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Saturday, February 1, 2003

Belgium's law of unintended consequences
(Cartooning)
Fumetti.org alerts us to a weird one -- the Belgian government, trying to improve the lot of artists, may have just regulated their comics industry out of business. On July 5th of last year, Belgium's Council of Ministers took up a bill (Dutch-language[?] PDF file) that would require all artists (including cartoonists) who work for a single editor to be considered an employee for the purpose of benefits and social security obligations. On December 23rd the bill was passed; it becomes law in July. The idea comes loaded with good intentions, so naturally it paves a road to Hell.

The biggest problem is the enormous cultural interchange between Belgium and other comics-reading European nations, such as France. Because Belgium's judicial code only affects its own citizens, the new law wouldn't apply to cartoonists working outside the country. Perversely, the law could be applied so that Belgian artists who work for French publishers would have to pay both the employer's and the employee's portion of the social security payments -- and given Belgium's welfare state, this could add up to a pretty penny indeed. La Maison des Auteurs de BD explains the predicament in detail (note that this is from the Google translation, so be warned of the torturous language ahead):

"If the author is published in a Belgian editor, this last will be constrained to follow the Law. On all the amounts paid with the authors, it will have on the one hand to retain approximately 15% by way of personal contribution of the worker to the social security contribution, and it will have moreover to pay an amount of 35% approximately with its social case. Let us take a price with the board of 300 euros (12.102 BFRS). On these 300 euros, the author would not receive any more that 255 euros, and the editor should pay with his social case 105 euros. A paid board 300 euros (12.102 [Belgian francs]) will thus be allocated to the editor to 405 euros (16.338 BFRS), and the author will have out of pocket only 255 euros (10.287 francs).

"As much to say that separately the large salesmen (and those are undoubtedly already for the majority in company), plus any Belgian editor will not wish to work with Belgian authors. Indeed, the residents authors apart from Belgium will not be considered as person employed. The Belgian State thus will found a kind of unfair economic competition between the residents authors in Belgium and the residents authors the Abroad....

"On the second assumption, the author is published by a foreign editor. This editor is obviously not held by the Belgian Law. Unfortunately, the European payment 1408/71 relating to the application of the social security systems to the paid workers, the self-employed persons and the members of their family who move inside the precise Community that the worker residing in a country, even if it works for a foreign company, is subjected to the social right of the country in question. On this assumption, not only the author will have to take itself his 15% of personal contribution, but it could be, moreover, that its social case requires of him to pay itself the employer's share of 35%, substituent thus with its "employer". The author should thus pay approximately 50% of his royalties. On a price with the board of 300 euros always (12.102 BFRS), it would thus keep nothing any more but 150 euros (6.051 BFRS).

"And let us note well that all this relates to ONLY the social security contributions."

There's another wrinkle as well: artists who work for more than one company are exempt from the law, which is causing many to worry that this will serve as an incentive for Belgian publishers not to hire local writers and cartoonists unless they have more than one client. The end result could be both an exodus of talent out of Belgium and a sudden spike in the number of foreign cartoonists taking Belgian cartoonists' jobs. Those that do stay will find themselves under pressure to work on titles for multiple publishers in order to keep the jobs coming. This probably isn't what the Belgian government had in mind....
Posted @ 3:00 AM by Dirk Deppey | permalink


Eddie Campbell stops publishing
(Comic Books) Eddie Campbell Comics is no more. The acclaimed cartoonist has announced on
his website that Eddie Campbell's Egomania #2 will be the last work published under the imprint for the forseeable future. Campbell explains:

"...I conceived Egomania in a moment when From Hell was bringing in so much revenue that I could afford to indulge myself and put out a magazine which made no compromises to market expectations. I wanted to do a mag made up of my enthusiasms, pure and simple, presented in a precise and attractive typographical setting. I also wanted it to be such an eclectic mix of stuff that it would confound the comics purists who attempt to oppress and stultify our medium by straight-jacketing it with their definitions and rules. It’s time to broaden our vision instead of narrowing it. I knew the thing had no chance in the current market and that the clock was ticking as soon as I started. The collapse of my US distributor last year hurried things to an early conclusion."

Campbell goes on to state that he will instead be devoting his time to a painted Batman one-shot, as well as a variety of side-projects for other publishers. He also speculates that The History of Humour, which was being serialized in Egomania, "will resurface in some way or other."

(Thanks to Chris Breach for the heads-up.)
Posted @ 3:00 AM by Dirk Deppey | permalink


Shonen Jump editor-in-chief dies unexpectedly
(Comic Books) Toshimasa Takahashi, editor-in-chief of the popular Japanese comics magazine Shonen Jump, died last Monday after suffering some form of health attack during a press conference for a movie based on one of his magazine's comic strips.
Akadot describes what happened:

" It was reported that after the first five minutes of the conference, Takahashi started to look ill. After the trailer for the movie was shown, Toei Animation president Tsutomu Tomari began his greeting to the press. During Tomari's greeting, Takahashi made a sudden 'snore-like' sound and suddenly fell unconscious.

"The press conference was immediately cancelled. Although he was unconscious, others tried to administer first aid. It is reported that he started to look better at that time. But, when his name was called, he did not reply. Twenty minutes later, the ship docked and he was taken to Seiroka International Hospital in Chuo-ku, Tokyo. He was administered care in the Intensive Care Unit, but never regained consciousness and passed away at 4:51 pm. Although it has not been confirmed, it is speculated that he may have suffered from a stroke. According to Shueisha, they were never aware if Takahashi had any illnesses."

Takahashi had worked for Shonen Jump's publisher, Shueisha, for over twenty years. He was 44.

(Link via Warren Ellis.)
Posted @ 3:00 AM by Dirk Deppey | permalink


DaimlerChrysler alters Mauldin cartoon for ad
(Gag Cartooning) Auto manufacturer DaimlerChrysler, which produces the Jeep line of compact all-terrain vehicles, paid tribute to the late Bill Mauldin by running one of his cartoons in an advertisement under the headline, "With great sadness, the Jeep brand says goodbye to the great cartoonist who immortalized the heroic enlisted men of WWII." The cartoonist shows a G.I. with his face cupped in his hand, the other reaching for a box of tissues on the hood of the Jeep behind him. Writing for
TheStreet.com, George Mannes explains that there's more to the story:

"In the original version, you see, the soldier isn't reaching for a box of tissues. There's no box on the hood. Instead, the soldier's outstretched hand holds a pistol pointed at the hood of the Jeep. Reluctantly, the soldier is about to shoot his vehicle in the hood.

"See, that's the joke. The left front wheel of the Jeep has collapsed, you might notice. It's the WWII equivalent of a horse that has broken its leg. The heartbroken rider must shoot the horse in the head and put him out of its misery.

"So, there you have it. In paying tribute to Mauldin, DaimlerChrysler has completely glossed over the dark humor that was an essential part of his appeal. They're preserving his memory by changing his work. And we don't like it."

I don't either, but what are you gonna do? Mannes contacted Stars and Stripes, the military newspaper which holds the copyright to the cartoon, which stated that it had no problem with the alteration.

(Link via Glenn Reynolds.)
Posted @ 3:00 AM by Dirk Deppey | permalink



Friday, January 31, 2003

Men's magazine threatened with lawsuit over cartoon
(Comic Strips) Never underestimate Hindi tenacity. We begin our story with
The Borneo Bulletin, which reported what at first sounded like just another tale of outrage over an offensive cartoon, this time starring Mahatma Gandhi:

"In its latest issue Maxim, known for its irreverent humour and glossy shots of scantily-clad women, featured a 21-scene sketch of a muscular man in a tank-top and shorts beating the frail Indian independence hero to a pulp, with instructions to 'teach those pacifists a lesson about aggression.'

"Gandhi's torchbearers did not find it funny.

" 'My first reaction is, How stupid. My next reaction is, How sad,' said Michelle Naef, administrator of the M.K Gandhi Institute in Tennessee, which was founded by the Mahatma's grandson Arun Gandhi."

Add in simultaneous news reports of an MTV cartoon which depicted a clone of India's founding Father as a pierced party-animal, and the outrage built up quickly. The website IndiaCause reproduced excerpts from the cartoon strip and asked readers to write in protest. In the space of two days, Maxim received over 5000 complaints from Gandhi devotees worldwide. Meanwhile in India, the state of Haryana's Chief Minister, Om Prakash Chautala, met with government officials to demand action against the magazine, and noted that he was consulting with experts on whether the offending media outlets could be sued for slandering Gandhi.

Maxim's response? A half-hearted apology guaranteed to please no one. MTV, meanwhile, seems to be keeping a low profile regarding the matter.
Posted @ 2:25 AM by Dirk Deppey | permalink


British newspaper responds to furor over Sharon cartoon
(Editorial Cartooning) If Maxim seemed nervous about the uproar its cartoon had caused, across the Atlantic the story is much different. British newspaper The Independent has reacted to
the controversy surrounding a recent Dave Brown editorial cartoon, depicting Israeli Prime Minister Ariel Sharon eating a Palestinian baby, by going the "let's look at all sides" route and drowning the subject in column inches. Briefly: Ned Temko calls the cartoon anti-Semitic, Gerald Kaufman defends it as satire, and the printed excerpts of reader reaction is all over the map, though the newspaper gives no actual tally of how the majority of readers responded. Oh, and Brown himself also chimed in to defend his cartoon:

"My first idea was of Sharon puckering up to a child, revealing missile-like fangs. Then my thoughts progressed from biting to eating children, and immediately Goya's painting Saturn Devouring One of His Sons came to mind. Goya's picture has the power to shock that I thought the situation merited. By borrowing the image, I hoped to benefit from its associations; those who knew the classical myth of the Titan driven, by his fear of being supplanted by his children, to the insanity of devouring them, might draw some parallels.

"Do I believe, or was I trying to suggest, that Sharon actually eats babies? Of course not -– one of the other benefits of the borrowed image was that it was sited squarely in the field of allegory. My cartoon was intended as a caricature of a specific person, Sharon, in the guise of a figure from classical myth who, I hoped, couldn't be farther from any Jewish stereotype."

I suppose it's a fine defense in theory, but given the "blood libel" myths flung at Jews past and present, you have to wonder just how naive Brown was being in not anticipating accusations of anti-Semitism. Aren't cartoons supposed to communicate their ideas a little more clearly than that?
Posted @ 2:25 AM by Dirk Deppey | permalink


Denis Kitchen suffers setback after warehouse incident
(Comics Publishing) Publisher Denis Kitchen has sent a note to
The Pulse reporting that a wide variety of books, archival materials and personal files may have been damaged after the sprinkler system of the warehouse in which they were kept froze, drenching said materials for some two hours:

"It will take, minimally, some days for Stacey and I to sort out, assess and begin cleaning up the damage. This brief message is to essentially say that we personally and our business entities may be out of communication while dealing with the aftermath of this disaster.

"We ask your indulgence and patience in the interim."

Our condolences to Mr. Kitchen.
Posted @ 2:25 AM by Dirk Deppey | permalink


Updates on previous stories
(Potpourri) Here are a updates on a few other stories I've been tracking:

Another day, another ¡Journalista! -- see you tomorrow.
Posted @ 2:25 AM by Dirk Deppey | permalink



Thursday, January 30, 2003

Short takes
(Potpourri) I'm currently juggling an excessive number of tasks at the moment, so I'm afraid it's going to be another of those "quick list" days today. Here is the news:

  • Via Egon comes word that the government of France is taking a renewed interest in comics. According to Yahoo France's wire service (Google translation), Cultural Minister Jean-Jacques Aillagon announced that the state grant to the Angoulême comics festival would be increased by over threefold, from €65,000 to €195,000. In addition, he also pledged to increase a number of other government programs as well, including assistance to creators and aid in translation of their works to other languages (the article is vague on what exact form this aid would take).

  • ICv2 is reporting that Barnes & Noble.com has added a new graphic novels category to their listings. Can Amazon.com be far behind? (Jeff Mason actually emailed this link to me a day or so ago, but I'm only getting around to it now.)

  • In response to Tuesday's request for a copy of the Independent cartoon that has the Israeli embassy protesting, both Jim Henley and Eric Millikin emailed me links to the offending cartoon. I'm going with Millikin's link, which is larger and shows more detail, but thanks to both gentlemen. Damn, "offending cartoon" is right...

The weekend begins tomorrow; hopefully, I'll actually have the time to write proper entries. We shall see...
Posted @ 3:00 AM by Dirk Deppey | permalink



Wednesday, January 29, 2003

Fake-out at Maakies Corner
(Comic Strips) As the co-administrator of The Comics Journal message board, I can tell you that dealing with the flamewars and grudgefights anytime the subject of
Rall vs. Hellman pops up is, hands down, the least welcome part of the job. Clamp down too quick and I'm a jack-booted thug; let it go and it spills over into every other forum on the board. (My solution? Jackboots, jackboots, jackboots! Screw 'em.) This one, however, was actually pretty funny. About a month ago, Tony Millionaire, a close friend of Hellman's, logged into the message board and offered to let Rall draw a Maakies strip. Rall accepted; shortly thereafter Danny Hellman began making "traitor" noises. Everybody else sat back and waited until January 28th, the day the Rall strip was allegedly supposed to hit the papers.

Instead, this appeared. We turn now to weblogger Jim Treacher for the color commentary:

"Point is, Hellman and Millionaire pulled one over on everybody, Rall in particular. Just perfect. I mean, you sue a guy for playing a prank on you, one of his best friends offers to let you draw his strip, and then... they pull a prank on you! Shock!"

I have to admit to being fooled myself... or was I? Contacted by Heidi MacDonald, Millionaire noted that he never said Rall's cartoon would run on the 28th: "I said I would run the next guest Maakies on the 28th, not necessarily Rall's. Danny just happened to be next in line."

Now if you'll excuse me, I'm off to lock down a few more message board threads. Just because I can, you know?
Posted @ 1:25 AM by Dirk Deppey | permalink


Real aldermen don't grab other aldermen's crotches
(Editorial Cartooning) Four alderman of Oak Grove, Missouri are suing a local independent newspaper, The Oak Grove News And Views, and fifty or so residents over a cartoon that ran in a recent edition of the paper. The cartoon depicted the four alderman attempting to form a human pyramid of sorts, with one alderman (alderwoman, actually) grabbing another's crotch for balance. Kansas City's
KMBC reports the reaction:

"A group of citizens, upset with City Hall, put their frustrations in print, forming a publishing company called I Spy Inc., which prints papers and delivers them around town.

"[Resident Larry] Hamilton said that he does not mind that the paper exists and he said that dissent is fine, but defamation is not.

" 'I think the four aldermen who are suing have every right, and it needs to be done,' Hamilton said."

Of course, the article notes that Larry Hamilton has also been a target of the paper's wrath. What do the rest of the townspeople think? The article doesn't say. You'd think with fifty defendents, reporter Jeremy Hubbard could have turned one of them up for a quote...
Posted @ 1:25 AM by Dirk Deppey | permalink


"...the possible influence of these lowlifes..."
(Comics Events)
The Cartoon Art Museum has launched a new exhibit, entitled "Hate Mail: Comic Strip Controversies," which pairs original comic-strip art with samples of the hate mail the art generated. The exhibit includes work by such cartoonists as Aaron McGruder, Gary Trudeau, Lynn Johnston and Berke Breathed, and runs through June 8th. As The San Francisco Chronicle notes, though, there's a definite demographic to those who complain about their daily funnies:

"Both McGruder and Breathed believe that there's a generation gap of comics readers. Those who grew up accustomed to Doonesbury are less inclined to take offense at serious topics.

" 'Comics are an aging medium,' McGruder said. 'Not only the creators but a lot of readers are old people. And old people aren't quick to change.'

" 'I don't think a lot of people under 30 are calling in shock that Boondocks is poking them in the eye,' Breathed agreed."

Before you email me: no, the Cartoon Art Museum makes no note of the exhibit on their website. Yes, the exhibit really is taking place. Update your site, guys.
Posted @ 1:25 AM by Dirk Deppey | permalink


Let the ugly lesbians kiss, Warren Ellis!
(The Comics Press) Chris Allen must hate me by now. Every week he writes nice, intelligent, well-rounded comics reviews, covering a wide variety of subjects, but do I
link to them? No. I seldom link to comics reviews -- unless they're written by his Movie Poop Shoot cohort, the mysterious "A.K.", that is. Here's the deal: every couple of weeks, A.K. writes a column that has me giggling like a maniac from start to finish, and I find myself possessed with the urge to share. This week, the usual mix of clever commentary and paint-huffing stupidity covers Wildstorm's inability to show gays kissing, Rob Liefeld's alleged sexiness, comics fans' strange aversion to Kyle Baker, CrossGen's attempts to coax their readers into stripping naked and painting themselves blue... and this little oddity:

"The HULK looks like it’s going to be a big movie, based on that commercial during the Super Bowl anyway. I guess we’re going to get flooded with HULK books pretty soon. We’ll be swimming in HULKs. Just like your mom always dreamed of doing. Your dirty, dirty, man-loving mother. Who’s unnaturally fond of Bill Bixby and/or Lou Ferrigno. And who can apparently swim in men even though men are solids and not liquids. Which is quite a trick, really. Maybe she melts the men like in some old Roger Corman movie. Is your mom Victor Price? If so, I loved it when your mom would team up with Scooby Doo. This also applies to you/your-mom if your mom is the Harlem Globetrotters basketball team."

Comedy or hard drugs? I leave that to you to ponder. Despite Allen's eminently superior critical faculty, I must conclude that it's "A.K." who has the expressive, cartoony prose style that remains oh so easy on the eyes. I'm not sure where he's going with this column, but it must be said that the man continues to impress. Title Bout is a mess of fun.


Posted @ 1:25 AM by Dirk Deppey | permalink



Tuesday, January 28, 2003

Direct Market still slipping, but not as badly
(Comics Retailing) The folks at
ICv2 have had a chance to pour through the comic-book direct distribution network's initial orders for February. They've found sales continuing to drop, but by under 1% this month, which they call "the smallest drop since the drop-off started at the beginning of the fourth quarter last year." Also:

"Consistent with recent trends, February 2003 orders were up substantially vs. 2001 and 2000. Comics were up 19% and graphic novels up 13% , for a total 18% increase vs. 2001. Comics were up 9% and graphic novels up 15% for a total 9% increase vs. 2000.

"Three of the Big Four publishers were down, with Marvel, DC, and Dark Horse dollars down 9%, 7%, and 9%, respectively. Image was up 17% vs. 2002. Below the top four, CrossGen was up 23%, and Dreamwave's roughly 3% of market share compares to 0% a year ago."

That last paragraph is actually good news, if it reflects a growing trend towards diversification in the market. Bear in mind that while Marvel has managed to reduce its debt load considerably last year, it still isn't out of the woods yet, and much of the money it earns is still tied up in payments; given how much of this money is coming from film and toy tie-in earnings, all it really takes is a box-office bomb or two to put Marvel back on shaky ground. DC, likewise, could find itself in bad territory if the higher-ups at AOL-Time-Warner-Mellencamp decide to sell off its book-publishing division, which distributes DC's graphic novels and collections to bookstores. (I don't mean to imply that DC is in the same predicament as Marvel, by any means -- the company's intellectual-property assets and relatively low costs make it too valuable to sell, and losing its place in the bookstore market probably wouldn't do major damage to the company. But still.)

Moreover, a wider range of available material increases the chances of attracting a wider range of customers into the shops -- an especially important goal given the increasing competition from newsstands and bookstores. Under the best of circumstances it behooves retailers not to put their eggs in one basket; in troubled times diversity of product line becomes even more important.
Posted @ 2:50 AM by Dirk Deppey | permalink


Israel protests British cartoon
(Editorial Cartoons) A cartoon which ran in yesterday's edition of the British newspaper The Independent depicted Israeli Prime Minister Ariel Sharon taking a bite out of a Palestinian infant, drawing a rebuke in the form of a sharply-worded letter from Israel's embassy.
Ha'aretz has the story:

"In the cartoon, Sharon says: 'What's wrong? Have you never seen a politician kissing a baby?' The background shows Apache attack helicopters sending missiles from the cockpit with the message 'Vote Likud.' "In her letter, Shuli Davidovich, the embassy's press secretary, writes: 'As Britain commemorates National Holocaust Day, I am shocked that The Independent has chosen to evoke an ancient Jewish stereotype which would not have looked out of place in Der Sturmer, and which can unfortunately still be found in many Arabic newspapers.

" 'The blood-thirsty imagery not only misrepresents the real reason for the IDF's operations in Gaza, but also feeds the hostility toward Israel and the Jewish people which lies at the very core of the Arab-Israeli conflict.' "

A search for an online copy of the offending cartoon has so far proven unsuccessful; if you can locate one, please email me the URL at weblog@tcj.com; credit for the link will be given unless requested otherwise.
Posted @ 2:50 AM by Dirk Deppey | permalink


A couple of quickies
(Potpourri) I've got proofreading yet to do for the next Journal, so here are a few short links sans the usual wiseass remarks:

  • The Atlanta Journal-Constitution has a short business profile of Top Shelf co-publisher Chris Staros, focusing on his company's remarkable recovery after the collapse of its bookstore distributor.

  • Continued from yesterday: Southern California's Metro Newspapers chain offers this profile of Harvey Pekar, Joyce Brabner, and the rocky road they travelled on the way to their current good fortune.

See you tomorrow.
Posted @ 2:50 AM by Dirk Deppey | permalink



Monday, January 27, 2003

Loisel wins Angoulême Grand Prix
(Comics Events)
The Pulse informs us that Régis Loisal, a French cartoonist noted for such works of fantasy as La Quete de l'Oiseau du Temps, Jonas Folies dans Jonas and a multi-volume Peter Pan series, won the coveted Grand Prix of the Angoulême comics festival on Saturday. The French-language Associated Press report can be found here, but here's a mildly cleaned-up excerpt from the Google translation:

"Elected by the Academy of the [Grand Prix], all those thus honoured with length with the Festival, [Régis] Loisel, 52 years, succeeds François Schuiten, [Grand Prix] 2002, in Pétillon, Boucq, Crumb, Bilal, Druillet, Moebius, Margerin, Mézières, Fred, Gillon... and Andre Franquin, the very first one in 1974.

"Loisel, new member of this academy of the stars of [BD], will be the project superintendent of the festivities 2004 and chair [...] the jury of the prize list rewarding the best albums for the year."

Aren't automated translation software packages entertaining? You can see an overview of Loisel's work here (Google translation), and read an illustrated interview with the artist here (Google translation).
Posted @ 12:20 AM by Dirk Deppey | permalink


American Splendor wins top prize at Sundance
(Comics and the Movies) The film docudrama based on Harvey Pekar's groundbreaking autobiographical comic American Splendor won the grand jury prize at the Sundance Film Festival last Saturday night. The award is the festival's top honor for a dramatic motion picture, receiving it has dramatically boosted the film's prestige, as
The Cleveland Plain Dealer reports:

" 'I don't know about awards,' Pekar continued. 'I mean, if a film like Forrest Gump can win the Academy Award, how much can they mean? But I'm happy for the people who made it. They're very, very nice, they're bright, they're talented. If I had contact with people like that every day, I wouldn't be depressed and everything.'

"The film, produced by Ted Hope and written and directed by Bob Pulcini and Shari Springer Berman, was financed by HBO, where it was originally scheduled to premiere. But Pekar said a bidding war was under way for the rights to distribute the film theatrically."

At the ceremony, co-director Pulcini reportedly quipped, "Harvey, we share this with you. I hope this cheers you up for a couple of days." If nothing else, let's hope the film puts a little jingle in Pekar's pocket for a change. That'd undoubtedly cheer him up.

(Link cheerfully stolen from Egon, whose ability to pounce on news as it occurs is truly a fearsome thing to behold.)
Posted @ 12:20 AM by Dirk Deppey | permalink


Harvey Awards cancels ceremony
(Comics Events) Faced with the prospect of losing even more money than usual, the Harvey Awards Committee has decided to cancel the ceremonial banquet scheduled to be held at the Pittsburgh Comic Con, though the awards themselves will still be given out. Everyone's favorite weblogging cartoonist
Rick Veitch has the press release:

" 'The keynote speaker for 2003 was to have been Neil Gaiman,' Harvey Committee Chairman Denis Kitchen explained. 'But Neil was forced to cancel his appearance when the April 25-27 Pittsburgh convention conflicted with a European book tour arranged by his publisher. We were unable to come up with a suitable replacement speaker in time.'

"The Harvey press release went on to say: 'Pittsburgh Comic Con promoters Michael and Renee George have, for the past three years, subsidized the annual deficit of the Harvey Awards, whose total costs are often not fully covered by sponsor donations and sales of banquet tickets. Without a popular keynote speaker to fill seats, an awards banquet can lose a lot of money.' "

The report goes on to note that 2003 is also the final year of the Pittsburgh event's lease on the Harveys, and that the Committee would soon be meeting to discuss its options for 2004.
Posted @ 12:20 AM by Dirk Deppey | permalink


Monday Mailbag
(Commentary) Enough with the awards ceremonies, already! It's time to look at the email that's accumulated over the past week. Well, one email, anyway, but it's a long one. Regarding a letter from
last week's Mailbag concerning DC Comics' recently-announced experiment in retailer returnability, San Francisco retailer Brian Hibbs comments:

"The 'genesis' of this program came from my TILTING AT WINDMILLS column from COMICS RETAILER magazine.

"I first suggested this concept in 1993 (!!) -- TEN long damn years ago! -- no, moving the battleship is a REAL easy task!

"I revisited it every year or so, and I guess DC's Bob Wayne finally got sick of me talking about it, and decided to give it a try, if only to shut me up. Of course, it actually WORKED, so I guess I'm vindicated!

"The original column can be found here and the first follow-up is here -- columns where I go MORE in-depth on the idea aren't on line yet, but can be found in the upcoming TILTING AT WINDMILLS trade paperback coming in April from IDW (A plug!!)"

(Dirk interjects: Hey, wait a minute...)

"I, too, think this has the potential to be one of the biggest stories of the year -- though I admit to being super-double biased, of course.

"I quite hope that if this proves as successful as I think it can that other publishers will begin to adopt this thinking, and maybe we can transform the way comics are ordered and displayed in the Direct Market.

"I think DC's current version is a good first step towards what I envision, and I think it is only natural that retailers will have some quibbles or commentary about the specific participation levels they've set at launch. Ranking quantity by discount level is a good first stab at the complexity of the problem, but clearly, with the vast range of dollar amounts and types of stores in any given range, this may not be a 'one size fits all' solution.

"The difference in between DC's, say, 55% bracket of $3400 (at the low end) and $16,999 (at the high end) is pretty enormous, and in that spread you're going to have some stores which will have a difficult time meeting some of those plateaus on some of those books (which book and which plateau will almost certainly vary from store to store)

"(However, THANK GOD they're trying this AT ALL -- commenting on where an individual store might fall isn't 'moaning', I don't think, but an honest hope from most stores that they'll be able to maximize thier individual results)

"As for the conservatism of the market, let me observe that the 'best selling' title does something just north of 100,000 copies -- Diamond reports '3500' stores. Which means the 'average' (yah, ha-ha) orders 29 copies of the BEST SELLING title...

"Half to three-quarters of the battle in the Direct Market is getting ANY copies of a title on the shelf AT ALL. I don't even think this is a 'mainstream' versus 'alternative' split, really -- you have to look hard to find stores that always have a full spread of EVERY DC and Marvel title on the racks all of the time.

"We're still waiting for DC to publish the results of the intial Saturation Test (as they promised they'd do), but my (perhaps faulty) memory of the results as read at the RPP was that marginal 'mainstream' material (like, say, a 'SECRET FILES' of GREEN LANTERN, or something), had just as much of an initial weak position from the participating retailers as did a Vertigo or Cartoon Network title -- actually HAVING COPIES ON THE SHELF (as opposed to 'Sell out and reorder') has a very strong positive impact on sales of material... regardless of it being spandex-oriented or not.

"The battle for rack space in Direct Market stores is very much a battle against financial conservatism and the inherent it-can-put-you-out-of-business-if-you're-not-careful nature of selling a non-returnable product.

"Whether you're talking about YOUNG JUSTICE or ACME NOVELTY LIBRARY, getting that FIRST 'rack copy' in a store is the most important step. Then you start working on getting the SECOND copy, and the third and so on.

"Let me give you an example: right now, this second, at Comix Experience (We're VERY solidly a "55" account -- making us, by all accounts, a 'Top 10%' DM store) our rack sales of SUPERMAN have dropped into the single digits. That means every time I place a double-digit order (10 or 11), I'm taking a large risk that my ENTIRE order of SUPERMAN will become break-even at best.

"If I'm working on a 10% pre-tax profit margin (which is pretty high for retail) than 8 copies sold of the $2.25 SUPERMAN yields $1.80 profit. Each copy of SUPERMAN that I buy at 55% off costs me $1.01. Thus, if I order 10, and only sell 8, I'm actually DOWN by 22 cents for that book for that month.

"(That's an EXTREMELY shallow and fast analysis of how the DM works, of course -- the math isn't quite as linear as that -- and without SOME rack copies you CAN'T grow your business. Besides, most comics don't exist in a vacuum)

"Insitinctively, most retailers err towards 'having too little' on their shelves, because while you can marginalize yourself to the point where you're not making much money at all, it's hard to go OUT OF BUSINESS by selling-through at 100%.

"That is to say, no one went out of business by not racking ACME, but, rather, by having that case of TUROK #1 sitting in the backroom, soaking up their profits.

"And that, basically, is the behaviour I was thinking of when I first suggested this idea a decade ago. Reorder availability only goes so far in matching demand -- most reorders take at least a week, if not 2, to arrive -- so the question becomes 'how do you get material on the racks in the FIRST PLACE?' I think some form of returnability is the only real way that makes any sense -- I wouldn't EVER want to get back to the newstand-style 'full returns, all of the time!' model... it is wasteful (print 5 to sell 1) and rife for corruption and abuse, but partial returns are sensible and help all levels of the business out."

As always, it's nice to see someone back up an argument with figures and examples. Like the sidebar says, send email to weblog@tcj.com -- all email is considered anonymous unless you volunteer otherwise, and assumed printable unless you say otherwise.

Speaking of the sidebar: we've made a small addition to the bottom of the links, as your surly neighborhood ¡Journalista! has signed up as a member of the BlogCritics collective, which allows me to crosspost the occasional essay to two blogs at once. Whether this is a bigger boost to this website's traffic and brand-recognition, or merely to my ego, remains to be seen, of course...
Posted @ 12:20 AM by Dirk Deppey | permalink



Sunday, January 26, 2003

Sunday Scraps
(Potpourri) The following are a series of links that have collected in my notes but for a variety of reasons never made it to this weblog before now:

  • Prophecy Magazine has been making with the press releases lately, trying to drum up support; its editors are planning the debut issue to hit the comics shops sometime this Spring, and have been hinting at some sort of "alternative" distribution arrangement as well. The magazine seems to be aiming to be a sort of "smarter Heavy Metal", with realistic stories interspersed with more genre-oriented fare. I was initially quite skeptical of the terms Prophecy was offering to creators, but am certainly willing to give them the benefit of the doubt. For now, at least.

  • Over at Comic Book Resources, writer Matt Fraction recently took a two-part look at the perils of comics activism and comics outreach.

  • Dave Astor, who covers the world of newspaper syndication for Editor and Publisher, reveals that right-wing cartoonists are doin' it for themselves.

  • Reporting on editorial cartoonists, Connecticut's Stamford Advocate gets my vote for Dog-Bites-Man Headline of the Week: "Cartoonists prefer politicians with quirky characteristics". News to me!

  • Courtesy of reader Gregory Kelly and xBlog comes this link to a comprehensive reality-check for anyone interested in becoming an indy cartoonist, delivered by Blambot's Nate Piekos.

  • A follow-up to yesterday's entry concerning Raijin Comics -- ICv2 talks to the folks at TokyoPop about their plans for expansion in 2003. Given their enormous success at attracting bookstore and newsstand readers last year, this is definitely a story worth following.

  • Cartoonist Paul Karasik and his sister Judy recently spoke to National Public Radio about their new collaborative book, The Ride Together, which alternates between prose and comics to describe life with their autistic brother David. You can hear the interview in RealAudio here.

  • Hey, had enough Bill Mauldin links, yet? Here's two more: Neil Steinberg of The Chicago Sun-Times tells a couple of great anecdotes about the late cartoonist's combatitive nature, while PBS' Newshour with Jim Lehrer has an interview with Jules Feiffer about Mauldin, available in audio, video and transcript versions.

  • On to webcomics -- David Rees returns with more Get Your War On after an extended absence.

  • But enough about free comics! Comics writer Warren Ellis uses his column on Artbomb.net to shine a spotlight on several works available to patrons of Unbound Comics, which sells comics in Adobe's eBook format. I could be a whiner and point out the one he missed, but then there's that whole "ulterior motives" thing I'd have to deal with. Better to keep my mouth shut.

  • Meanwhile, The Pulse's Heidi MacDonald talks webcomics with cartoonist Lea Hernandez, who's thrown her lot in with the ever-growing Modern Tales crew.

  • Speaking of The Pulse, I'd be remiss in not mentioning Jennifer Contino's interview with Greg Stump and David Lasky, whose long-anticipated second issue of Urban Hipster finally makes its lacksadaisical way to the comics shops next month.

  • Here's your obligatory "comics in libraries" link for the week.

  • I knew that if I waited long enough, I'd catch political weblogger Jim Henley coming around to my way of thinking. They all do, eventually...

  • Finally, let's close with a link swiped from gmtPlus9: the folks at Japanese Streets offer a profile of Mori Chack, the creator such cute-but-disturbing characters as Gloomy, the Naughty Adult Bear.

See you Monday.
Posted @ 12:05 AM by Dirk Deppey | permalink



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