The Comics Journal Message Board
Contact Us




Saturday, December 14, 2002

Stephen Gordon's new well of loneliness
(Comics and the Internet) As virtually every other comics news site is reporting at the moment, former Stan Lee Media C.O.O. Stephen Gordon (no relation to Radclyffe Hall's famous
fictional lesbian) and his brother Jonathan have both been found guilty of defrauding his former employer to the tune of over 10 million dollars. The Associated Press has the details, via Yahoo.com:

"They were indicted last October for allegedly writing checks for millions of dollars from accounts with no money. They deposited the checks at US Bank and the investment firm Merrill Lynch, then drew cash from the institutions.

"The younger Gordon was accused of using his position as a Merrill Lynch stock broker to clear some of the bad checks."

The Gordon Brothers are scheduled to be sentenced on May 12 of next year; they're expected to serve at least four years in prison.
Posted @ 1:50 AM by Dirk Deppey | permalink


Lies we still cherish
(Comics Retailing) Comics writer Peter David and his wife Kathleen are the proud parents of a new daughter, Carol -- congratulations all around. The baby was named after a former Marvel Vice President of New Product Development, the late Carol Kalish, who was also a dear friend of David's. The birth prompted him to
reprint the eulogy he wrote some eleven years ago for the Comics Buyers Guide on the occasion of her tragic death at the age of 36; he concludes his introduction of the piece with this paragraph:

"And I'd like you all to do us a favor -- link heavily to this column. Right now on Google, the first thing that pops up when you search on 'Carol Kalish' is a screed by Gary Groth that is not the way she should be remembered, and I want that damn thing out of first place."

Gee, reading that, you'd think that evil bastard Groth had some pretty bad things to say about poor Ms. Kalish, wouldn't you? You would of course be thinking wrong. While Groth makes no pretense of despising what he saw as the work she performed -- selling cretinous junk to impressionable children -- he had nothing but nice things to say about her personally, and even noted her refreshing lack of euphemism when describing her in action as a businessperson. From the essay in question:

"She was, in an odd sort of way, forthright about the crassness of her employer's marketing methods. Once I witnessed a retailer timidly question Marvel's strategy of filling their comics with sex and violence; Kalish's reply, which was almost refreshingly free of the specious nod to morality to which less assured marketing tacticians would resort, was that little boys liked sex and violence and Marvel was in the business of selling comics to little boys. Hence and therefore."

So what's got Mr. David so persnickety? The actual subject of Groth's notorious essay, of course, which was not Carol Kalish so much as the Christ-like beatification she received after her death, from industry professionals who to judge by their writings were convinced that the late Marvel flack shit diamonds and pissed champagne. I remember the period well, and Groth's essay actually captured the tenor of the outpouring in pretty accurate fashion. From the same essay:

"Collectively, the letters in CBG praising Kalish offer a glimpse into the popular mind, its worship of managerial competence disconnected from moral direction, its need to inflate professional skill into private virtue, its unfortunate tendency to turn bonafide personal devastation into bathos, its compulsion to jump on a bandwagon regardless of relevance or appropriateness.

"Most of the letters are embarrassingly insubstantial, the anecdotes trite, the praise hollow and generic: for her 'business savvy and drive,' her 'enthusiasm, her generosity, and her good humor,' her 'wonderful balance of idealism and pragmatism,' her 'wit and grace,' and so forth. Peter David, for example, devoted an entire column to her that read more like a trailer to a Neil Simon comedy than a heartfelt reminiscence. (Compare it to Bhob Stewart's magisterial and moving recollections of Wally Wood in Comics Journal #70). He was so stunned by the death of his friend that he was, he tells us solemnly, unable to write more than one page of X-Factor that week, which is a ludicrous way to convey one's grief, however accurate. It isn't the sincerity one questions, just the ability to convey it with eloquence or dignity."

By all means, do read both essays; they make for an interesting contrast in any number of dichotomies at play within the comics industry, both then and now. Just don't be suckered into thinking Peter David wants Darth Groth's damnable screed knocked out of the top of the Google rankings for the awful, awful things it says about Ms. Kalish -- the truth is a little closer to home than that...

Update, 8:45 AM - Talk about your cock-ups. Laura (this one, I think) hit me with a rather cross email, noting that the post on Peter David's website that started this whole jerimiad was posted not by David by by his webmaster, one Glenn Hauman. While this doesn't completely invalidate this entry, it does make that last paragraph completely unfair to Mr. David, to whom apologies are duly proffered.
Posted @ 1:50 AM by Dirk Deppey | permalink


Hey Google -- tentacle sex!
(Comic Books)
Sarah Dyer alerts us to a recent interview with popular Japanese manga cartoonist Toshio Maeda. If the name doesn't immediately strike you as familiar, perhaps the title of his most popular creation will: Urotsuki Doji. The comic book, collected as a graphic novel series, made headlines recently when a Texas retailer was convicted for selling one of the books to an adult undercover cop. The interview doesn't touch on this, but Maeda does note that it was Japanese censorship that dictated the book's content in the first place:

"At that time [pre-Urotsuki Doji], it was illegal to create a sensual scene in bed. I thought I should do something to avoid drawing such a normal sensual scene. So I just created a creature. [His tentacle] is not a [penis] as a pretext. I could say, as an excuse, this is not a [penis], this is just a part of the creature. You know, the creatures, they don't have a gender. A creature is a creature. So it is not obscene - not illegal.

"Drawing intercourse was, and is, illegal in Japan. That is our big headache: to create such a sensual scene. We are always using any type of trick."

Can't wait to see how the search engines list our website after this entry.
Posted @ 1:50 AM by Dirk Deppey | permalink


Condo-LEEEEEEEEEEEEZZA RICE!!
(Comic Strips) Finally: remember when the content of underground comix used to bring outrage, protests and prosecutions? Nowadays, cartoonists from the first wave of the undergrounds inspire reactions of a different sort. If you're R. Crumb, you can find yourself the subject of an Academy Award-winning documentary while trading sketchbooks for a home in the French countryside. If you're
Bill Griffith, mentioning someone's shop in your nationally syndicated daily strip can get you noted appreciatively in the shopowner's hometown newspaper. Case in point, courtesy of Minnesota's Cook County News-Herald:

"Beaver House owner Bill Cronberg was tickled, but not surprised, when he got the news that his giant walleye sculpture atop the store had scored yet another publicity coup for him. He just couldn’t figure out how he came to be in a comic strip.

"But there it was in the Zippy the Pinhead strip of Dec. 4. Zippy, coneheaded and dressed in his clown uniform, stands under the Beaver House icon and converses as only Zippy can. 'Condo-LEEEEEEEEEEEEZZA RICE!!' Zippy hollers up at the walleye."

Okay, there's a certain loss of hipness involved in the story here, but nobody ever said The Age of Aquarius would last forever. Should Mr. Griffith wish to generate the sort of outrage he used to inspire back when he was editing books like Young Lust, I have two words: "tentacle sex."
Posted @ 1:50 AM by Dirk Deppey | permalink



Friday, December 13, 2002

Site Updates: TCJ #249, Audio Archives
(The Comics Journal) Today finds us with a double update for
TCJ.com, with both a homepage update for the forthcoming issue #249 and the latest entry in our Audio Archives. Dig it:

  • The Comics Journal #249: The new issue hits the stands in a week or two, so it's time to update the homepage. This issue's feature interview highlights cartoonist Debbie Drechsler, creator of the graphic novels Daddy's Girl and Summer of Love (click here for an excerpt). Also in the spotlight: the studio system, which first allowed comics publishers to crank out comic books by turning the creative process into an assembly-line process -- R.C. Harvey interviews legendary cartoonist Will Eisner (click here for an excerpt), who helped found one of the first studios in comics history, while comics historian Ron Goulart checks in with an all-new essay about the system.

    Also in #249: Michael Dean on litigation by Joe Simon and Stan Lee, Carl Nelson on how newspapers handle changes in their comics pages, Bart Beaty on the French comics series Donjon, R.C. Harvey on Punch magazine, a new "Funnybook Roulette" from R. Fiore, and much more!

  • Jaime Hernandez Speaks: We continue last month's look at the Hernandez Brothers with another hour's worth of excerpts from their 1989 interview in issue #126 of The Comics Journal -- this time featuring Jaime Hernandez, the mastermind behind Maggie, Hopey, Penny Century and the rest of the Locas crowd found in the groundbreaking comic book series Love and Rockets. The interview, conducted by Gary Groth and R. Fiore, finds Jaime holding forth on his characters, his working methods, his influences, and how he learned to draw like that. Click here to download the MP3 audiofiles!
In just a few weeks, we'll be updating the homepage yet again, in preparation for the forthcoming publication of The Comics Journal Winter 2003 Special, featuring a very generous selection of excerpts from that issue's marathon interview with cartoonist and illustrator William Stout.
Posted @ 4:00 AM by Dirk Deppey | permalink

Marvel pays off loan ahead of schedule
(Comic Books)
The Splash points out the latest in Marvel Comics' continuing efforts to rid itself of its staggering debt load -- the company has paid off the remainder of a 22.4 million dollar loan issued by HSBC Bank USA, well in advance of the loan's three-year term. Yahoo.com has the Dow Jones Business News report:

"In a press release, Marvel said following the repayment, its cash position stood at more than $55 million as of Wednesday, compared with $21.6 million at Dec. 31, 2001. Next week, the entertainment company plans to make a required $ 9.1-million semi-annual interest payment on its senior notes.

"The early retirement of debt requires the accelerated amortization of all unamortized deferred loan costs which were to be spread over the remaining two years of the loan's term. As a result, Marvel will record a non-cash, fourth- quarter charge of about $9.1 million."

The continued efforts to bring itself back into the black has met with the approval of Wall Street; Marvel closed Thursday up thirty-four cents on the New York Stock Exchange, with a final trade price of just over nine dollars.
Posted @ 4:00 AM by Dirk Deppey | permalink


Steve Geppi talks ducks
(Comic Books) Last month
Gemstone Publishing announced that it had acquired the rights to publish comic books and book collections starring such classic Disney characters as Donald Duck, Mickey Mouse and Scrooge McDuck for the North American market. Steve Geppi, who owns both Gemstone and almost-a-monopoly Diamond Distributors, has provided comics-news website ICv2.com with an extended two-part interview on the subject of the Disney license (Part One - Part Two), in which he discusses his plans for the new franchise:

"I can tell you this, guys, we have gotten tremendous response to this announcement from retailers like Joe Ferrara of Atlantis Fantasyworld to some of the high profile retailers and industry veterans like Joe Sarno -- all very excited because everybody realizes all of a sudden that there has been this absence of entry-level comic books. My whole litany, even before I started negotiating the license, was that one day we are going to cut our legs off if we don't have comics for kids to find when they are five to eight or nine years old, so that they can get used to comics like you and I did. My mother brought home comics -- they were Disney comics, Archie comics, Harvey comics. By the time I got old enough to make my own buying decisions at least I knew what a comic book was. If you haven't had that exposure, you are not going to know what a comic book is, and you'll be buying videogames or something else. Since the newsstand market has gone away, I am hoping that in addition to the direct market (we are going to pander to the collectors on some level), we are going to put out additional product at a lower price point that will be a bargain, so that with [Vice President Sales and Marketing] Kuo-Yu [Liang] calling on the Wal-Marts of the world (he's already had discussions with them and had tremendous response), we will be in a position to say, 'What do you want, what price point, what size? Tell me what you will buy a lot of, and we will make it for you.' "

An interesting wrinkle in the story concerns cartoonist Don Rosa, commonly considered the finest working 'duck' artist. Rosa has recently declared that he won't produce any more stories starring Donald, Uncle Scrooge and the gang until his European publishers begin paying him reprint royalties and consult with him as to how his work is presented. Although he doesn't address the subject directly, Geppi namechecks Rosa on multiple occasions, saying at one point, "...I've got my relationships locked up with the Rosas of the world, the Van Horns, the Patrick Blocks, the great 'duck' artists of the world." For Duckburg afficianados, this can only be a good sign.
Posted @ 4:00 AM by Dirk Deppey | permalink


Taiwanese cartoonists look to the future
(Comic Books) Ever eager to promote local commerce, Taiwan's Government Information Office has posted an online copy of
this Taipei Journal article about the undeclared nation's comic book cartoonists and publishers. The industry has been in the doldrums ever since the late 1960s, when then-leader Chiang Kai-shek first noticed the popularity of the "evil books" among Taiwanese youths and imposed a withering censorship regime. Despite the damage this has done to the nation's comic books, Yang Ching-shih, who serves as chairman of the ROC Art Cartoonist Development Association, remains optimistic about the future:

"...Yang waxed lyrical about the prospects of local comic books, pointing out that comics in Taiwan are no longer just for kids, but a means to pass down traditions and cultural assets. A famous comic artist, Tsai Chih-chung, was the first to topple the regimented thinking that limited cartoons to children by illustrating books based on Chinese philosophy such as Lao Tzu Says and Chuang Tzu Says. His works, based on Taoist themes of individual freedom, laissez-faire government and spontaneity, were reincarnated in eight-frame comic strips. The breakthrough has attracted 55 million readers in China, according to Yang.

"Signs indicating that comic books are regaining their popularity are surfacing. Cartoonists now have their own fan clubs, comic research associations have been set up on college campuses and comic strips have become regular reading material at teahouses and coffee shops."

The above-linked article is useful for the background information it provides about the history of Taiwan's comic book industry.
Posted @ 4:00 AM by Dirk Deppey | permalink


"Sgt. Rock is going to help me..."
(Cartooning) Ian Urbina of The San Antonio Current checks in with a look at the U.S. Army's Psychological Operations division, charged with winning the hearts and minds of the civilian populations of the many nations in which it does business. The medium of choice for many of its activities? Comics, of course. Not that the approach doesn't have
its share of problems:

"Framing an understandable message is always tough. When using comic strips, captions need to be as concise and simple as possible. Yet, even in small amounts, the use of text raises questions. One has to wonder, for example, whether it was really effective to drop millions of text-based leaflets on Afghanistan, where barely 30 percent of its 27 million people can read. In all cases, well-crafted animations are a must, and for the highest quality drawings, the 4th at Bragg sometimes opts to contract out. In 2000, it hired DC Comics to produce special versions of Superman and Wonder Woman comic books, in the languages of the Balkans, Central America, Africa, and Southeast Asia, to educate locals on the dangers of land mines. But even Superman can be confusing at times: Although widely understood in some contexts, thought bubbles appearing above a cartoon character's head left some readers, especially rural ones, completely baffled, according to press accounts."

Consider this further proof that reading the cartoon languange is a learned language, requiring that it be taught anew to each generation. Can't wait to see those new Uncle Scrooge comics, Mr. Geppi...
Posted @ 4:00 AM by Dirk Deppey | permalink



Thursday, December 12, 2002

The Village Voice picks the books
(Graphic Novels) The Village Voice has released its list of the twenty-five best books of the year.
Included is my employers Fantagraphics' first two Krazy and Ignatz volumes -- congratulations to Bill Blackbeard, Chris Ware and They Who Sign My Paychecks for a job well done.
Posted @ 4:10 AM by Dirk Deppey | permalink


Alph-Art award nominees announced
(Comic Books) From the fine folks at
Egon comes word that the 2003 nominees for the Angoulême International Festival's Alph-Art awards have been announced. Any number of familiar names appear in the various lists, including Lorenzo Mattotti, Dan Clowes, Chris Ware, Jason, Mike Mignola and Vittorio Giardino (to name a few). The full list can be found (in French) at LABD.com, or if you're quick about it you can read a translation on Egon's homepage.

Incidentally, you know what I want to buy Egon Labs for Christmas? Permalinks.
Posted @ 3:30 AM by Dirk Deppey | permalink


V for Victory (scratch mix)
(Comics and the Internet)
Micah Wright, writer of the comic book Stormwatch: Team Achilles, has been attracting attention lately for an entirely different reason -- he's been engaging in a little extracirricular culture-jamming recently, taking old WWII propaganda posters and recasting them as comic leftist images on the internet. Canada's Rabble News spoke to Wright about it:

"Daron Letts: Describe culture jamming.

"Micah Wright: Culture jamming is the viral introduction of radical ideas. It is viral in that it uses the enemy's own resources to replicate itself — corporate logos, marketing psychology, clean typography, 'adspeak.' It's radical because (ideally) the message, once deciphered, causes damage to blind belief in the status quo.

"Letts: What do you want people to get from viewing your posters?

"Wright: Well, for many people, just a sense that they aren't alone. There is a quiet, yet large group of people in the United States who are absolutely opposed to the Bush Administration and their hoped-for Gulf War II: The Revenge. If I can give people some hope that not all is lost, while bringing a smile to their faces, that's more than enough for me."

Wright's detourned posters (as well as a sampling of works contributed by others) can be seen here.
Posted @ 3:30 AM by Dirk Deppey | permalink


Juxtaposition: it's what's for breakfast
(Comics Theory) Academic explorations of the comics language seem to be in the air here at ¡Journalista! these days. Just days after the last paper to which I linked comes word from our message board of another such project, also available online.
John Barber has just posted his Masters thesis to his website, entitled "The Phenomenon of Multiple Dialectics in Comics Layout":

"My Masters thesis (explores) the uses of page layout in relation to comics storytelling. A lot of my theories on how comics work are explored and enlarged and, despite the title, it isn't dry academic reading. Trust me."

The paper is available in three Adobe PDF files. Looks like I've got my winter reading cut out for me...
Posted @ 3:30 AM by Dirk Deppey | permalink


Your Michael Chabon news for the day
(Comics and the Movies) Finally, as if that whole "propaganda posters" entry wasn't bending the subject of this weblog enough, we close today with word that Scott Rudin, the producer who pushed the adaptation of Michael Chabon's first novel, The Wonder Boys, through the Hollywood system, is now dedicating himself to doing the same thing to the author's second book as well.
Reuters has the story:

"Billy Elliot director Stephen Daldry, who returns to theaters on Dec. 27 with acclaimed drama The Hours, is negotiating to take the helm of The Amazing Adventures of Kavalier & Clay, based on the Pulitzer Prize-winning novel by Michael Chabon.

"The Paramount Pictures project deals with the birth of the comic book industry intertwined with the Jewish experience during World War II. Chabon wrote the adaptation."

Chabon's novel, as you may recall, painted an even-handed picture of how the industry operated in its early days, depicting the hopes and dreams of its creative talent without whitewashing the sleazier business practices in force at the time. Here's hoping it provides a good antidote to some of the mindless superheroics.

Tomorrow I'll try and find someone other than Chabon to write about, I promise.

Update, 2:20 PM: Okay, I've received multiple emails telling me that Chabon has published several novels and short story collections prior to the two in question in this entry. Apparently writing weblog entries at 3:00 AM is taking its toll -- all apologies for the error.
Posted @ 3:30 AM by Dirk Deppey | permalink



Wednesday, December 11, 2002

CBLDF puts its money to work
(Censorship) The Comic Book Legal Defense Fund's executive director, Charles Brownstein, took a few moments from his schedule yesterday to
provide a rundown of the organization's recent movements. The CBLDF just paid out a $10,000 retainer to Jesus Costillo's attorneys, who are appealing his recent conviction on obscenity charges all the way to the Supreme Court. They've been able to do this by running a series of auctions in conjunction with Comicon.com, which has raised over eight thousand dollars and counting. However:

"Unfortunately, the bigger war is not won. The Fund still has to raise another $20,000 to pay off the rest of this year's legal bills, which include fees for our retained counsel and bills from Stu Helm's battle with Kraft. With your continued support during the last week of the Comicon.com Auction, we can come close to that. And if you've been meaning to join or renew your membership doing so now will help us get even closer.

"It's not a secret that the Comic Book Legal Defense Fund depends on the support of the comics community so that we can defend our industry's own. The community's response to the immediate crisis of the Castillo Supreme Court appeal demonstrates that comics people care about their own. If you've been among the individuals who supported that motion, you should know that your dollars truly have made a difference."

I'm a dues-paying member. Are you?
Posted @ 1:25 AM by Dirk Deppey | permalink


Two escapists meet the public
(Comics Events) Among his other credits, cartoonist (and former escape artist) Jim Steranko was the inspiration for one of the lead characters in Michael Chabon's novel The Amazing Adventures of Kavalier & Clay. Cartoonist and author will meet for the first time this Saturday when they attend a signing at
Lee's Comics in Mountain View, California. Bribery will be offered to those who show up early:

"To commemorate the event, Steranko is producing a magic-themed, full-color print that combines the mystery, spectacle, and drama that have made both men pop-culture icons! The limited-edition print will be available free of charge to the first 500 people attending. The original art for the new image will be unveiled for the first time, preceding an interview and public Q&A session with Chabon and Steranko, who will both be available for signings afterward."

The festivities begin at Noon.
Posted @ 1:25 AM by Dirk Deppey | permalink


Wacky ass book wins wacky-ass award
(Cartooning)
Living with Crazy Buttocks, a book of drawings and essays by Australian cartoonist Kaz Cooke has just won the 2002 Diagram Prize for Oddest Title of the Year. The Guardian gets to the bottom of the story:

"The book, a humorous commentary on the absurdities of contemporary culture by journalist and cartoonist Kaz Cooke, was up against strong competition. The runner-up was Without Regret: A Handbook for Owners of Canine Amputees, followed by Women and Integrated Part Management."

The award is handed out annually by British trade magazine The Bookseller.
Posted @ 1:25 AM by Dirk Deppey | permalink



Tuesday, December 10, 2002

Alternative distributors feel the squeeze
(Comic Books) It's easy to think of
Diamond Distributors as a monopoly in the Direct Sales Market, but they aren't -- well, not quite. There are smaller distributors such as FM and Cold Cut who continue moving comics and associated products despite standing in the shadow of Steve Geppi's Goliath. They may be about to take another hit, though, as CrossGen Comics appears set to sign an exclusivity deal with Diamond. ICv2 has the story:

"In a statement to retailers accompanying its monthly Request Line Catalog, which has contained solicitations for CrossGen Comics since the publisher burst on to the scene almost three years ago, FM explained to its customers, 'Due to reasons beyond our control and described to us by CrossGen Entertainment as financial, they either have, or will soon be, signing an exclusive deal with another distributor.' "

Nothing has officially been announced, and CrossGen has declined to comment on the story. That said, if CrossGen is contemplating going exclusive, Diamond is for all intents and purposes the only game in town.

Given the slim margins under which the indy distributors presumably already operate, this cannot be good news. Indeed, Cold Cut uses its increased discounts on CrossGen as a selling point. Here's the message currently displayed on their home page:

"Just a reminder to all comics retailers that Cold Cut carries a full line of comic books and trade paperbacks from Crossgen Comics! We try to keep a complete selection of all in-print books in stock and available at all times (plus we have several of the out-of-print issues still in stock as well). While some other distributors may only offer 45% off the cover price, Cold Cut can offer up to a 50% discount on Crossgen titles, with no minimum per item, and high fill rates!"

Diamond's continuing quest to sign exclusivity deals raises any number of interesting questions, but let's focus on one: does this have antitrust implications? Diamond has been investigated for possible monopolistic practices before. From The Comics Journal #242:

"In the summer of 1997, after Marvel had returned to Diamond, the United States Department of Justice launched an antitrust investigation into the comics industry. The investigation was dropped in November of 2000, with no action deemed necessary, but Justice Department officials told the Journal the case could be reopened if conditions changed or new evidence of monopoly conditions arose."

Moreover, Mile High Comics president Chuck Rozanski once raised antitrust allegations during a dispute over Diamond's purchase of internet retailer AnotherUniverse.com (though Rozanski and Geppi later seemed to have buried the hatchet). Diamond's original position of dominance at the conclusion of the 1990s distribution conflicts was more the work of circumstance than anything else, of course, and aside from the AnotherUniverse.com imbroglio, they have yet to be accused of being another Microsoft in terms of practices. As they continue to sign such deals in the absence of serious competition, however, I suspect people are going to start to wonder. Should FM or Cold Cut go under as a result of such deals, the questions may well get more insistent...
Posted @ 3:10 AM by Dirk Deppey | permalink


Echoes of Napster, Part II
(Comics and the Internet) I've
recently discussed the Napsterization of comic strips, but what about comic books? It turns out that Wisconsin journalist and author Tim Onosko has been wondering the same thing himself, and he's found evidence that the future may be closer than you think:

"For example, there's a massive project underway to digitize every issue of every title published by DC Comics (then the industry leader) during the 1950s. A scorecard recently published (anonymously) by the group cites 'only 40 or so comics to go to reach 20% on this massive project. The superhero genre is nearing a milestone as well, with only 35 comics before reaching 50%.' The group has scanned the complete content of almost 400 superhero comics, including covers, at what appears to be 400% of actual size -- in other words, good enough for reproduction. Almost every one of the scans I looked at was exceptional."

Link courtesy of The Shifted Librarian, who also pointed out this PDF file containing a proposal for a means of digitally packaging newspapers (presumably loaded with Digital Rights Management features) being developed by Adobe Systems and The Los Angeles Times. Need I really remind you of the issues all of this raises, both for publishers and creators?
Posted @ 3:10 AM by Dirk Deppey | permalink


Marvel, DC expand into Pacific Rim
(Comic Books) Content packaging consortium Gotham Entertainment Group of USA Ltd. has signed a contract with Rhythm Consolidated to reprint Marvel and DC titles in select nations of the Pacific Rim. Malaysian newspaper
The Star spoke to Rhythm's group managing director Teoh June Chake about the deal:

" 'Gotham was our choice as it has the rights over 10,000 characters which constitute over 85% of the total comic characters in the world,' he said.

"Teoh added that the group had, two weeks ago, printed and distributed 24,000 copies of Marvel and DC titles such as Spiderman, Superman, Batman, X-Men, and the Justice League in Malaysia, Singapore, and Brunei."

Teoh was reported to be optimistic about the future of the deal, and was expecting to expand the available line of titles in the near future.
Posted @ 3:10 AM by Dirk Deppey | permalink


The silence of Walden Pond
(Comic Strips) After giving his first television interview in over thirty years, reclusive Doonesbury cartoonist Gary Trudeau took a few moments to speak to
Editor and Publisher's Dave Astor about why he avoids the publicity machine:

" 'The last, and only other, sit-down TV interview I did was on a local Boston station in 1971,' the Doonesbury creator told E&P. 'I discovered early that it wasn't necessary to have a public profile to succeed in my business, so I decided to spare myself the aggravation.'

"Why UpClose? 'I'm usually up at the hour the show airs [12:05 to 12:35 a.m. EST], and I found myself immediately drawn to it when it debuted last summer,' Trudeau replied. 'The conversations have this intimate, coffeehouse feel to them, and I concluded that if I was ever going to do an interview, this was probably as good as it was going to get. Of course, I made no news, Ted didn't make me cry, and I didn't make him cry, so technically it wasn't good television. But I had fun.' "

Astor also takes the opportunity to interview several commentators, including our own R.C. Harvey, about the significance of Trudeau's cartoon career.
Posted @ 3:10 AM by Dirk Deppey | permalink


T.M. Maple, where have you gone?
(Comic Books) Finally, with advertising in superhero comics on the upswing, DC Comics recently ended its practice of printing letter columns in order to make room for more ads.
The Washington Post took notice:

"If the panels showed you what a superhero did with his life, the letters were a permanent record -- now forever sleeved and boxed away in the acid-free cardboard of fetishistic collectors -- of how superheroes made us feel.

" 'Dear Stan and Jack,' wrote someone named Murray Bishoff, of East Moline, Ill., in the March 1967 issue of Marvel Comics' The Mighty Thor ('ish #150,' in fandom parlance), addressing the Silver Age dons Stan Lee and Jack Kirby. 'What hath ye done? Thor is the best comic that you sell, so don't ruin it.'

"Bishoff, who could have been 12 years old at the time or 36 (it's hard to tell), signed off his lengthy letter with the brash Marvel fans' salute, first coined by Stan Lee: 'Nuff said!' "

Sorry, couldn't resist.
Posted @ 3:10 AM by Dirk Deppey | permalink



Monday, December 9, 2002

The curious case of the missing awards ceremony
(Cartooning) Over the weekend, what began as a news item turned into a mystery for me. First the news: British newspaper The Independent has announced that one of its own,
Dave Brown, has won the 2002 Award for Caricature from the Cartoon Art Trust, a British industry booster group. From The Independent's article:

"The ceremony was held at London's Mall Galleries, close to Buckingham Palace, where the galleries are hosting an exhibition of royal lampoonery down the ages. Accepting the award from the newsreader Anna Ford, Dave said: 'I am delighted to have been honoured in this way, and I hope that before long the Cartoon Art Trust will succeed in its ambition to found a permanent museum of cartooning.' "

The mystery? I've tried to find a listing of the rest of the winners, but this article is the only evidence I have that the ceremony ever took place. Their website is no help -- the webpage devoted to the awards is out of date, and has no contact email anywhere on-site. I can find no other mention of the 2002 awards on the internet. I managed to contact one of the Trust's founders, but he was no longer involved with the organization. He gave me another contact address, but my email to it has gone unanswered.

I'm starting to suspect that Dave Brown has eaten the Cartoon Art Trust, and taken all the awards for himself.
Posted @ 2:00 AM by Dirk Deppey | permalink


The online ephemeralist
(Comics Theory) While searching for some evidence of this supposed 2002 Cartoon Art Trust awards, I found myself trolling through
Egon's excellent collection of links, which led me off on a most excellent tangent. Ephemeral Landscapes is a complete course on the theoretical underpinnings of comics, as interpreted by University of Toronto student Mark Fram. From his introduction:

"The focus for this particular review of comics is on different architectures and environments as settings for stories. There are two sides to this examination.

"One side is the sophisticated 'architecture' of the comic page: a set of conventions (and transgressions) for viewing and reading comic strips and, to a greater extent, comic books. Techniques for reading (and writing) words and visuals together are quite different from either the traditional literary rules for reading the printed word alone or the customs for watching film and television, comics' cousins and some-time bedfellows. Nonetheless, there are also numerous conventions shared in this extended family.

"The other side of this project looks at the display of images of 'real' landscapes and streets and cities in graphic narratives, as commentaries about the actual world of the 'real' reader. In some cases, the depicted setting will resonate with a reader's own sense of place, and there is often a large nostalgic component to effective comic settings. Where the depicted environment is exotic, implausible, or even the realm of science fiction (comics' unrespected literary cousin), nostalgia gives way to wonder, excitement, and even learning."

There are areas available for disagreement in what I've read so far -- I've by no means read all of it yet, but I found myself seeing red flags as early as the second page, where he cites uncritically David Kunzle's four "essential characteristics" for defining the comics form (I disagree with the necessity of point #4). That's a minor caveat, however; it's a thoughtful paper, a well-designed web presentation, and certain to be of interest to readers fascinated by the structural underpinnings of the comics language. I was so engrossed that I almost forgot to write the weblog.
Posted @ 2:00 AM by Dirk Deppey | permalink


A compelling argument for the death of all funnybooks
(Comic Books) This has been going on for months now, of course, but seeing
this article in The Stockton Record made that crucial blood vessel in my brain finally burst:

"New comic-book series based on toys and comics of the '80s, such as Transformers and G.I. Joe, have skyrocketed to the top of the charts in the past year. With their success, publishers are mining ever deeper into '80s properties, says Milton Griepp, who operates ICv2.com, a pop-culture Web site.

"Some titles are falling down the sales charts a bit as more '80s revivals -- everything from Thundercats to Micronauts to Battle of the Planets -- compete for readers. But Griepp believes the trend remains strong.

"The new Masters of the Universe comic book is evidence of that: The first issue was the comic ordered most by comic-book shops in November, according to Diamond Comics Distributors."

Do I really need to point out that every 1980s comic book and television program being retrofitted with the hazy gaze of nostalgia was in fact complete and utter crap? Masters of the Universe was hands-down the worst of the lot. This piece of shit inspired November's most popular comic book? You fanboys are all diseased. Die, stupid comic books! Die! DIE!
Posted @ 2:00 AM by Dirk Deppey | permalink


Continued from last item: DIE! DIE!
(Comic Books) If you're wondering why I haven't continued my "Marvel Lovefest 2002" series recently, it's because I've already taken
my best shot at the subject, and really have nothing left to say. Others, however, are bravely stepping into the breach, as Savant's Dan Traeger demonstrates:

"So, what can you do about all this? Well, for starters, use your wallet. Half of what Marvel puts out is utter dog shit that you just buy out of habit anyway. So stop doing that, and when Marvel starts wondering why its numbers are dropping through the floor, you can tell them you're sorry, but your comic store was always sold out so you just stopped buying. Remember this. We are comic book fans. We are strong and powerful, and we have ultimate say over the type and price of the books these companies produce. Together we can kill Marvel Comics Inc. if we have to. If the speculators could melt down the entire comics publishing industry, we should be more than capable of taking down a company that thinks we're stupid enough to pay $50 for back issues of ULTIMATE SPIDER-MAN. We should at least be strong enough to get Marvel to sell us their fucking product at a reasonable price."

A man after my own heart, this Mr. Traeger is. I should note that the above link is temporary, and while Savant does maintain an archive, this essay has yet to take up space there. If you're reading this in our archives, I'd recommend clicking here and looking for the essay in the listings for... is it Issue #93? The homepage has no number, but as of this writing the archives stop at #92. Happy hunting. (Link courtesy of NeilAlien.)
Posted @ 2:00 AM by Dirk Deppey | permalink



Sunday, December 8, 2002

Sunday Scraps
(Potpourri) The following are a series of links that have collected in my notes but for a variety of reasons never made it to this weblog. What the hey -- it's Sunday, and you're aimlessly surfing your way through the internet anyway, now aren't you? See if any of these grab your interest:

  • Let's start with a story of interest to classic comic strip fans: Journal contributor R.C. Harvey takes a look back at the life and career of legendary cartoonist Milton Caniff, as seen through the eyes of his longtime personal assistant Willie Tuck, who passed away last month at the age of 84.

  • In the forthcoming issue of The Comics Journal (#249), you'll get a glimpse of just how far some newspapers will go to keep readers out of the loop when it comes to changing their comic strip pages. Not everyone is so secretive, however -- over at The Minneapolis Star Tribune, columnist James Lileks mocks the process in a short note as refreshingly free of concern for readers' sacred cows as you're ever likely to see from a newspaper. Not that the respected weblogger dislikes comic strips, mind you; he even maintains a shrine to his favorite bad comic strips on his website!

  • An example of the kind of story I don't get to highlight very often is the "small-press strip cartoonist," but Alaska newspaper The Peninsula Clarion offers up a rare opportunity. It's a profile of Lorraine Williams, who for the past couple of years has drawn a strip called You Know You're in a Small Town When... for The Homer News.

  • Moving on to comic books: pop-culture weblogger Bill Sherman offers up an insightful review of Robert Crumb's new comic, Mystic Funnies #3.

  • The Milwaukee Journal Sentinel publishes the annual list of its favorite comic books and graphic novels of the year, including work by everyone from Rick Geary to Dan Clowes to Jack Cole.

  • Over at ICv2 the retailer comments have turned to the subject of "comics for children" as of late (insert joke here), which in turn has led to "comics for girls," which in turn has led to Trina Robbins' thoughts on the subject. Didn't see that one coming...

  • Here's a perennial we all love: over at Ninth Art, Alasdair Watson takes a moment to detail some of the many ways that superhero comics suck. (This has been your Stereotypical ¡Journalista! Link© for the day.)

  • Andrew Smith, a syndicated columnist with a nickname way too geeky to repeat here, uses the publication of a new book on Superman artist Curt Swan as an excuse to profile the cartoonist's career -- read it in Kentucky newspaper The Henderson Gleaner.

  • Jen Contino of The Pulse interviews indy comics duo John Chalmers and Sandra Marrs, otherwise known as "Metaphrog," about their popular Louis album series.

  • Newsarama writer Alex Segura Jr. sits down for a chat with True Story, Swear To God creator Tom Beland, whose comic book highlights an art style eerily reminiscent of Al Hirschfeld in the service of humorous and romantic autobiographical tales.

  • Comic Book Resources honcho Jonah Weiland offers a profile of self-publisher (and successful political cartoonist) Frank Cammuso, who has just released the first installment of Max Hamm, Fairy Tale Detective to comics shops nationwide.

  • Finally, Dana Tillusz of ComicReaders.com interviews four cartoonists who participated in the SPX2002 anthology: Ben Jones, Ron Regé Jr, Tod Parkhill and Chris Pitzer.

One last note: the Gilbert Hernandez MP3 interview excerpts in our Audio Archives will remain online until early Friday morning, when they'll be removed to make way for the next monthly installment. If you want to hear Beto talk comics, you have just under a week to download the files.

See you Monday.
Posted @ 2:00 AM by Dirk Deppey | permalink



All site contents are © 2002