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Friday, October 31st, 2003

Charles Schulz speaks, Dogsbody returns
(The Comics Journal) We've got a couple of site updates for you here at TCJ.com:

  • First, The Audio Archives are going in to reruns for a month, but not just any reruns -- we're reposting the MP3 files we used to kick off the feature, which contain an hour's worth of conversation between Gary Groth and the late Peanuts creator, Charles Schulz! It occurs to me that I really don't have to say any more about this. If you didn't catch these the first time around, go download. Now.

  • When you're done with that, we've got the triumphant return of our website-only minicomics column, Dogsbody. This week, our critic Daniel Holloway offers reviews of work by Fly, Nick Mullins, and Mike Dawson and Chris Radke.

The Schulz files will remain online until November 28th, when they'll be removed to make way for next month's (new) installment. The Dogsbody column, of course, will be online until the end of time. Please note that no value judgements are being expressed in this arrangement.
Posted @ 3:50 AM by Dirk Deppey | permalink


Tribune Entertainment sues Marvel
(Comics and Television) Remember back
two years ago, when Fox sued Marvel Comics over the similarities between the X-Men characters (which the film studio had exclusive movie and television rights to) and the Mutant X television series produced by Tribune Entertainment? The two parties eventually came to a settlement, but the legal fiasco isn't over yet. Now Tribune has itself sued Marvel for a whopping $100 million, claiming that the previous legal imbroglio damaged the company's ability to make money from Marvel's property. The Los Angeles Times has the scoop:

"It wasn't until early 2001, after Tribune had sold the show to TV stations in 125 markets, that it discovered the extent of Fox's rights, the lawsuit said. Fox and Tribune settled their dispute this month.

"Tribune now alleges that the success of Mutant X was crippled because Tribune had to change characters and plot lines to distance the show from X-Men.

" 'Tribune has not realized any profit at all from the production and distribution of Mutant X but has instead lost millions of dollars,' the suit said."

Marvel CEO Allen Lipson didn't return the reporter's calls, naturally. He's probably too busy feeling like campers in a slasher flick, watching Jason rise from the dead for the umpteenth time...
Posted @ 3:50 AM by Dirk Deppey | permalink


Iranian cartoonist threatened by Islamic militants
(Censorship) Iranian cartoonist
Nikahang Kowsar, who I mentioned briefly a month ago (ninth item down), is in hot water again. This time, his life has been threatened by militant Islamists in his home country. Here's the Cartoonists Rights Network action alert in full:

"Q. When do a Nobel Peace Prize Laureate and an editorial cartoonist share the same spotlight?

"A. When their names appear together on a death threat.

"Yesterday, Cartoonists Rights Network was informed by one of its most reliable correspondents that Iranian editorial cartoonist Nikahang Kowsar's name has appeared just below that of recently named Nobel Peace Prize laureate Shirin Ebadi on an assassination list issued by one of Iran's militant Islamic groups.

"Iranian President Khatami's brother is also there. The group posting the death threat hasn't executed anyone since the late 90's, but some speculate that their credibility may be at stake now. A recently concluded agreement with U.N. Nuclear Site Inspectors has infuriated hard-liners who see the agreement as a threat to their command over certain high ground they hold within the Iranian power structure. They have threatened to kill the people on the list for the good of Islam, wherever in world they find them. Some of those on the list are in countries providing them with asylum, and the police in those countries are being informed of the threat.

"There are ten people on the list.

"Cartoonists Rights Network issued an alert on an earlier list and the organization claiming responsibility, the CHILDREN OF NAVAB SAFAVI, in May of this year."

Those seeking further information are encouraged to contact CRN's Robert Russell.
Posted @ 3:50 AM by Dirk Deppey | permalink


In other news
(Potpourri) Here's what else is happening in the world of comics and cartoons at this hour:

  • Todd McFarlane is attempting to take his ongoing legal battle with hockey player Tony Twist all the way to the Supreme Court, according to Missouri's St. Louis Post-Dispatch. The points upon which I agree with McFarlane on any number of issues could probably be counted on the fingers of a clumsy bookbinder's hand, but I'm fully behind the Toddster on this one. Here's hoping he wins his case. (Link courtesy of The Comics Burrito's John Pierce. "The Comics Burrito." That's almost as good as "Bookslut," don't you think?)

  • The nominees for the 2003 Utne Independent Press Awards have been announced. Interesting nominees include John Porcellino's King Cat Comics for best zine, cartoonist Tom Tomorrow for best online political coverage, and The Comics Journal for best art/literary coverage. (Link courtesy of Warren Ellis.)

  • The Connecticut Historical Society Museum is currently exploring the state's relationship to comic books, and this in turn prompted The Stamford Advocate to follow suit.

  • Comic Book Resources has the first of a two-part series on the Filipino influence in American comics, written by Budjette Tan.

  • Over at Ninth Art, Anthony Johnston notes the transition from a pamphlet-based comics industry to a book-based industry.

  • On yesterday's edition of the National Public Radio program Fresh Air, Terry Gross spoke with cartoonist and children's-book author Maurice Sendak. There's an audio archive of the program at the link. (Thanks to Chris Lanier for posting this to our message board.)

  • Also at NPR, an interview with cartoonist Gary Larson, conducted by All Things Considered's Bob Edwards. (Link courtesy of Mark Evanier.)

  • Richard Johnston interviews comics journalist Heidi MacDonald. (Link via Graeme McMillan.)

  • Over at the conservative-leaning Tech Central Station, Edward B. Driscoll, Jr. sings the praises of Chris Muir's daily webcomic, Day by Day. (Link via Glenn Reynolds.)

  • Venerable leftist magazine The Nation has an appreciation of Aaron McGruder's The Boondocks by documentary-film director Michael Moore, who seems overly impressed with the fact that it's in the papers and, like, it's drawn by a black guy, you know? I never thought I'd say this, but Michael Moore needs to read more Jumpstart. Also, someone at The Nation should learn how to use a damned scanner. This has been your Aaron McGruder link for the day.

  • Eddie of Eddie-torial Comments responds to the debate between myself and Brian Hibbs from last week, as well as the issues raised by Fantagraphics' own Eric Reynolds by his own response (second letter down).

  • Proof that John Jakala does not actually own nine issues of The Comics Journal (or a box of Wheaties -- I mean, that is so obviously Photoshopped).

  • Four Color Hell threatens to return, no really, this time they mean it.

  • Finally, in honor of Halloween, a tale of costumes, drunkenness, homosexual come-ons and Jim Starlin, courtesy of Fred Hembeck.

Enjoy your Halloween, and I'm see you back here Monday morning.
Posted @ 3:50 AM by Dirk Deppey | permalink



Thursday, October 30th, 2003

Slow news day
(Potpourri) The sound you hear is me thanking the fates for a lack of serious headlines -- man, am I ever beat. That said, because I missed a day, there's plenty of minor news and interesting linkables to catch up on. Let's get right to it:

  • While Marvel's publishing division may be a shadow of its former self and Hollywood pundits have turned bearish on superhero movies (shhh -- don't tell The Motley Fool), The House That Jack Built largely isn't about such things anyway these days; its licensing division and its smart handling of an enormous debtload are what have kept Marvel the apple of Wall Street's eye. Yesterday the company's stock topped thirty dollars per share, an astonishing achievement.

  • A group of comic-book retailers is petitioning Diamond Distribution to drop the fee assessed for re-orders. ICv2 carries the petition.

  • Also at ICv2: apparently working to cut out a middleman or two in its march to bookstores, Hong Kong-based HK Comics splits off from ComicsOne, in order to sell its Chinese manhua collections directly.

  • Editor and Publisher's Dave Astor explains how political cartoonist Mark Fiore jumped headfirst into the internet, and found new success as a political cartoon animator.

  • The Alligator, student newspaper for the University of Florida, published a lame editorial cartoon last Friday about the Israeli/Palestinian conflict. People complained, editors quaked with regret, and life went on as usual. Sorry, but there's no one more eager to offend nor clumsy doing it than a college-age editorial cartoonist, you know? Dog bites man; news at eleven. (Links courtesy of Jim Romenesko.)

  • Comic Book Resources' Jonah Weiland speaks to retired horror comics legend Steve Bissette.

  • Writing for Toronto's Eye Weekly, Guy Leshinski chats with Chester Brown about his new graphic novel. On a related note, Alan David Doane discusses the dialogue between Chester Brown and Dave Sim, currently being serialized in Sim's comic book Cerebus, which likewise discusses Brown's book. These have been your Chester Brown links for the day.

  • The Seattle Times' Tyrone Beason interviews The Boondocks' Aaron McGruder. This has been your Aaron McGruder link for the day. (Link via Jessa Crispin.)

  • Canada's Brampton Guardian speaks to a local boy made good, cartoonist Jay Stephens.

  • In a sort-of similar vein, New York's White Plains Journal News speaks to a local gal made good: aspiring manga cartoonist Tania del Rio, who recently won a slot in Tokyopop's annual Rising Stars of Manga anthology.

  • Meet Matt Johnson, Chris Page and Tyler Walpole, proprietors of Cup O' Kryptonite, Des Moines, Iowa's combination comic-book store and coffee house. The Des Moines Register's Jenna Buzzacco makes the introductions.

  • Alex Ross, photographed in tasteful attire for The New York Times? We've arrived at last. Hyuk, hyuk, hyuk.

  • The Guardian reviews comics and graphic novels by Joe Sacco, Ryan Inzana, Chris Ware and Art Spiegelman. (Link courtesy of Egon.)

  • Can you judge a book by its cover? Maybe, maybe not -- but you can certainly judge the cover. Cheshire Dave turns his attention to Neil Gaiman and Dave McKean's The Wolves in the Walls. (Link via Jason Kottke.)

  • Writing for California's Modesto Bee, Brad Barker is the latest person to notice that newspaper comics sections really, truly suck.

  • Lettering in comics: upper and lower-case or all-caps? Richard Starkings conducts a roundtable discussion. (Link courtesy of Mark Evanier.)

  • Towards the bottom of a post on multimedia books, The Two Blowhards' Michael predicts that graphic novels will get the short end of the stick in bookstores.

  • Speaking of graphic novels, have you noticed that in many Marvel and DC book collections, the same plot recaps are included in spite of the fact that the reader just read the plots being recapped? Or the way the areas where the indicia and such were in the comics are simply presented as blank space? Jim Henley has a suggestion for editors of such books: kindly do your damned job.

  • Neilalien, in a long and reasoned post, takes Alan David Doane to task over comments made about the closure of webzine Savant and the comics activism advocated by James Sime.

  • Graeme McMillan points and laughs at superhero comics' designated self-absorbed jackass, John Byrne.

Finally, John Jakala compares $60 in manga comics to $60 in American comics. Man, now that's what I call a damning case.
Posted @ 1:30 AM by Dirk Deppey | permalink



Wednesday, October 29th, 2003

Hey, who turned out the lights?
(Excuses, Excuses) Power just returned to the block upon which I live; I haven't had electricity since I returned home at 9:30 PM last night and spent the evening proofreading stuff for Milo by candlelight. Needless to say, I haven't done a lot of web-surfing -- ¡Journalista! will return tomorrow morning.
Posted @ 7:00 AM by Dirk Deppey |
permalink



Tuesday, October 28th, 2003

Slow news day
(Potpourri) The world of comics and cartooning is fairly quiet at the moment. Here's what I found:

  • Japan Today reports that the Tokyo city government is considering a host of measures meant to make things safer to children -- including restricting the sale of comic books with violent or sexual content.

  • The Associated Press notes that Peanuts creator Charles Schulz is #2 on Forbes Magazine's list of top-earning deceased celebrities, ranking just behind Elvis Presley. Mr. Schulz' estate earned $32 million last year. The Atlanta Journal-Constitution has the story.

  • Speaking of whom: in a fascinating thread on our message board, the regular gang spots what they convincingly argue is a fraudulent drawing of Snoopy, allegedly sketched by Schulz before he died, which recently sold on eBay for over $400.

  • Well, so much for Marvel buying Artisan Entertainment.

  • The Idaho Statesman profiles its first political cartoonist, Nick Villeneuve, who began working for the paper in the early 1910's.

  • Daryl Cagle (no permalinks, but it's at the top of the page at the moment) features two editorial cartoons killed for different reasons... and Cagle himself killed the second example. He explains why, although it will seem fairly obvious to anyone looking at it.

  • Rodrigo Baeza has two short notices about the 75th birthday of Argentinian cartoonist F. Solano Lopez and the return of Spanish comics anthology Nosotros somos los muertos (We Are the Dead), which he calls "probably the best Spanish-language comics anthology of the last decade."

  • Sarah Dyer comments on the whole CompGate controversy currently going on over at DC Comics.

  • J.W. Hastings discusses why he prefers comics-related weblogs to comics-related message boards.

  • Sean Collins has a little fun at the expense of genre-comics writers Brian Azzarello, Micah Wright and Warren Ellis.

  • Speaking of fun at the expense of others: remember that Locus review of Sandman: Endless Nights? The one that refered to Barron Storey as a Bill Sienkiewicz imitator? Well, apparently someone finally told the writer, Claude Lalumière, that Storey was the influence on Sienkiewicz, not vice-versa. Is this stopping Claude from defending his foolish comment? Oh, no... (Link via Neil Gaiman, who can't resist a few snickers himself.)

  • More fun: Graeme McMillan calls Michael Sangiacomo "the Ned Flanders of Newsarama".

  • More fun: John Jakala looks forward to Rob Liefeld's return to Marvel, noting that "Now I know how late-night comics must have felt when Schwarzenegger announced he was joining the recall race for California's governorship."

  • Escewing fun altogether, Franklin Harris just plain stomps all over Jeph Loeb and Ed McGuinness's Superman/Batman miniseries, leaving a pulpy residue twitching on the ground when he's done.

  • Bill Sherman looks back at "Star Light, Star Bright!", an old EC Comics horror tale which first appeared in Vault of Horror #34.

  • Via Jason Craft comes a link to this 2001 essay by David Rees, on how he wrote his first webcomic, My New Fighting Technique is Unstoppable.

  • The Idaho State Journal published an article yesterday with the following headline: "Restaurant manager enjoys comic books." I realize some people will see this as excellent advocacy for comics, but all I can see is "Onion headline," you know? (Okay, this is a bit unfair, as there are lots of headlines equally as bland as this one being printed every day. Here's another one: "Teen-age daughter is into Wicca." Stop the fucking presses.)

Finally, a pair of further comments arrived via email concerning last week's dialogue on the relative merits of the Direct Market and the bookstore trade. First, a guy signing himself only as "Editor" writes in to disagree with one of the facts tossed around (actually, a blind guess used for purposes of supposition, but nevermind):

"Time to check your facts, cowboy. According to the June issue of Wired, there are fewer than 17,000 bookstores in the US, which more than halves any estimates you want to start spinning for sales. Just FYI..."

Our other email comes courtesy of cartoonist James Kochalka:

"One problem with graphic novels in bookstores is that they use a totally different filing system than with other books. The rest of the bookstore is arranged by author, but the graphic novel section is always arranged by title. They do this because on most Marvel or DC books it doesn't matter who the author is. What matters is that it's Batman or Spiderman. That means my graphic novels are scattered about the graphic novel section instead of all together in one group. For someone like me that has a large back catalog, this hurts my sales. Normally, when a new reader discovers and likes my work I can count on them going through the back catalog and picking other works, but in the bookstore setting they might not even notice that the store has my other books. The bookstore filing system is hurting my potential sales."

I suppose I could point out that we are, relatively speaking, in the formative days of the graphic-novel invasion of the booksellers' trade, but that really doesn't help right now, does it? Hopefully things will improve in a standardized fashion at some point soon.
Posted @ 3:45 AM by Dirk Deppey | permalink



Monday, October 27th, 2003

Memo from Hibbs, postscript
(Comics Retailing) A quick note as we begin today's entry: The exchange between myself, San Francisco retailer Brian Hibbs and Dark Horse Comics' retailer service manager Jeff Macey, on the relative merits of the Direct Market and the booksellers' trade, has now been collected onto a single page, which you can
read here. The exchange produced a fair amount of email, a sampling of which has also been placed online -- including a response from Hibbs and commentary from Fantagraphics' marketing director, Eric Reynolds.
Posted @ 6:00 AM by Dirk Deppey | permalink


The cartoon that shot the Democrats in the foot
(Editorial Cartooning) The U.S. Senate Judiciary Committee took up the nomination by President Bush of California Supreme Court justice Janice Rogers Brown to the U.S. Court of Appeals for the District of Columbia last Wednesday. Liberal advocacy groups have targeted Brown for what
they consider her anti-Government philosophy and her lack of support for affirmative action, but while Democratic senators on the committee grilled the candidate mercilessly, they also found themselves having to rebuke one of the wilder attacks on her character: a cartoon which appeared in a recent issue of The Black Commentator, a political webzine. The Washington Post described the scene:

"Republicans complained that Democrats and liberal groups opposed [former nominee Miguel] Estrada and Brown simply because they are conservative minorities. They pointed to an Internet cartoon depicting Bush calling Brown 'Clarence' as he introduces her to Supreme Court Justice Clarence Thomas, Secretary of State Colin Powell and national security adviser Condoleezza Rice.

"Brown said the cartoon brought a friend of hers to tears, and that her mother refused to attend Wednesday's hearing because of anticipated verbal abuse.

" 'People have said to me, Well, you know, it's not personal, it's just politics, not personal,' Brown said. 'I just want to say to you that is personal, it's very personal to the nominees and the people who care about them.'

"Democrats condemned the cartoon while continuing to criticize her speeches and judicial decisions."

Utah Republican senator Orrin Hatch actually presented a large copy of the cartoon in his opening remarks, leaving it standing throughout the day even after Democratic senators asked him to take it down.

Conservatives, of course, have had a field day with the cartoon, using it to portray African-American advocacy groups and others as considering Brown a "traitor" for not holding narrowly proscribed opinions. The Republican National Committee had initially tried to tar the People for the American Way with the cartoon, causing the group to fire out an angry press release denying any such connection -- in turn forcing the RNC to issue a half-hearted correction which turned the attack back upon the PAW anyway, calling on the group to repudiate the cartoon. This probably wasn't the sort of impact The Black Commentator had in mind.
Posted @ 6:00 AM by Dirk Deppey | permalink


In other news
(Potpourri) Let's take a look and see what else the weekend brought, shall we? Let's start with another follow-up to
Tsunami TseudoMangaGate: The latest I'm hearing is that a retailer has posted to the Comic Book Industry Alliance message board, stating that he talked to Marvel's new chief high mucky-muck Dan Buckley, who tells him that arrangements are being made to see if they can't get these manga-sized softcovers -- or the same books in some other format -- into Direct Market retailers' hands. Roughly translated: no one has a clue what's going on, including Marvel. (If I had to guess, I'd say that when Marvel decided to cancel the trades, there was no way to solicit the manga volumes because they'd already printed them based on the number of orders from the book trade, which means they're either going to have to go back to press or wait until the returns start showing up from bookstores.) You can find more speculation on the subject over at Broken Frontier, meanwhile, where Graeme McMillan manages to out-cynic even me. Finally, Shawn Fumo reproduces a short interview with Marvel's C. B. Cebulski on the subject of manga sales in America, from the latest NewType USA.

Elsewhere:

  • According to Japan Today, the Cultural Affairs Agency is looking to revise that nation's copyright laws to allow authors to charge royalties for the commercial rental of books. The rise of shops specializing in such rentals is being blamed by Japanese manga publishers for the sluggish sales of their comics magazines and graphic-novel collections.

  • Today's most amusing news story comes courtesy of Heidi MacDonald at The Pulse, where a -- I love this phrase -- "grey market" in comp copies given to DC staffers being sold at Jim Hanley's Universe has led to a ridiculous crackdown by publisher Paul Levitz. My favorite quote:

    "However, according to another Hanley's employee, who also asked not to be named, the most deleterious effect may be on the exposure of indy comics to DC's editorial staff.

    " 'I guarantee, no DC editor would buy a Drawn & Quarterly book unless they got it for free,' said the employee. 'Now, they're not going to touch the stuff.' "

    Pure comedy.

  • The Montreal Gazette takes a look at Chester Brown's just-released graphic novel, Louis Riel.

  • I hadn't checked up on Jason's website in a criminally long time, so when I clicked into it over the weekend, what did I find? This picture (right), a scene from a stage production of his graphic novel Hey, Wait..., performed by Minneapolis troupe The Theater Gallery.

  • Wired Magazine profiles manga-influenced Pop artist Takashi Murakami.

  • The technogeeks at Slashdot discuss the new, 19-pound, The Complete Far Side two-volume set.

  • Over at Ninth Art, Andrea Burgess, Alex de Campi and Anna Jellinek pick through Diamond Previews and give their opinions on the current state of genre comics. Ahhh, Vertigo brown...

  • Also at Ninth Art, Paul O'Brien speaks to painter Chad McCail, who uses sequential art in his paintings.

  • John Jakala wonders at the contradictory sales figures presented for the American version of Shonen Jump in an article for Folio Magazine.

  • Neil Gaiman offers a short eulogy (last item) for Eddie Campbell Comics, the artist's now-defunct publishing arm, as well as its flagship title, Eddie Campbell's Egomania.

Finally, The Globe and Mail's Rex Murphy attempts to explain Canadian conservative political figure Preston Manning by comparing him to -- get ready for it -- Stan Lee in Hollywood. Ba DUM bump. (Link courtesy of Sequential.)
Posted @ 6:00 AM by Dirk Deppey | permalink



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