material to minors -- which clerks could conceivably enforce as they ring up purchases, by paying special attention to the selections of children and teens, but just ringing up everything purchased by all the middle-aged men -- this cover-covering assessment has to be done before the books are shelved. Or not shelved.

"That's the most likely outcome of all this. By making extra work for retailers, and requiring them to actually hide merchandise from customers (not just prevent children from looking through it), it becomes decreasingly profitable to carry anything with nudity in it. Which is, of course, the real objective of the law. If they were merely concerned about kids being casually exposed to sexual images -- which is what the sponsors and the lobbyists behind it claim, and a reasonable goal -- they would've limited the focus of the law to the covers."

The article in The Ann Arbor News notes that the Michigan chapter of the American Civil Liberties Union is considering mounting a challenge to the new law. For the sake of our freedom of speech, let's hope so.
Posted @ 4:50 AM by Dirk Deppey | permalink


In other news
(Potpourri) As usual, ¡Journalista! will be shutting down for the weekend, but let's take one last look at the world of comics and cartoons before that happens:

Finally, a note to the people who occasionally send me links to the Comic Book Industry Alliance Delphi forum: I am not a member. I have in fact resisted several entreaties to join by various people participating there, since I prefer not to be bound by the forum's "first rule of Fight Club" restrictions. Therefore, instead of sending me links, please send transcripts or webpage copies instead. Oh, and before you hit the "send" button, please be advised that I don't give a flying rat's ass about the pissing matches between retailers, nor the endless bitching about bookstores and whether or not they get product before the Direct Market, nor the fact that Matt Brady is an annoying, self-important schoolmarm -- that shit's too obvious for me to work with. Thank you.
Posted @ 4:50 AM by Dirk Deppey | permalink



Thursday, November 6th, 2003

Xeric winners announced
(Comic Books) Peter Laird's
Xeric Foundation, a charitable organization which gives grants to comics self-publishers looking to print their work, has announced the latest round of grant recipients. They are:

  • Alex Fellows, Canvas
  • Jay Hacker, Headstatic
  • Jon Hastings (editor), Spark Generators II
  • Neil Kleid, Ninety Candles
  • Joel Rivers, Along the Canadian
  • Leslie Stein, Yeah, It Is!
  • Michael Zittel, Master Catfish

Congratulations to the winners! The submissions deadline for the next round of Xeric grants is January 31st, 2004. More information is available at their website.
Posted @ 4:55 AM by Dirk Deppey | permalink


In other news
(Potpourri) Here's what else is happening around the world, and around the web:

  • Australia's Daily Telegraph reports that Malaysian deputy home minister Chor Chee Heung has added "horror" to the list of books, videos and comics that could land their publishers and importers in jail if caught. (Already banned: sex, violence, the Falungong spiritual movement, Justin Wintle's book The Rough Guide History of Islam, and probably a great deal more.)

  • Anime News Network informs us that the Japanese toy company Takara has purchased a majority of shares in anime/manga studio Broccoli, cementing a relationship that had already been growing for some time. The move probably comes as something of a relief to Broccoli employees, given the company's floundering financial status, having just announced a net loss of ¥1.8 billion (roughly $16.5 million) for the first half of 2003.

  • Meet FunMail, the latest entrant in the "digital comics for mobile phones" market. (Thanks to Gary Driggs for emailing me the press release.)

  • Craig Thompson's graphic novel Blankets has now sold 20,000 copies -- 80% of which went to bookstores. ICv2 has the story.

  • Longtime Oni Press editor Jamie Rich is leaving his post to work on his writing, a fact he discloses in his interview with Rich Johnston.

  • Will the last person to leave CrossGen please turn out the lights?

  • Writing for Connecticut newsweekly The Hartford Advocate, Christopher Arnott drags Tupelo writer Matt DeGennaro along to a museum exhibit celebrating that state's role in the comic-book industry, and the result is a fairly good general primer to comics, as well as a good write-up of a museum exhibit.

  • I'll be damned -- no Aaron McGruder link today.

  • Korean-American magazine KoreAm Journal spotlights four cartoonists made good: Jim Lee, Frank Cho, Gene Ha and Andy Park. (Note: temporary links.)

  • Care to see Harvey Pekar through the eyes of one of his characters? In the 1990s, Jimi Izrael met Pekar, complemented him on his work, then took him to task for the way he depicted black characters. In response, Pekar invited Izrael to follow him to work and meet some of the people he'd been depicting -- an encounter that resulted in a story for American Splendor #16, "Anticipating the Critics." Years later, Izrael recounts the story from his perspective for the website Africana.

  • The November issue of literary webzine Bookslut is now online, and while the printed word may be their primary beat, the 'Sluts are pretty little-c catholic in their tastes, so there's plenty of comics goodness there as well. This time out there are interviews with Adrian Tomine and Lea Hernandez, plus reviews of Eve Gilbert's Tits, Ass and Real Estate and selections from the output of the aforementioned Ms. Hernandez.

  • Bloom County creator Berkeley Breathed made two appearances yesterday on KUOW, Seattle's National Public Radio affiliate. The first, on the arts program The Beat, covers his new book Flawed Dogs, and can be heard in RealAudio format at this link. The second, on the program In Person, covers his new Opus the Penguin strip, his opinion of the comics pages today, and a new dramatization of his children's book Red Ranger Came Calling. It isn't archived for webstreaming yet, but when it is you'll presumably be able to find it at the above link.

  • Heidi MacDonald interviews Palomar author Gilbert Hernandez for The Pulse.

  • When we posted the web-teasers for the Winter 2003 Special Edition of The Comics Journal a year ago, we ran excerpts from the cartoon section with an explicit agreement that these teasers would be removed after a week. The last teaser was the cartoon submitted by Mack White, which was delinked after a week, but which I obviously forgot to physically remove from the server. In fact, I'd forgotten about it altogether until Boing Boing's Mark Frauenfelder dug it up and linked to it yesterday. I've emailed White and asked him what he'd prefer I do in this instance -- I'm technically violating the agreement by leaving it there -- but if you missed the conspiracy-minded strip when we first posted it, my own apparent ineptitude has given you another window of opportunity.

  • Dame Darcy gets the thumbs-up from Whitney Matheson in her USA Today column (fifth item).

  • For those of you curious about Dave Sim's multi-thousand page epic, Cerebus -- not the controversy surrounding his various pronouncements, the comics themselves -- Silver Bullet Comics' Michael Deeley has a complete summary of the series for you, with copious spoilers.

  • In a two-post entry, Dave Intermittent wonders what Marvel disclosed in its Q3 report to cause investors to lose confidence. To the extent that I even have a guess, I already made the case for it yesterday; but it will nonetheless be interesting to read the actual report when it finally shows up on the Marvel listings of the Security and Exchange Commission's website.

  • You know, I generally avoid making too many comics recommendations in this blog, but John Jakala just linked to the latest webcomic from Derek Kirk Kim, "The Ten Commandments of Simon," and it's fucking hysterical.

  • Speaking of Jakala, his rant about comics burnout inspired similar testimony from The Pitiful Bastard's Ron Phillips.

Finally, Newsarama editor Matt Brady made some rather petulant remarks about weblogs on Brian Wood's Delphi forum last week that have stirred up controversy in the Comics Blogosphere. I've been putting off posting any kind of rebuttal due to time constraints, but Sean Collins, D. Emerson Eddy and Rick of Eat More People have already jumped into the fray. I'm not entirely sure there's anything else left to say, really.
Posted @ 4:55 AM by Dirk Deppey | permalink



Wednesday, November 5th, 2003

Marvel Q3 report rejected by investors
(Comic Books) It seems like every time Marvel Entertainment has held a quarterly conference call, profits have been up and guidance has been raised; the picture has grown successively brighter and brighter. On the surface, it would seem that this was again the case in yesterday's conference call for the company's third-quarter earnings report.
The Pulse's Heidi MacDonald has the details:

"3Q profits were $63.1 million, including a $31.5 million one-time gain from a tax adjustment, for a profit of 85 cents a share. However, sales were flat, at $85.5 million compared to last year’s $84.4 million. Publishing sales were up to $19.6 mil from $15.3 last year for the quarter, with sales up over $6 million for the year.

"The press release credited the sales growth to stronger than expected sales for 1602, JLA/Avengers and Supreme Power.

"While licensing revenue continued to fly high ($41.6 mil up from $25.0 mil last year,) toy revenue was down, as predicted, to $23.3.mil from $44.0 mil last year, due to lowered sales for Spider-Man toys."

Toy revenue, it should be noted, was also effected by Marvel's move from the direct manufacture of toys to a policy of farming out manufacturing to third-party licensees, which moves the profits over to the "licensing" column for accounting purposes. Marvel also now has more than enough money set aside to fully pay off its debt at the earliest opportunity next year, even taking in early-payment penalty fees into account. Everything sounds groovy, right?

This quarter differed from previous ones in one remarkable respect, however: it lead to an immediate and significant downturn in the company's stock price, dropping by over $2 per share and effectively erasing gains that pushed the price over the thirty-dollar mark last week. The Motley Fool, a financial publication long bullish on the comic-book company, chided investors for their apparent perfidity:

"Motley Fool Stock Advisor subscribers have certainly enjoyed watching Marvel transform itself. Since David Gardner first recommended it in July 2002's issue, Marvel has soared 471%. David re-recommended it in Dec. 2002, and had you waited to buy then, you'd be sitting on only a 256% gain.

"The good times aren't over yet for Marvel. It has a stable of thousands of characters just waiting for their shot at the big screen. And next year, moviegoers will have Spider-Man 2, Blade 3, The Punisher, and The Fantastic Four to enjoy. That spells more fun for Marvel, and its shareholders."

This particular spin is, I suspect, a bit more optimistic that investors seem to be willing to swallow at the moment. Spider-Man 2 is likely to do well, of course, but the others? The Blade franchise has done well enough so far, but such sequels inevitably wear out their welcome over time. The Punisher might be a modest hit, but unlikely to spawn much in the way of licensing crossovers -- September 11th put paid to the notion that little Johnny was going to be allowed to bring his Punisher water-uzi to school. The Fantastic Four is an unknown factor at the moment, but I suspect it would have sounded far more enticing to investors before League of Extraordinary Gentlemen and The Hulk. Hell, even Spider-Man might look more attractive if Marvel hadn't decided to drag Sony into court claiming that it wasn't getting its share of the gelt. The bloom, as they say, is off the rose.

As I've noted before, the way Marvel has tied its fortunes to the superhero movie boom could backfire on the company if said boom ends. With enough money in the bank to deal with the Perelman debt, the Doomsday Theory I advanced back in March is now safely neutralized as a threat -- but with "a stable of thousands of characters" all wearing spandex and shooting energy beams from their hands, it's not like there's a wide variety of bankable characters to choose from if the studios turn to Avi Arad and say, "Okay, costumed crimefighters are yesterday's news. What else you got?" What would they answer -- Man-Thing? That one's got a $10 million dollar budget, almost worthy of a Troma film, and not even Allen Lipson was willing to pretend that it was going to lead to an economic windfall (note that The Motley Fool left the film off its list altogether). Honestly, there's not a lot there at the moment for investors to get excited about.

Still, even if Wall Street wasn't exactly rushing to congratulate The House That Jack Built on a job well done, it's not like things are going badly. The Perelman debt is no longer a threat to the company. The Hollywood well hasn't dried up yet. While it may be cold comfort to Ike Perlmutter, Marvel is the number one comics company in America, at least until Tokyopop overlaps them. Things are better than they've been in years, and if the tax burden goes up next year, at least there should be enough money left over in the kitty to pay it off. Congratulations on a job well done, guys.
Posted @ 6:10 AM by Dirk Deppey | permalink


In other news
(Potpourri) Aside from Marvel's unexpected fat lip from the merchantile set, it's been pretty quiet. Here's what I found:

  • Over at Newsarama, Stuart Moore explains why Marvel and DC are having difficulties making the transition to original graphic novels.

  • "The roots of Pitt's Anime Club can be traced to the old Pitt Comic Book Club of the early 1990s, Roach explained. Over the years, club members slowly brought Japanese anime into the equation." It's a sign of the times, kids.

  • "You think the Post will run this?" This has been your Aaron McGruder link for the day.

  • The Two Blowhards' Michael compares American and European comics in the course of reviewing a new animated film. I have two questions:

    1. Everyone under forty is a "slacker" to this geezer, aren't they?

    2. "Europe's adult tradition"... is he kidding? Michael, have you ever read an issue of Heavy Metal? Try it sometime -- two-thirds of Europe's comics output looks just like that.

  • Well I'll be damned -- the Friends of Lulu turned their homepage into a blog. (Link via Elayne Riggs.)

  • John Jakala checks in with a case of creeping comics burnout.

  • Shawn Fumo points to a deep collection of essays, resources and links on the subjects of manga and anime, curated and largely written by Eri Izawa.

  • Shawn also points to another "bookstores vs. comics shops" discussion, this time on the Sequential Tart message board.

  • Bill Sherman spots another non-manga book in the manga format at his local Borders.

Finally, Michael Paciocco offers a list of comics professionals he thinks are suffering from "Byrne Syndrome" -- I would have thought that term refered to making an arrogant ass of yourself online, but on second thought my email assures me that's actually "Deppey Syndrome." Anyway. The only person on the list to make me think twice was Howard Chaykin. I'm an unabashed Chaykin fan, but it occurs to me that the last Chaykin book I liked without reservation was his Batman: Dark Allegiances book from '96. Granted, that's also the last book I recall him having fully created, as well -- I hear Chaykin's working the "writer/artist" thing again, so I'm hopeful that very soon he might actually stop sucking.
Posted @ 6:10 AM by Dirk Deppey | permalink



Tuesday, November 4th, 2003

CBLDF joins Media Coalition
(Censorship) The
Comic Book Legal Defense Fund has been laying kind of low lately, which in many ways is a good thing -- it means that their services haven't been needed by busted retailers lately, a state about which one can hardly complain. For the past couple of years, however, the organization has moved to take a more proactive approach, working to smother censorship in the cradle before it ever becomes a problem in the first place. To assist them in this endeavor, the CBLDF has just joined The Media Coalition, an organization that looks out for the legal interests of books, magazines, recordings, videotapes, videogames -- and now, as the press release points out, comic books:

"Membership in Media Coalition affords the Fund the ability to track the activities of Congress, state legislatures, and the courts on new laws and legal developments related to the First Amendment. Media Coalition will also permit the Fund to participate in legal challenges to unconstitutional laws and prepare amicus curiae, or Friend of the Court briefs, in cases involving the First Amendment rights of producers and distributors of constitutionally protected works. The Media Coalition also communicates with federal, state, and local government officials on a regular basis in an effort to advise them on proposed legislation affecting material that is protected by the First Amendment, giving Fund members a voice in how the law will affect their interests.

" 'In joining this prestigious organization, the CBLDF now stands as an equal among this country's most important First Amendment advocates,' says CBLDF Legal Counsel Burton Joseph. 'This is very good news for the Fund's members who depend on the organization to provide them with the most up to date information on how the law is changing and to fight for their rights in that legal climate.' "

That's not all the CBLDF has been up to lately, however. They've also joined an amicus brief in support of an ACLU challenge of Section 215 of the notorious PATRIOT Act:

"Free speech groups representing booksellers, librarians, publishers, writers and others today filed a brief that strongly supports a legal challenge to the constitutionality of the provision of the USA Patriot Act that gives the FBI virtually unlimited access to personal, organization and business records, including bookstore and library records. The U.S. Justice Department has filed a motion to dismiss the case. 'The Patriot Act authorizes the FBI to engage in fishing expeditions in bookstore and library records and then bars booksellers and librarians from protesting even after the fact. Such an unprecedented extension of prosecutorial power demands immediate court review,' Chris Finan, president of the American Booksellers Foundation for Free Expression (ABFFE), said today.

"The American Civil Liberties Union filed the federal lawsuit in Detroit in July on behalf of six non-profit organizations that provide a wide range of religious, medical, social, and educational services to various communities around the country. The plaintiffs allege that they are likely targets of investigation under Section 215 of the Patriot Act, which gives the FBI access to the records of almost any person, organization or business in the course of an investigation of terrorism or espionage. In a brief filed today opposing the government's motion to dismiss, one plaintiff, the Muslim Community Association of Ann Arbor, says that attendance at prayer services and association events as well as donations have dropped dramatically as a result of fear that the government might try to obtain its records."

Click here to join the Comic Book Legal Defense Fund, and help in the fight against anti-comics censorship wherever it rears its ugly head.
Posted @ 3:35 AM by Dirk Deppey | permalink


Get Fuzzy creator receives death threats over cartoon
(Comic Strips) An episode of Darby Conley's syndicated daily comic strip
Get Fuzzy, which ran last Thursday, lampooned the reputation held by Pittsburgh, PA as a city with a less-than-desirable smell. The cartoon produced an outpouring of anger from Pittsburgh residents -- even death threats. The Pittsburgh Post-Gazette's Dan Fitzpatrick reports:

"What began as an 'inside joke,' Conley conceded in e-mail, 'has gone pretty horribly wrong.' The 33-year-old artist said he unwittingly 'touched a major nerve.'

" 'I've never gotten death threats before, and I've done some pretty controversial cartoons.'

"In the four years since Conley's comic went national, the Boston-based artist does not remember a more visceral or vitriolic reaction to a single daily strip. Nor does he remember getting this many e-mails (he usually receives 50 to 80).

"What makes the outpouring of pride and defensiveness even more remarkable is that Conley's comic does not even appear in Pittsburgh. The Post-Gazette is one of the few, big U.S. metropolitan papers not to carry Get Fuzzy, which chronicles the life of bachelor Rob Wilco, a sarcastic feline named 'Bucky Katt' and a naively innocent dog named 'Satchel Pooch.' "

True enough, I am reliably informed that the city does not actually "stink." As this article effectively points out, however, it is in fact chock full of humorless clods.
Posted @ 3:35 AM by Dirk Deppey | permalink


In other news
(Potpourri) Here's what else is happening in the world of comics and cartoons at the moment:

  • The Malta Press Club has announced the winners of their 2003 Malta Journalism Awards last night in the tiny Mediterranean nation; Cartoonist Maurice Tanti Burlò won the award for "press cartooning" for a second time. The Times of Malta has the details.

  • Will the last person to leave CrossGen please turn out the lights?

  • If that last item didn't sufficiently indulge your sense of schadenfreude, perhaps this one might: predatory investor Ron Perelman, who nearly destroyed Marvel Comics in the 1990s by saddling it with hundreds of millions of dollars in debt, seems to have done the same thing to cosmetics manufacturer Revlon as well. ICv2 has the latest chapter in Perelman's book of bad fortune.

  • Neil Gaiman is interviewed by the folks at Slashdot.

  • The hot topic burning up the comics portion of the internet at the moment seems to be the dislike comics writer Tony Isabella has taken to how DC Comics is currently treating his most noted creation, the superhero Black Lightning. I'm not familiar enough with the subject to have any real opinion myself, but Rick of Eat More People has most of the links you need to catch up. That said, Sean Collins has what I suspect is probably the most even-handed response to the whole kerfuffle, with Jim Henley providing some pertinent comments on the state of black superheroes in comics today.

  • A word of advice to Shawn Fumo (everyone else can pretty much ignore this): you are aware that you may well be one of the most knowledgable person in the Comics Blogosphere when it comes to manga and anime, right? Just a thought.

  • Here's my current favorite TCJ.com message board thread of the moment.

  • Via Eve Tushnet comes a link to a review of Junji Ito's three-volume horror manga, Uzumaki, written by Bruce Baugh. I still have yet to read this manga series myself (although I certainly intend to), but I have read Ito's two-volume Tomie, which is well-crafted and disturbing in its own right.

    (While we're on the subject of horror, I'm going to break with my mandate just long enough to congratulate Sean Collins on his excellent horror-film blogging last month, second Ms. Tushnet's recommendation of the film Carnival of Souls -- the original B&W version, not that horrible remake -- and also Franklin Harris' recommendation of Takashi Miike's masterful and chilling film Audition. Actually, I've been on a Miike kick for the past couple of months now, and there are any number of affecting, disturbing and just plain wrong films in his vast repertoire that are well worth viewing, if you're brave and/or foolhardy enough to make the attempt.)

Finally, a reminder to all of you compulsive comics-news junkies out there: Marvel Comics will be holding its conference call to report on its third-quarter earnings for 2003 at 9:00 AM E.S.T.; you can listen in live (or anytime thereafter) at this link.
Posted @ 3:35 AM by Dirk Deppey | permalink



Monday, November 3rd, 2003

Slow news day
(Potpourri) Again? Don't you people ever do anything really interesting anymore? Here, let's invoke the Chuck Matheny Memorial Mayhem Spell: "Gee, I wish something would happen." Maybe that'll work. In the meantime, here's what turned up over the weekend:

  • Last Friday, I reported on the death threat issued against Iranian cartoonist Nikahang Kowsar by Islamic radicals. Yesterday, Daryl Cagle posted a letter from Kowsar to his weblog, which gives the cartoonist's reactions to recent events in both word and cartoon. (No permalink, alas, but it's currently the topmost item, dated November 2nd.)

  • Manga publisher Studio Ironcat is reported to be experiencing wrenching financial difficulties, due in part to alleged embezzlement by co-founder Kuni Kimura. Anime News Network has an excellent little piece of investigative journalism on the subject. (Thanks to the folks at ICv2 for pointing this one out.)

  • Marvel Comics will be issuing its report for the third quarter tomorrow, and will host a webcast concerning said report at 9:00 AM E.S.T. -- more information (including addresses at which you can hear the cybercast) can be found at this press release.

  • The Washington Post (registration required) weighs in on the whole "Matt Groening vs. Fox News" phenomenon, which was triggered by an interview Groening gave to the NPR program Fresh Air two weeks ago. The latest wrinkles: Fox News is denying that it threatened to sue the producers of The Simpsons over their Fox News parody. Also, the (other?) folks behind the television series have issued an apology yesterday. The Post quotes: "Matt was being satirical and certainly there was never any issue between the show and Fox News. We regret any confusion."

  • CrossGen, which suspended their website's message board shortly after the brouhaha erupted over their financial troubles, has relaunched the board. Missing from it, alas, are any messages related to said troubles. Hmmm... (Link courtesy of Monitor Duty.)

  • In an unusually news-relevant article, Silver Bullet Comics' gossip columnist, Markisan Naso, writes about the re-emerging feud between Tony Isabella and DC Comics over his character Black Lightning, rumors of money problems at Top Cow, and Todd McFarlane turning down an offer to buy CrossGen. Hey, someone should ask about that last one on their new message board!

  • Here's a way to chart the divide between the United States and Europe: last year found Florida's International Museum of Cartoon Art, which was founded by Beetle Bailey creator Mort Walker, forced to abandon its location and search for one where it could actually draw in enough traffic to be profitable. The story here? That the city of Boca Raton was dragging its feet in allowing a new purchaser to buy the property, which would in turn free up enough cash to pay for the relocation; in short, that local government wasn't getting out of the way fast enough to allow a private citizen to bring his museum back into public view. By contrast, Fumetti.org points to an article in Univers BD (Google translation) which points to the difficulties various European museums are having, due (the article claims) to the fact that governments aren't throwing enough money at them. I make no value judgements here; I merely point to the wildly different approaches and philosophies between the two continents -- the private initiative so favored here in the States vs. the public financing that the arts receive in Europe -- and move on.

  • Wittyworld has a photograph and short recap of the 6th International Cartoon Biennial in the Iranian city of Tehran. (sorry, no permalink available, but it's currently the topmost item on the page.)

  • Silver Bullet Comics is reporting on the desperate financial straits being faced by Chilean cartoonist Diego Jourdan, who has appealed to comics fans on the internet to save him from homelessness.

  • Last month, Justine Shaw suspended her Eisner-nominated webcomic, Nowhere Girl. I'm ashamed to say I didn't notice this until Comixpedia pointed to Warren Ellis' latest column for Artbomb, which discusses comics and micropayments, and mentioned the Shaw news in passing.

  • Apparently there's something of a controversy down at the University of Arizona over a comic strip running in the Arizona Daily Wildcat (the local student newspaper), entitled Sarape's Grill. The strip, created by Mexican-American cartoonist Arnie Bermudez, focuses on the adventures of a Mexican immigrant in the Old West, who starts a restaurant; it would seem that some of the humor is a little crude for some readers. Wildcat reader advocate Jessica Lee sat down with Bermudez to learn more about his aims for the strip.

  • Offering further incontrovertable proof that Diamond Distribution owner Steve Geppi has too much money, The Cleveland Plain Dealer is reporting that he's offering a million-dollar bounty for a near-mint condition of Action Comics #1.

  • Veteran cartoonist Warren Sattler, who's worked on everything from National Lampoon to Hi & Lois, was inducted into the Hall of Fame of his hometown, Meriden, Connecticut yesterday. Local paper The Record-Journal has the story.

  • Movie Poop Shoot's Terrence J. Brady offers up a few examples of the insane mentality of comics speculators in the face of pamphlets "slabbed" by the folks at Comics Guaranty. Fantastic Four #250 for $104.50? Was P.T. Barnum was right or what?

  • Writing for Comics Stack, Rachel Lindley tries to parse what people are refering to when they talk about "female friendly" comics.

  • Rob Vollmar continues his exploration of the defining features of the graphic novel for Ninth Art, this time out considering the works of Eddie Campbell and Osamu Tezuka. (Here's part one, in case you missed the link.)

  • Also at Ninth Art, Kevin Dole has an interview with Vögelein creator Jane Irwin.

  • The November issue of Sequential Tart is now online, featuring interviews with Neil Gaiman, Derek Kirk Kim, Barb Lien-Cooper, Chris Reilly and Antony Mazzotta, plus a conversation with Daniel Shahin, the owner of California shop Hijinx Comics.

  • The Miami Herald speaks with legendary cartoonist Will Eisner about his career, as well as his new book Fagin the Jew.

  • Michael Sangiacomo reviews the new Little Lit anthology for Newsarama.

  • Minnesota's Twin Cities alt-weekly City Pages reviews the new Gilbert Hernandez collection, Palomar. (Link courtesy of Jessa Crispin.)

  • Apis Teicher reviews the editorial cartoons of Cox and Forkum for Comixpedia.

  • The current issue of Seattle alt-weekly The Stranger features a section on local real-life horror stories, all drawn as cartoon strips, with art by Michael Kupperman, Lauren Weinstein, R. Sikoryak, Rick Altergott, Eric Reynolds, David Lasky, and... err, I've forgotten his first name, but the last name's "Gaudino" (sorry about that).

  • Mark Evanier details some of the history behind Sheldon Meyer's other children's comic book for DC, The Three Mouseketeers.

  • Jesse Walker takes a knife to National Review writer John Derbyshire for his over-the-top denunciation of Aaron McGruder's The Boondocks. This has been your Aaron McGruder link for the day.

  • After almost a week's absence, Egon returns with an astonishing variety of tasty links. I'll leave it to you to discover most of them, but here's an appreciation of the late cartoonist Abu Abraham, which Egon's Billy the K found in The Tribune of India.

  • The Comics Burrito's John Pierce thinks that the hearts of such comics activists as James Sime and the folks at Artbomb are in the right places, but that doesn't mean that a reality check might not be in order nonetheless. In a similar vein, The Pitiful Bastard is less than impressed with Sime. (Thanks to John Jakala for pointing out The Bastard's weblog. Yeah, they're growing like weeds, aren't they?)

  • One of The Intermittent's Two Daves ponders the use of horror in comics, noting that the medium isn't as useful for shocking readers so much as giving them the creeps.

  • That said, Jim Henley finds something eerie enough in comics to be worth mentioning -- an old Steve Englehart issue of The Avengers which features suicide bombers... in 1972.

  • ZWOL's Greg Stephens is convinced he's discovered the real reason the readership for Dave Sim's comic book Cerebus seems to be dwindling: it's all part of a cunning plan! (Thanks to Max Leibman for emailing me the link.)

  • Your freakishly wrong Spider-Man photo for the day, courtesy of Warren Ellis.

Finally, Todd VerBeek takes exception to my notion (expressed a couple of years ago) that online comics could run afoul of copy protection schemes that might lock them out. I'm fully aware of how ahead of the curve I am on this, and there is certainly a high probability that I'm wrong. That said, specialized formats and viewer software for comics are starting to show themselves on the internet, whether it be the Sigma Book currently being tested in Japan, which has the blessings of a number of companies (including several major Japanese manga publishers) but comes front-loaded with Digital Rights Management protocols, or the CBR/CBZ archiving scheme found in the open-source CDisplay viewer, which is finding fans among those trading comics on the BitTorrent peer-to-peer platform, and could signal the beginnings of a new format dedicated exclusively to longform digital comics. The latter looks promising, but it's the former that really has my interest at the moment; as technology finally moves away from big-box computing and towards devices more similar to laptops and PDAs, the likelihood that such devices will be loaded down with proprietary DRM content-control features (which creators will have to pay to buy into) seems fairly high -- and if a format which utilizes this approach becomes popular enough with readers, long-form comics which use other standards may well find themselves facing the same uphill battle that, say, OGG-format music files face today. Could HTML comics still be used? Sure. But they may not be as convenient as comics stored in a single file, rather than a folder full of component files.

Like I said, the likelihood that I'm not taking something unforseen into account is fairly high; the curse of the would-be prophet, and all that. Still, it is a possibility, and it seems better to mention it now, when such circumstances can be taken into account, rather than later, when they might be harder to duck.
Posted @ 6:10 AM by Dirk Deppey | permalink



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