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Saturday, April 26, 2003

Still gone fishin'
(Potpourri) Blah blah blah on vacation blah blah blah quickly noted blah blah blah:

  • Detroit Free Press cartoonist Mike Thompson has won the 2002 Sigma Delta Chi Award for editorial cartooning.

  • Editor and Publisher is reporting that the Minnesota Newspaper Guild-Typographical Union tried unsuccessfully to convince The St. Paul Pioneer Press to rescind its decision to lay off cartoonist Kirk Anderson. Gee, you think it was something he said? Anderson thinks so -- he maintains that the farewell email from which I quoted yesterday enraged management enough to convince them to pull his final cartoon, which was scheduled to run yesterday, in retaliation.

  • Two months after Gary Trudeau's Doonesbury strip cast a sardonic spotlight on the troubles facing Oregon schools, Portland's Cleveland High School yesterday auctioned off one of Trudeau's original strips from the run in question. The cartoonist donated the art in response to an inquiry by one of the school's parents; no word yet as to how much was raised.

  • Pete Coogan has indexed issues #2-142 of The Comics Journal, and his handiwork is online at The University of Florida's website. I'm currently working with a programmer to have a searchable version of the index available on this site as well.

  • Of course Marvel's stock went up the moment I mentioned otherwise...

See you blah blah blah...
Posted @ 3:15 AM by Dirk Deppey | permalink



Friday, April 25, 2003

Gone Fishin'
(Potpourri) It's a fairly slow news day, and I'm far too busy catching up on my work in the Audio Archives to put any serious effort into blogging. Did I mention I was on vacation? I'm on vacation. Here's what's been going on lately:

Finally, a follow-up to the firing of St. Paul Pioneer Press editorial cartoonist Kirk Anderson -- Romenesko has a copy of the memo Anderson sent out to his co-workers the day he left, and it's worth quoting at length:

"Getting canned sucks. But I understand that difficult business decisions must be made in difficult times, and I'm glad I'm not the one who has to make those difficult decisions. But if I was... I'd probably cut the private service that comes in to water and dust and turn the plants in the publisher's office, before I'd cut a local cartoonist. In other words, I'd cut something only the privileged few who enter the publisher's office see, before I'd cut something 190,000 readers see. Is the position of local cartoonist really valued less than office plants? I could've watered 'em, and I don't even have a PhD in horticulture.

"I hope seeing my rolling bloody head bobble down the stairs doesn't frighten anyone, I hope it just makes you cheesed off about the mess it leaves behind. I hope job cuts don't make anyone feel resigned to their fate and lucky merely to have a job; they should make us all fight harder for what we've got, and fight harder to build on it. Strong journalism doesn't come from frightened workers. Strong journalism comes from empowered employees who believe in themselves, in their mission, and who know that their company supports and cares about them and their mission too.

"I know a few folks are nervous about guild activism. I know it's easy for me to talk, I've already lost my job. But I think about this the same way I thought about posting this e-mail: I don't want to live in a world where someone's money keeps me from talking openly. I won't live as if my silence can be bought. My principles do not have a price. I will say what I believe. Our profession believes in the freedom of speech more than any other; our industry prides itself on protecting the right to free speech. Let us follow in that honorable tradition and speak freely, speak often, speak loudly, speak, shout, sing, laugh, knowing it's not just what our gut calls us to do, it's what our business' highest principles of protecting free speech call us to do..."

On that note, I'll see you tomorrow.
Posted @ 3:20 AM by Dirk Deppey | permalink



Thursday, April 24, 2003

Helen Honig Meyer dies
(Comic Books) One of the giants of Golden Age comics publishing, Helen Honig Meyer, died Monday at the age of 95. Helen was president and CEO of Dell Publishing for over twenty years, from the early '50s to the mid-'70s, turning the company from a publisher of pulp magazines into a print powerhouse that famously involved many classic children's comic books, including Carl Barks' Duck comics. For further information, we turn to
The New York Times (registration required):

"She pushed through many of Dell's novel and lucrative publishing ideas.

"The pulp magazines were joined by a line of enormously lucrative — and wholesome -- comic books featuring Woody Woodpecker, Bugs Bunny and the whole Walt Disney menagerie, among them Mickey Mouse, Pluto and Donald Duck. Dell's comics sold as many as 300 million copies a year.

"When comic books were accused of corrupting America's youth in the 1950's, Mrs. Meyer defended them in Congressional hearings, asserting that 'Dell comics are good comics.' That became the slogan on all Dell comic books."

After the introduction of the Comics Code Authority, Dell was one of the very few publishers not to implement it, under the (correct) assumption that the publisher of Woody Woodpecker and Donald Duck simply didn't need it. Ms. Meyer is survived by two children, six grandchildren and four great-grandchildren.
Posted @ 1:55 AM by Dirk Deppey | permalink


Chobits charts BookScan bestseller list
(Graphic Novels) Want to know just how well manga's selling in bookstores these days?
ICv2 is reporting that the Tokyopop manga collection Chobits Volume 5 has hit #35 on BookScan's Adult Trade Fiction list. And that's not all:

"It's the #1 title on the Adult Fiction-Graphic Novel list for the week, where the other four Chobits volumes occupy spots from #3 to #16. Sales on Chobits V.5 by stores contributing numbers to the BookScan reports were almost double the second best-selling title on the graphic novel list, the X2 Movie Adaptation."

That last bit is consistent with the limited BookScan numbers I've seen. Indeed, the figures I've seen so far tend to show Tokyopop's books outselling Marvel and DC collections by a 3-to-1 factor or greater, averaging sales of 15-20,000 copies per volume -- by bookstore standards, a steady and successful seller.
Posted @ 1:55 AM by Dirk Deppey | permalink


American Greetings kills Penny Arcade's "Strawberry Shortcake" parody
(Censorship) Greeting card company American Greetings has sent a cease-and-desist notice to Gabriel Krahulik and Tycho Holkins, the creators of the online daily strip
Penny Arcade, over their April 14th strip. The cartoon depicted the cartoon character Strawberry Shortcake as an adult dominatrix. As Holkins explained on the strip's news page:

"We're currently trying to figure out exactly how the concepts of Parody and Satire work to protect the sorts of things we do, to better arm ourselves against this kind of crap. Virtually everyone believes that what we did is protected, indeed, I believe that myself -- but I'm not going to bet the farm on it until I have a bit more than Internet hearsay to back myself up with."

You can currently find links to archived copies of the offending strip on the Penny Arcade message board. Angry copyright holders versus enraged computer geeks? I smell a game of Whack-A-Mole coming on.

(Story via Slashdot, which also has links to the cartoon in question.)
Posted @ 1:55 AM by Dirk Deppey | permalink


Nominees for International Horror Guild graphic narrative award announced
(Comics Events) The
International Horror Guild stages annual awards for the best creative works in the horror genre for a variety of fields, including comics. Here are the nominees in the "graphic narrative" category for 2003:

  • Abarat by Clive Barker (HarperCollins)
  • Mike Mignola's BPRD: Hollow Earth, Issues #1-3 by Christopher Golden, Tom Sniegowski and Mike Mignola (Story), Ryan Sook (Art), Mike Mignola (cover) (Dark Horse)
  • 30 Days of Night, Issues #1-3 by Steve Niles (Story), Ben Templesmith (Art) and Ashley Wood (Covers) (IDW Publishing)
  • Strangehaven, Issue #14 by Gary Spencer Millidge (Abiogenesis Press)
  • The Goon, 2nd Series, #1-3 by Eric Powell (Albatross Exploding)
  • Fables, Issues #1-10 by Bill Willingham (DC/Vertigo)

The winners will be named on May 23rd.
Posted @ 1:55 AM by Dirk Deppey | permalink



Wednesday, April 23, 2003

More about Marvel vs. Sony
(Comics and the Movies) With the lawsuit
now unsealed, the press has begun picking through court papers related to Marvel's dispute with Sony over the merchandising of last year's blockbuster Spider-Man movie. Marvel seeks fifty million dollars and the nullification of the licensing contract; meanwhile, Sony filed a countersuit on Monday, alleging that Marvel engaged in shady accounting to hide revenues it was contractually obligated to split with the movie studio.

Marvel tried to set the tone with a press release, quoted by Heidi MacDonald in an informative report for The Pulse:

"The suit accuses Sony of fraud and of deliberately misleading Marvel by failing to disclose its intent to misappropriate Spider-Man for itself to the exclusion of Marvel. Marvel claims that Sony falsely represented that it offered Marvel unique and unparalleled merchandising opportunities -- unlike any other potential partner, but Sony never delivered on its false promises. The suit also charges Sony with material breaches of the parties' License Agreement and merchandising joint venture, and of wrongfully withholding millions of dollars it owed to Marvel, by using 'Hollywood accounting' practices and refusing to provide critical financial information owed to Marvel.

" 'Sony's allegations that this dispute arose out of Marvel's allegedly improper accounting is completely false,' Carole Handler, one of Marvel's attorneys, stated. 'As Marvel's Complaint makes clear, Marvel is owed millions of dollars by Sony, and the reason for this lawsuit is Sony's appropriation of the Spider-Man character for itself. Marvel created the popularity that ensured Sony's box office success and that Marvel Studios contributed to that success.'

Marvel also alleges that Sony engaged in restraints of trade to protect the interests of affiliates such as Sony Electronics and Sony Interactive. The suit also charges that Sony ignored contractual arrangements that protected Marvels' ongoing licensing by failing to market movie merchandise only during limited 'windows' and by ignoring Marvel's 'tie-breaker' rights when disagreements arose over merchandise licenses."

Sony responds by alleging that Marvel ignored contractually-obligated 'blackouts' in its attempts to market the character, during which Sony was supposed to be the only company merchandising Spider-Man to promote the movie. The points of contention don't end there, either, as ICv2 reports:

"Electronic game revenues were also a subject of contention, with Marvel arguing that Sony had promised to use Sony Electronics to market electronic games based on Spider-Man, and that Sony had told Marvel it could get $5-$7 million in game royalties. Marvel says that Sony only offered $500,000 for the electronic game rights, and that it then took a less favorable deal with Activision and was prevented by Sony from taking a better deal from Vivendi Universal Games. Sony argued that it was never obligated to use Sony Electronics to market the character."

From this point forward, every twist and turn in this high-stakes lawsuit is going to play out in the press, and unless one of the combatants blinks quickly, it looks to be quite a show. The comics industry won't be the only party watching, either -- yesterday Marvel's stock dropped thirty-five cents, the first such drop in over two weeks. You know, I think I'll just run out to the store for some popcorn...
Posted @ 4:35 AM by Dirk Deppey | permalink


Swipe File: "Oh no, another Laurie Anderson clone..."
(Comic Books) I appear to have set a rather interesting row of dominoes falling recently. You'll recall that a few weeks ago, I linked to a
German comics site that asked various comics creators a few questions about how they thought the recent Iraq war would affect the medium. Weblogger Kevin Parrott seized upon this as an excuse to throw a little shade the anti-war creators' way -- among other things, he called writer Micah Wright out for recontextualizing World War II posters into anti-war agitprop and offering them up for sale in a book. Wright, seeing this, responded with an over-the-top email that Parrott reprinted here, along with another series of slams. Wright in turn responded to this on his message board, prompting Parrott to respond again -- and so it went.

None of this has anything to do with comics, of course, above and beyond the questionaire which triggered this little flamewar. So why am I even mentioning it? Well, in the course of following all of this, I noticed something Wright said on his message board... something that just jumped out at me:

"His main argument seems to be that I'm fraud, a moron, and am cynically against GW Bu$h because I want to make money selling my War Posters for massive profits (haw, if only he knew how little I make doing this). He seems particularly disturbed by the fact that I'm using this Public Domain art and somehow passing it off as my own, even though (a) I never claim to have painted all of these posters, (b) only a Moron would believe that I somehow went back in time and painted such famous paintings as 'I Want YOU for US Army' and 'Rosie the Riveter,' (c) my book has an index of the original artsist (where I could find their names) -- something that the original posters never bothered to do! The Office of War Information stripped 95% of painting signatures out before issuing the art on posters -- I put them back in."

Admirable sentiments in that last bit. Given that, it's interesting to note that in issue #8 of Wright's new Wildstorm series, Stormwatch: Team Achilles, he shows considerably less regard for another artist's work. On the first page -- stop me if you've heard this one -- a character named Jukko walks into a flower shop and asks the florist, "What flower represents 'days go by'? And they just keep going by. Endlessly. Endlessly pulling you... into the future."

Sound familiar? If you're a Laurie Anderson fan, you probably recognize the lyrics to her song "White Lily" (from the album Home of the Brave), a full half of which Wright passes off as his own writing -- more, actually, if you include the implied stage directions ("And the florist says..."). I checked throughout the comic book, but could find neither copyright information nor an acknowledgement of Anderson's authorship of the words she wrote -- odd, given Wright's inspiring regard for the legacy of James Montgomery Flagg, don't you think?
Posted @ 4:35 AM by Dirk Deppey | permalink


Still slackin'
(Potpourri) If I'm on vacation, why am I still blogging? Don't ask me; if I had an ounce of sense, I'd just throw a banner at the top reading "Gone fishing" and be done with it. In any event, here's a few more news items currently making the rounds:

  • Free Comic Book Day, a promotional event staged by Diamond Distributors, publishers and retailers to promote the industry, is coming up on May 3rd, and a number of media outlets are assisting in getting the word out. ICv2 tells us all about it.

  • Gutsoon!, the publisher of Raijin Comics, has signed with Diamond to distribute its upcoming line of graphic novels to bookstores. At this point, it's easier to list the number of comics publishers that aren't represented by Diamond than the ones that are. Let's see, there's Drawn and Quarterly, DC, Fantagraphics... ummm... does Aardvark-Vanaheim count?

  • Speaking of which: Publishers Weekly is reporting that the difficulties AOL Time Warner is having in selling its book division is starting to affect said division's ability to maintain itself. It occurs to me that I'm not sure if this is going to have an impact on DC Comics or not. I assume that the book division is representing the comics division to the bookstore trade, but how will the sale of the book division affect DC's revenue? Is there a backup plan involved?

  • Paul Holden wonders if small-press comics are too insular for their own good -- and if so, why? (Link via Bugpowder.)

  • Your giant-size "wishful thinking" quote for the day:

    " 'It's a very different feel for us... It's just sort of taking a character that has been very popular over the years within the comic audiences that's very well-known –- less so outside of that into the mainstream audiences –- and doing what we think will be a very unique horror film."

    That "very popular" character that Marvel Studios executive vice-president Kevin Feige is talking about? Man-Thing. I tell you, Clowes and Zwigoff better get their Art School Confidential in the can quick; you can just smell that comic-book movie glut coming from miles away...

Some vacation. This blogging stuff is addictive; hell, even my friends back home are starting to get into the act. I should warn them. Really, I should.
Posted @ 4:35 AM by Dirk Deppey | permalink



Tuesday, April 22, 2003

Judge unseals Marvel vs. Sony lawsuit
(Comics and the Movies) Ending a week of speculation, a California judge opened the lawsuit Marvel filed against Sony to the public.
Boston.com has the Reuters report:

"During a two-hour hearing in Los Angeles Superior Court, Judge Alexander Williams said he saw no compelling reason to close proceedings or seal documents, saying the case did not involve 'trade secrets' warranting special protection.

" 'I don't think sealing documents in this case will afford much secrecy or protection in this case,' Williams said. 'I have zero faith in confidentiality.' "

Judge Williams did however delay a ruling on a request by Sony to sidetrack the suit into the hands of a court-appointed moderator; this ruling is likely to occur on May 20th. Today's decision is a victory of some sort for Marvel, which included information Sony seems to consider propriety in their supporting documents. It isn't immediately clear just what effect Marvel was aiming for by including such information, but with the documents now unsealed, I assume we'll find out shortly.

I should take the opportunity to correct an earlier lawsuit-related mistake on my part -- yesterday I printed a letter who reproduced a sentence fragment from an earlier Reuters report, absent-mindedly editing it as I went. Unfortunately, I edited a mistake in the report upon which the writer was in fact commenting. Here's the actual, unedited fragment, which appears in both Reuters reports:

"Spider-Man is based on a character created by artist San Lee"

I suppose I can see such an obvious spelling mistake appearing in one story, but two? Somebody's gotten just a little too used to their "ctrl-c" and "ctrl-v" functions, it seems...
Posted @ 3:45 AM by Dirk Deppey | permalink


Harvey nominees announced
(Comics Events)
The nominees for the 2003 Harvey Awards were announced today (press release found here). This year's crop included respectable showings for Black Hole (six nominations), 100 Bullets (five) and Weasel (four). Owing to logistics problems, this year's Harveys won't be presented at an actual ceremony, but will instead be announced via press release and sent to the respective winners by mail. The Harvey Awards committee insists the ceremony will return next year.

Speaking of awards, Comixpedia is reporting that the nomination process will begin shortly for the 2003 Web Cartoonist's Choice Awards. The solicitations for nominations will begin on May 4th, and is open to "anyone with an online comic" (although the website for the awards indicates that some restrictions will apply).
Posted @ 3:45 AM by Dirk Deppey | permalink


Briefly noted
(Potpourri) I've taken the week off from work, and seem to be sliding into Lazy Mode at the moment. There are a few other minor items floating around, but I can't for the life of me bring myself to write extensively about them. Nonetheless:

  • In an interview that I strongly suspect was conducted before Marvel's proposal to solve the dispute through mediation, retailer Brian Hibbs spoke to ICv2 about his ongoing class-action lawsuit against the company over its refusal to honor its own Terms of Sale regarding returnable product.

  • The Pulse has Diamond Distribution's 300 top-selling comics for the month of March.

  • Japan Today is reporting that electronics firm Matsushita has developed a 500 gram, hand-held e-book reader with a resolution roughly equivalent to that of a high-definition television. Downloadable comics, anyone?

Finally, NeilAlien offers his take on Andrew Arnold's comments on why the Journal missed getting nominated in the Eisners this year; unfortunately, Neil's own bias tricks him into missing the point on several levels.

First, Neil's headline is both correct and entirely fair -- the awards committee's bias was in fact the reported reason we didn't get nominated. And you know what? That's fine. Our track record at pissing off the rest of the industry was established a long time ago, and nobody here at Elitist Bastard HQ is complaining about the ramifications -- in fact, when I first passed the link to Arnold's commentary around to The Usual Suspects, the replies were universally ones of sardonic bemusement. We take our stands, others take theirs. That's simply how it works.

Getting to the heart of Neil's complaint, it's my firm belief that unless mathematics are involved, there's simply no such thing as "objectivity". Screw the smell tests; everyone has a point of view, regardless of whether or not they express it openly. Even in supposedly bias-free news reporting, the very act of selecting which facts are presented and how much emphasis they receive is in and of itself governed by the assumptions a reporter brings to the table, and anyone who tells you otherwise is trying to sell you snake-oil. Commentary? Forget it. I'd rather give an ear to someone who states their bias at the outset, and then proceeds to vigorously defend it -- to his credit, Neil usually fits this mold himself -- than someone solemnly trying to convince me of their impartiality. You can judge a given piece by the accuracy of the facts presented, but using the golden purity of the reporter's heart as a benchmark is just silly; no such animal exists. Objectivity is bullshit.

(I should of course note that this is my own opinion here, not the Official TCJ Party Line. Your mileage may vary, depending on who else in the office you speak to... but then, that's rather my point, now isn't it?)

Further, Neil misreads what I was trying to get at in this mini-essay on the ease with which the comics press can be bought through access to interviews and promotional materials. I never said The Comics Journal's editors and writers didn't have their own points of view; I merely noted that those points of view weren't for sale in the same way they were in the rest of the industry press. Again, Neil conflates the propensity for bias with the ability of outside sources to influence coverage by selective use of carrots and sticks. We saw an excellent example of this corruptive power recently when it was revealed that CNN had for years downplayed known Iraqi atrocities (or worse, refused to report them altogether) in exchange for access and the right to place news-teams in Baghdad. I certainly wouldn't make a direct comparison with CNN's misdeeds and, say, The Comics Buyers Guide's Don Thompson refusing to write negative reviews after Marvel withheld advertising over a review it felt went too far; the stakes are far too different in each case. Nonetheless, the basic principle at work is the same. If you're dependent on the subject of your coverage for access and information, the end result is compromised by the need to stay in their good graces.

As I noted, The Comics Journal has a long track record of standing by and watching as the subjects of news-items, reviews and commentary withdrew advertising and ordered employees not to talk to us, rather than altering our coverage. Does this make us "pure"? No, and I never claimed otherwise. It does however make us untainted by direct collusion, and in the end that's the most important thing you can ask of a reporter, a reviewer or a pundit. How you process what they have to say is up to you.

Well, hot damn -- looks like I had something worth ranting about after all!

Update: As previously noted, Franklin Harris has also shared his thoughts on the subject. Assuming I don't get the chance to do so sooner, I'll respond next Monday.
Posted @ 3:45 AM by Dirk Deppey | permalink



Monday, April 21, 2003

Jacques Chirac's re-election homepage now serving anti-Chirac cartoons
(Comics on the Internet) An internet domain used in French President Jacques Chirac's re-election campaign last year,
ChiracAvecLaFrance.net, has been purchased by an American group. Australia's Sydney Morning Herald has the story:

"A Reuters report on Friday quoted the French newspaper Le Figaro, as saying the domain had been bought by USO, the United Services Organization, a 'a non-profit charitable corporation... to provide morale, welfare and recreation-type services to uniformed military Personnel.' The report said the domain name was pointing to USO's own site.

"However, things appear to have changed a bit since then. The site has now been pointed at one page of anti-French cartoons on the MSN site which are maintained by one Daryl Cagle; it is titled 'Stinking, Lousy FRANCE.' "

The USO's website makes no mention of the acquisition that I could find.
Posted @ 4:10 AM by Dirk Deppey | permalink


Small press creators talk shop
(Comic Books)
Slush Factory has transcriptions of a panel on the business of small-press comic books that took place at the Small Press and Alternative Comics Expo, held April 5th in Columbus, OH. The panel was moderated by Rich Watson, and featured comics creators Jimmy Gownley, Max Ink, Sean McKeever and Pam Bliss. Here's a brief excerpt:

"Rich Watson: Lemme step in here -– Jimmy, how do you target the retailers who you think might be interested in your book?

"Jimmy Gownley: Well, what we did when we started out, we sent out, blindly, to Diamond, 3,000 comic books and [we were] gonna give them away to every single store. And that's insane! [laughter] That's a lot of money. But you have to do it because the cost of being in the business and the cost of getting people to read your book isn't the cost of printing. That's a huge mistake. It's the cost of printing plus whatever it takes to get those people to read it. Going in, we knew we were gonna need double that amount of money so that we could do that type of thing. And I think for a book that no one had heard of, we did alright. It was 3,600 copies of the first book, and we've gone through 10,000 in a year and a half. That paid for those 3,000 that we sent out. A year and a half later we went to Diamond again and we said, 'Look, we can't pay for it, but if we gave you 1,000 free copies, could you target 1,000 stores, 1,000 accounts who do not order Amelia?' And they said sure. They actually waived the fee. And if you're nice about it and you're on time and you're professional they'll generally waive fees for stuff like that. And we got another order in for some 850 copies. So it's a tremendous expense, but y'know, you get what you pay for in a lot of ways too. I think a lot of it's a self-fulfilling prophecy in that [people say] 'I can't do this or I won't do this, so therefore it's only gonna sell like it's gonna sell.' "

If you have an interest in ground-level guerilla publishing, you'll want to read the whole thing.
Posted @ 4:10 AM by Dirk Deppey | permalink


Associated Press buys Iranian line on Roosevelt cartoon
(Censorship) Iranian journalist and weblogger Sina Motallebi was arrested yesterday in Tehran, after being summoned Saturday to a police station for interrogation. In recounting the story, the Associated Press naturally recounted a bit of the history of the newspaper for which he recently worked,
Hayat-e No (the spelling varies depending on the source), which was shut down after -- well, let's let Newsday tell the story first:

"Motallebi runs the Farsi Web site www.rooznegar.com, which he developed after the hard-line judiciary banned the reformist newspaper he wrote for, the daily Hayat-e-Nou, or New Era. The newspaper had published a cartoon showing the late Ayatollah Ruhollah Khomeini, leader of Iran's 1979 revolution, being crushed by a hand."

No it didn't. As I wrote back in January when the story first broke:

"Saturday was apparently 'Everyone Act Like a Lunatic Day' in Iran. The reformist newspaper Hayat-e No found itself facing an uproar among hardline Islamists after running an 1937 American cartoon which satirized Franklin D. Roosevelt's troubles with the Supreme Court. The cartoon, a fuzzy copy of which can be seen here, depicts FDR's giant thumb crushing down on the head of a robed, bearded man labeled 'Supreme Court' and was used to illustrate a story about politics in the USA -- but this hasn't stopped reactionary clerics from claiming that the cartoon depicts the late Ayatollah Khomeinei and protesting anywhere they can muster enough bodies."

Ordinarily I wouldn't make a big deal out of what sounds at first like a minor mistake, but in this instance the actual circumstances of the events in question have vastly different moral implications than those of the story reported by the Associated Press. It's a distinction worth noting.

(Hats off to Jeff Jarvis for getting behind the story early.)
Posted @ 4:10 AM by Dirk Deppey | permalink


Monday Mailbag
(Commentary) Most of the mail I got this weekend contained either links to possible stories or tips on the bookstore-rejects story to which
I first linked on April 8th -- more on that in a moment. There just wasn't a lot of commentary last week.

About those rejects: according to ICv2, a retailer in Florida noted that he'd received some beat-up Marvel Essentials trade paperbacks with Books-A-Million UPC stickers still attached, as a part of a recent Diamond shipment. I had asked other retailers to email me if they had similar stories. I've heard from a few retailers since then, but nobody willing to go on-record with their tales. For this reason, I can't go into too much detail as to what they've told me yet. I can tell you this: materials from at least one publisher other than Marvel have also been shipped from comics shops after first being returned by bookstores. Moreover, the two publishers mentioned have something in common -- they're both represented by Diamond Distributors to the bookstore trade. As I've only heard from a few people, I cannot give you any definitive conclusions about what this means. It could be that multiple publishers are re-routing the returns back to comics shops, or it could be that isolated employees within Diamond are shipping these books out without anyone higher up in the Diamond foodchain even being aware that this is occuring -- though if this is the case, it would have to involve the actions of employees in multiple warehouses, since the retailers I've heard from are in different parts of the country. Likewise, I cannot tell you how widespread the phenomenon is within the Direct Market. At the moment, I just don't have enough to go on to say anything definitive.

I'm still interested in hearing from retailers. If you run or work in a comics shop that has received books marked with bookstore UPC codes, email me at weblog@tcj.com; all email will be considered confidential unless otherwise noted, and details identifying you, your shop or a specific shipment under discussion won't be printed in this weblog unless you tell me it's all right.

Okay, onto the email. News that The Chicago Tribune has pulled the comic strip Gil Thorp from its sports pages brought the following comment:

"You might want to note that the Trib site also has the first 10 weeks of the strip from 1958. It doesn't rank as one of the highlights of American strip entertainment, but it's kinda sad to see how far it has fallen from even mediocre heights. Jenkins may be able to sell millions of books to gullible fundies but he sure as hell can't make the Mudlarks interesting."

So noted. Two days ago, I linked to a Reuters report on the Marvel/Sony lawsuit, stating that it "contains the most concise and informative summation of the available information I've yet seen." This prompted our next correspondent to write:

"You are correct in that for the most part the Reuters piece is a nice summary of details, that is until you get to the final paragraphs:

" 'Spider-Man is based on a character created by artist Stan Lee.'

"Wow, not one but two glaring errors. So glaring I question how reliable the author got the more complicated aspects."

I don't think I do. Unlike the error in the Iranian censorship story linked above, the fuck-up in the Reuters story in question doesn't really affect the rest of the story. It looks to me like the reporter is simply more adept at parsing information about lawsuits than he or she is at distinguishing between comic-book creators. Given how marginalized comics have become, this really doesn't surprise me. In any event, the story isn't about comics; the story's about a licensing dispute. I don't see how a throwaway line about an unrelated subject invalidates the meat of the story.

Our final correspondent was moved to write by the various reports which have surfaced recently of complaints about overtly political newspaper strips running during the recent war:

"The Spokane newspaper Spokesman-Review has carried the comic strips Doonesbury and Mallard Fillmore on the editorial page for several years (though they are running the Sunday Doonesbury). A couple weeks ago, they dropped both of them with the explanation that they wanted more room for letters to the editor. A barrage of negative letters to the paper have had no effect.

"Just thought you Seattleites might want something else to use to bash us East Side lowbrows."

I've been here for three years now, and truth to tell I still don't think of myself as much of a Seattleite; you won't get any bashing out of me. Thanks for sharing.

Finally, I noted yesterday that the webzine Savant hasn't been updated in a month and counting. Savant readers will be happy to know that this doesn't mean that the site's been abandoned -- I'm informed that they're dealing with technical issues right now, and will return when said issues have been resolved.

Like the sidebar says, send email to weblog@tcj.com -- all email is considered anonymous unless you volunteer otherwise, and assumed printable unless you say otherwise.
Posted @ 4:10 AM by Dirk Deppey | permalink



Sunday, April 20, 2003

Did the Tribune axe Gil Thorp over religion?
(Comic Strips) When we
last left our hero, Gil Thorp, the comic-strip star had been axed by The Chicago Tribune, where the strip had run in the sports pages for forty-five years. Originally created by Jack Berrill, in 1996 the strip got a new creative team: writer Jerry Jenkins and artist Frank McLaughlin.

If the writer's name looks familiar, you may be familiar with another series upon which Jenkins has collaborated -- the Christian Armageddon fantasy Left Behind. Indeed, conservative theology has been creeping into the strip since the new team took over. The series recently generated controversy in the last couple of years when it took on a subplot in which a pregnant teenager was talked out of having an abortion by Thorp. The Chicago Reader recently looked into the matter:

"Gil Thorp has actually been written, uncredited, for the last couple of years by Jenkins's 25-year-old son Chad, an assistant baseball coach and baseball sports information director at Bethel College in Mishawaka, Indiana. Chad Jenkins believes what [Tribune sports editor] Bill Adee insists isn't true -- that the pregnancy story line doomed the strip in the Tribune. After all, it was notorious enough that Tribune public editor Don Wycliff wrote a column on it. 'A comic strip, like a newspaper column, is the idiosyncratic product of its creator,' Wycliff reasoned on March 6, 'so it should be no surprise that [Jerry] Jenkins has projected some of his own beliefs into Gil Thorp. It also should be no surprise that Gil Thorp, fictional though he is, would be dealing with a knotty contemporary issue. Remember: He is a high-school coach.'

"Pregnancies last nine months, and Chad Jenkins -- who Wycliff seemed unaware was the strip's actual creator -- felt he couldn't leave Melissa's in limbo. He turned in a story line that had her boyfriend Kyle trying to do the right thing, dropping out of school to get a job and find a place they could move into. 'My editor wrote me,' says Jenkins, 'and said, Where's this story going? Because we've had complaints about this story line and you've brought it back up. Management is nervous. He said, Abortion is a touchy subject, and it's supposed to be a comic strip.' "

(Link via Romenesko.)
Posted @ 3:25 AM by Dirk Deppey | permalink


Sunday Scraps
(Potpourri) The following are a series of links that have collected in my notes but for a variety of reasons never made it to this weblog before now:

  • With the recent announcement of the Eisner Award nominations, perhaps you'd like to know a little more about how the nominees were selected. Fortunately, two of the people associated with this year's crop -- judge Andrew Arnold and administrator Jackie Estrada -- were happy to discuss what went on behind the scenes.

  • The Australian Broadcasting Corporation takes a look at the nascent comic-book scene slowly emerging in Russia, and the challenges it faces in a nation with no real comics tradition to speak of. (Link via Egon.)

  • Osaka Buddhist priest Tetsuei Okahashi has now published three comic books and counting, in an attempt to popularize Shinshu teachings in Japan. The Daily Yomiuri has the story.

  • Via Boing Boing comes a link to The Perpetual Motion Roadshow, an attempt to create a Vaudville-style travelling circuit for independent book, magazine and comics publishers.

  • Massachusetts' Newton Daily News Tribune reports on the wildly successful efforts of Chris Tarbassian to gather comic books to send to soldiers participating in the military action in Iraq. Okay, it is a captive audience, I'll grant you...

  • Writing for the University of Idaho website Narratech, Jason Frank laments the overwhelmingly mediocre nature of most superhero comics. (Link via NeilAlien.)

  • Lalo Alcarez, creator of the comic strip La Cucaracha, recently spoke at the University of California/Santa Barbara's MultiCultural Center, and student newspaper The Daily Nexus was there.

  • The BBC profiles Scott McCloud. (Link via Comixpedia.)

  • Speaking of the BBC, they also recently spoke with John Wagner, the writer who created Judge Dredd. You can hear a RealAudio stream of the resulting radio profile by clicking here.

  • The hometown crowd loves her -- Payvand's Iran News offers glowing praise for the upcoming Pantheon release of Marjane Satrapi's graphic novel Persepolis.

  • Adam Finley interviews Chris Onstad, successful creator of the online comic strip Achewood.

  • The Santa Cruz Sentinel profiles Jai Sen, author of the recently-released graphic novel The Golden Vine.

  • Via Chris W. over at the Comicon message board comes a link to this archived Comics & Games Retailer interview with Dave Sim, who tried to convince Neil Gaiman and Todd McFarlane to declare Miracleman a public-domain character.

  • It has now been one full month since activist comics webzine Savant has posted an update. Have they thrown in the towel?

  • Silicon Valley Biz Ink reports on the Silicon Valley Toxics Coalition, which has published a comic book to publicize the effects of industrial toxins. Naturally, the Semiconductor Industry Association is up in arms about it.

  • Correctional Service Canada is using webcomics to reassure the children of convicted felons that things will be okay. (Link via weblogger Colby Cosh.)

  • Speaking of Canadian comics, Steven Wintle offers a link to the National Library of Canada's online exhibition detailing the history of comic books in the Great White North.

  • Information design consultant Conrad Taylor has posted an informative paper to his website in PDF format, which explains basic illustration concepts to people convinced that they cannot draw. (Link via xBlog.)

  • The Straits Times of Singapore profiles Machiko Maeyama, who runs a school for aspiring manga artists in the Indonesian city of Jakarta.

  • Ladies and gentlemen, your ass-backwards "comics aren't just for kids anymore" newspaper puff-piece for the week. (Link courtesy of Jeff Mason, who really should get off his ass and restart Indy Magazine like he keeps promising to do. And use it to host a weblog!)

  • A Salt Lake Tribune reader tries to define yucky political comic strips right off the comics page. Scott McCloud, eat your heart out!

  • Via Slashdot: the original comic book for computer nerds, Tandy Computer Whiz Kids Comics, now scanned and available on the web.

  • You know, this is exactly the kind of link TCJ managing editor Milo George berates me for posting, but I'm a total sucker for Garth Ennis and Steve Dillon's Preacher -- which, incidentally, is still set for adaptation as a movie.

  • Finally, Gail Simone makes a surprise return stint to her Comic Book Resources parody column You'll All Be Sorry.

See you Monday.
Posted @ 3:25 AM by Dirk Deppey | permalink



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