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Saturday, November 16, 2002

Promises, promises...
(Comic Books) So I make a big vow yesterday not to say anything more about the Stan Lee Lawsuit, and what happens? Heidi MacDonald over at The Pulse gets her hands on
an actual copy of the complaint filed by Lee in New York's District Court. How can I not link to that? We've even got some intriguing analysis from Ms. MacDonald:

"In addition, more details about the timing of the suit emerged. A source close to Lee told the Pulse that he had been considering this suit for some time before the infamous 60 Minutes 2 story which seemed to bring the matter to a head. 'He had a great deal of frustration.' The insider says that bringing the suit wasn't easy for Lee. 'There was a great reluctance to bring this lawsuit. It's something Stan deeply regrets. He's sorry it's come to this but he had no other choice' to get his alleged share of 'what might be the most profitable movie ever made.'

"According to Lee's agreement, payment is due on March 31st of every year, which would seem to leave Marvel off the hook for Spider-Man, which opened in May. However, according to paragraph 28 of the claim, Lee had been asking for an accounting from Marvel, but was told there had been no profits, and they didn't expect there to be any profits.

"This seems to contradict Marvel's own statements of huge profits (repeated throughout the claim) from their past and future Hollywood films, including Marvel's recent statement that they made $4 million off the Spider-Man movie in the third quarter alone. The insider characterized Lee's reaction to Marvel's recent financial reports as 'amazement.' "

Okay, then. Tomorrow: no Marvel whatsoever. Really. Promise. I'm serious this time.

You believe me, right?
Posted @ 1:15 AM by Dirk Deppey | permalink


Weekend reading
(Potpourri) Here's some interesting comics-related writing to amuse you during your day off:

  • Found on Bugpowder: Fantastic Metropolis has an extended interview with cartoonist Kim Deitch, whose long-awaited Boulevard of Broken Dreams was finally gathered into one gorgeous hardcover.

  • The Guardian examines a mess of graphic novels, bless their hearts. Here's a review of Dan Clowes' book David Boring, which has just been released in paperback, and here's a page of mini-reviews of Adrian Tomine's Summer Blonde, Metaphrog's Louis: The Clown's Last Words, Mike Mignola's Hellboy: Conqueror Worm, and Lars Arrhenius' A-Z.

  • Pam Noles writes in to clue us to this Los Angeles Times profile of the one and only Tony Millionaire. Thanks, Pam!

  • Finally, pop-culture weblogger (and former Journal writer) Bill Sherman has knocked out some interesting bits on cartoonist Bill Griffith recently: here's an appreciation of his syndicated Zippy the Pinhead strip, while this shorter piece notes Griffy's appearance on a Travel Channel documentary entitled The World’s Best Roadside Attractions.

I mean it -- no Marvel tomorrow. I hereby banish Marvel Comics from this weblog for, well, a day, anyway. One step at a time. We'll see how it goes.
Posted @ 1:15 AM by Dirk Deppey | permalink



Friday, November 15, 2002

TCJ Audio Archive: Gilbert Hernandez
(The Comics Journal) This month's MP3s come by way of issue #126 from 1989 -- just over an hour of excerpts from Gary Groth's interview with Gilbert Hernandez, one-half (now one-third) of the creative team behind the comic book that launched a thousand indy comics, Love and Rockets. Gilbert discusses his comics-obsessed childhood, his influences, the Heartbreak Soup stories, drawing, how he creates his stories... even a word or two about why The Comics Journal's bad attitude gets people so riled up. Download the files
here.
Posted @ 1:45 PM by Dirk Deppey | permalink


Passing the roach from coast to coast
(Comic Strips)
Lalo Alcaraz is a busy man. He's an editorial cartoonist for Universal, draws a weekly cartoon strip for the LA Weekly, runs a biting and satirical website called Pocho.com -- and now he's landed a gig creating a syndicated daily strip, La Cucaracha. The story in brief, from The Los Angeles Times:

"Creator Lalo Alcaraz, 38, of Los Angeles signed a 10-year contract with Universal Press Syndicate, which also syndicates Doonesbury and The Boondocks, to begin his biting and satirical strip on Nov. 25.

"Set in a 'hyper-Boyle Heights' neighborhood, La Cucaracha will use humor to address political and topical issues, such as immigration, and will portray Latinos in a rounded and multidimensional way, Alcaraz said."

The strip is named for the old Mexican folk song, of course. You can find the original lyrics here, and an explanation (and partial translation) of the song here. (Link courtesy of Boing Boing).
Posted @ 1:45 PM by Dirk Deppey | permalink


Givin' it up for funnybook freedom
(Comics Events) Comicon.com co-founders Rick Veitch and Steve Conley are busy men too, but they've still found time to do their part for the cause. They've organized a series of eBay auctions for the
Comic Book Legal Defense Fund featuring artwork by such artists as Frank Miller, Howard Cruse, James Sturm, Bryan Talbot and others. As Veitch notes in his weblog:

"We hope the community is generous when bidding during this auction. Many very talented creators have donated some great art to support the Fund's much needed work. Without the Fund there to back this field up, dozens of retailers, cartoonists, and publishers may have lost their livelihood. Now it's our turn to back up the Fund."

A complete list of CBLDF auctions can be found here. As of this writing, the Frank Miller piece is already up to $4850.
Posted @ 1:45 PM by Dirk Deppey | permalink


Today's gratuitous Marvel slams
(Comic Books) It does seem to be the theme for the week, doesn't it? The Stan Lee lawsuit story finally found a corner of the world in which it had yet to break:
Pakistan! Meanwhile, even the fluffier parts of the American press have given it a whack -- here's E! The Entertainment Network, guest-starring our own Michael Dean:

"As is the sad history of comic books, the artists, who worked long before the age of the ancillary rights deal, typically got paid straight page rates for their creations.

"Dean, news editor for the Seattle-based Comics Journal, says he guesses there's 'some irony' in Lee's own charges of exploitation. Unlike his artists, Lee, who eventually became Marvel publisher, 'has been in a position to get some compensation.'

"While Lee steered clear of business controversies as publisher, he was dragged into a bitter one when Kirby battled for ownership of his original artwork. 'Stan, as the company's figurehead, more or less sided with Marvel,' Dean says. '[He] was kind of their apologist.' "

Am I flogging a dead horse here? Okay, I'm flogging a dead horse. Perhaps I should just stand aside for a while... and let Matt Fraction take a couple'a potshots!

"So please, tell me again in small and simple words so that I may understand, how Work For Hire is a good deal. Tell me again why having no interest in servicing trademarks makes me an anti-comics snob elitist. Tell me again how Work For Hire doesn't in fact fly in the faces of Jack Kirby and Joe Simon and Segal and Shuster and anyone else that's had the balls to stand up for themselves after having their creative lives exploited, tell me again that Creator Owned is somehow anti-Comics.

"Because, um, MISTER Work For Hire himself has gotten the screws put to him and wants the whole world to know. Can you imagine how hard that must've been for him to do, to take those Ray-Bans off and look at himself in the mirror one morning only to see Jack Kirby staring back at him?"

Okay, I know, kicking 'em when they're down has been fun, but enough is enough. Assuming Joe Quesada isn't caught anally violating kittens with back-issues of Giant-Size Man-Thing or something, I promise to do my best to make tomorrow morning a Marvel-free day here at ¡Journalista! -- no, really....
Posted @ 1:45 PM by Dirk Deppey | permalink



Thursday, November 14, 2002

Stan Lee damage report: day two
(Comic Books) Over at the
Yahoo! Finance message boards, the Marvel shareholders are up in arms. Has Stan gone senile or something? They paid him when he made the comic books, didn't they? He's making a grab for the Spider-Man trademark, isn't he? Contract? What contract? Ahh, he's got no case. Besides, war with Iraq will knock the headlines off the TV and out of the papers, won't it? Please?

The war better come quick: in addition to the national headlines the lawsuit has generated (the latest, in brief: CNN, ABC, CBS, Fox, USA Today), the story's already been winging its way around the world, from Australia to India to Ireland and back. Here's how Glascow's The Herald is framing the story:

"THE creator of Spider-Man is suing Marvel Entertainment, the comic book publishers, for more than £13m, claiming it cheated him out of huge film profits....

"...The Spider-Man film is expected to make £535m this year, but a lawsuit filed in Manhattan federal court on Mr Lee's behalf alleges that he has not seen a penny of the profits."

Ignore the obvious "but what about Steve?" fanboy grumbling -- justified though they may be -- the fact remains that the man who personifies Marvel Comics to the world is shining a global spotlight on Marvel's historic mistreatment of its employees. All of Joe Quesada's hard work at generating positive publicity for his company has just been wiped off the slate. Any upcoming publicity events the company had intended for the greater media world are probably on hold for the moment, and this incident will be the last thing inquisitive reporters remember about Marvel for some time to come. The obvious question for Bill and Joe: what costs you less, a few hundred grand in residuals (You guys did show Stan the third quarter report, right?) or the shitstorm you're currently weathering?

Why do I get the feeling Marv Wolfman's laughing his ass off right now? Just a hunch.
Posted @ 2:10 AM by Dirk Deppey | permalink


CBLDF takes on the web censors
(Comics and the Internet) Taking the cause of comics freedom into the 21st century, The
Comic Book Legal Defense Fund has announced itself to be a co-plaintiff in a lawsuit challenging South Carolina's attempt to penalize any website that might conceivably be too adult for a six-year-old. From their website:

"The Fund joins the Southeast Booksellers Association; Print Studio South, Inc.; American Booksellers Foundation for Free Expression; Association of American Publishers; and Families Against Internet Censorship in the complaint against Charlie Condon in his official capacity as Attorney General of South Carolina and other officials in their capacities as South Carolina Circuit Solicitors.

"The Act criminalizes any work communicated on the Internet that is accessible in South Carolina and contains a depiction of nudity or sexual conduct deemed 'harmful to minors.' The law may have a chilling effect on protected speech including legitimate artistic, scientific, and educational material disseminated online, because it effectively prohibits distribution to adults of material deemed unsuitable for the youngest Internet users."

Web cartoonists especially might want to take a moment and become a member today -- this is your fight they're waging, here.
Posted @ 2:10 AM by Dirk Deppey | permalink


Manhua follows manga into the world
(Comic Books) While Japanese comics
continue their march across the world, and top manga magazine Newtype attempts to increase its toehold in the American market, the moribund Chinese comics market can only dream of emulating such success -- but dream it does. Fresh from its June exhibition in the Guangdong Provincial Museum, Culturecom (one of Hong Kong's largest comics publishers) has signed a deal with Bangkok publisher Cartoon Station Network to relaunch classic comics magazine The Zero in Thailand:

" The publisher stopped distributing the cartoons from Hong Kong in 1990 because of financial difficulties. However, after it obtained additional funds from a new business partner, the firm decided to relaunch the magazine....

"...Although the cartoon market in Thailand is dominated by Japanese characters, Hong Kong alternatives would become popular because they appealed in particular to those who liked kung fu (Chinese martial art) stories, said Ho Wai Ping, the deputy general manager of Culturecom."

It's a small step, but bear in mind that despite Culturecom's relative popularity, it still must contend with Japanese and American imports which dominate most of the market in the People's Republic of China. Small steps are the order of the day.
Posted @ 2:10 AM by Dirk Deppey | permalink


"What do you know about my image duplicator?"
(Comics and the Arts) Want to know how to make big money cartooning? The answer's simple: avoid the comic books altogether, ditch your strip syndicate, find a gallery and be a
successful Pop artist:

"A record was set for pop artist Roy Lichtenstein at Christie's Wednesday when 'Happy Tears' sold for $7,159,500 at the auction house's sale of post-war and contemporary art.

"The 1964 work, depicting a smiling, red-haired woman with tears running from her eyes and rendered in the artist's trademark 'comic book' style, was bought by an anonymous bidder and broke the record for a Lichtenstein of $6,050,000 that had been held by 'Kiss II' since 1990."

The highest bid of the auction went to Jasper Johns' 1961 painting "0 Through 9," which sold for $9,909,500. Kinda makes you want to take a knife to the next person you hear use the word "appropriation" in a sentence, doesn't it?
Posted @ 2:10 AM by Dirk Deppey | permalink



Wednesday, November 13, 2002

A correction
(Commentary) In last Sunday's essay, "
The Fog Hollow memorial address," former Marvel president Terry Stewart was inexplicably refered to throughout the piece as "Terry Moore." The error has been corrected. All apologies for any confusion this may have caused.
Posted @ 3:00 AM by Dirk Deppey | permalink


It's official: Stan Lee sues Marvel
(Comic Books) Every time I think I'm
done with the bastards, Marvel Comics finds a fascinating new way to wind up with egg on their faces. From trying to decide whether female comics fans are whores or sluts, to generating friendly waves of love from comics retailers, Marvel has finally scored the public-relations anti-coup for which they've been aiming: yesterday Stan Lee filed his lawsuit against Marvel. Who to quote from, who to quote from -- Salon, perhaps? Reuters? The Washington Post? Ahh, let's go with Forbes for the drive-by report:

" Stan Lee, the 79-year-old artist behind Spider-Man, The Incredible Hulk, X-Men and Daredevil, is seeking 10 percent of the profits earned from this year's hit film Spider-Man: The Movie and other films and television shows. The suit, filed in federal court in Manhattan, also names Marvel Characters as a defendant."

Since word of Lee's intentions first leaked to the press a few days ago, superhero comics fans have puzzled over how this could possibly happen. A reminder: it has nothing to do with work-for-hire, and everything to do with an agreement signed between Lee and Marvel in November of 1998, which states in part:

"In addition, you shall be paid participation equal to 10% of the profits derived during your life by Marvel (including subsidiaries and affiliates) from the profits of any live action or animation television or movie (including ancillary rights) productions utilizing Marvel characters. This participation is not to be derived from the fee charged by Marvel for the licensing of the product or of the characters for merchandise or otherwise. Marvel will compute, account and pay to you your participation due, if any, on account of said profits, for the annual period ending each March 31 during your life, on an annual basis within a reasonable time after the end of each such period."

It seems this isn't the first time a Spider-Man creator has had trouble with licensing agreements. Over on the Comicon.com message board, James Van Hise notes that artist Steve Ditko hit this particular brick wall over three decades ago:

"Back in the 1960s, when Ditko actually gave interviews (one supposedly appeared in a fanzine titled MARVEL MAIN #4), Ditko stated that he quit Marvel because they went back on an oral agreement they had, namely that if Spider-Man was merchandized that Ditko would receive a royalty. Marvel backed off when Spider-Man started making money for the company outside the comics. Apparently it wasn't the money angle that angered Ditko, but the fact that Marvel had proven itself to be untrustworthy, and if they'd go back on that promise, what else would they go back on? Mark Evanier apparently found a 1966 letter in Kirby's files from Ditko asking Kirby to quit Marvel the same time he did. Within two years Kirby would also find Marvel breaking promises to him (regarding a pension agreement and related matters the company agreed to when Marvel needed Kirby to back them up against Joe Simon's first claim for the rights to Captain America nearly 35 years ago)."

Let's recap, shall we? Steve Ditko leaves Marvel in a huff because the company couldn't bring itself to share a few bucks from Spider-Man's merchandising cookie jar. Thirty-five years later, Marvel breaks a signed agreement with the character's other creator for much the same reason, and now their names are in the papers again. Public relations genius! I swear, sometimes this weblog writes itself.

A final note: Marvel has announced that Newsarama's Michael Doran will be taking over as their Marketing Communications Manager. My congratulations to Mr. Doran. Also, my condolences. Also, my advice: your first order of business, Michael, should be to hunt down both Marvel Chief Operating Officer Bill Jemas and Editor-in-Chief Joe Quesada and demand from the both of them possession of the following:

  1. Their guns, and
  2. The bullseye targets pasted to the tops of their shoes.

First priority, Mr. Doran! I promise you -- it'll save you months of needless aggravation. Mark my words.
Posted @ 1:35 AM by Dirk Deppey | permalink


Well he got an education, anyway...
(Editorial Cartoons) Nick Will, Editor-in-Chief of the Harvard Business School's weekly student paper, The Harbus, resigned his position after the school administration objected to a cartoon that ran in the October 28 edition. The cartoon, which is unavailable on the paper's website, lampooned the troubles that have plagued the school's "Career Link," an online webserver that students use as an aid in job-hunting. As
The Harbus itself describes the cartoon:

"The 'Career Dink' cartoon depicted numerous pop-up windows with 'announcements' suggesting a lack of efficiency. For example: 'Please attach three random documents to sign up for interviews.' According to Will, the administrator was most upset by the phrase 'incompetent morons,' which is visible in one announcement."

The university's main student newspaper, The Harvard Crimson, described Will's motivation for leaving the following way:

"After administrators criticized a cartoon that ran in the Oct. 28 issue, editor-in-chief Nick A. Will was called into a meeting with Steven R. Nelson, executive director of the MBA Program.

"According to Will's resignation letter, Nelson threatened him with disciplinary action in a Nov. 4 meeting.

"'I know that Nick is very scared, and I know that the Harbus staff is very scared,' said Will's close friend, who is a second-year student at HBS. 'Nick didn't resign because he felt like it, but because he thought he might get kicked out of school. He's had some people tell him that these guys play hardball and you’re not necessarily safe.'"

You know, as much as people criticize California for its political correctness, when this sort of thing happens there all people do is stage demonstrations. Seems kind of pleasant by comparison, doesn't it? C'mon kids, sing along -- West Coast rules! East Coast drools!
Posted @ 1:35 AM by Dirk Deppey | permalink


The cheese stands alone
(Cartooning) Boston website
Weekly Dig checks in with cartoonist Stu Helm, better known as King VelVeeda, who's currently embroiled in a legal fight with the Kraft Corporation over the continued use of his nickname. It hasn't been an easy fight, especially since he went into it without legal counsel:

"The most tortuous part of the preliminary trial came during a videotaped deposition in which Kraft's lawyers repeatedly asked Helm what he describes as irrelevant, harassing questions for hours, resulting in the linchpin of Kraft's case: Helm said on the stand that his use of the name 'VelVeeda' wasn't a parody. Since the FTDA allows the use of trademarked names in parody, Helm had lost a major legal loophole.

"'They totally took advantage of me, asked me a whole bunch of questions that they really shouldn't have, and I was too naïve, and I tried to be helpful,' says Helm. 'I've learned my lesson about keeping my mouth shut.'"

Helm is being represented by lawyers from the Comic Book Legal Defense Fund, who are hopefully providing him with better representation. You can learn more about his current legal status on his website.
Posted @ 1:35 AM by Dirk Deppey | permalink


Biggest Acme Novelty ever!
(Cartooning)
826 Valencia, a project organized by McSweeneys editor Dave Eggers, tutors at-risk students in writing skills, using an "independent pirate supply store" in the front of the building to help pay the bills. Now, the storefront has another attraction: a Chris Ware-designed mural! See a picture of it here.
Posted @ 1:35 AM by Dirk Deppey | permalink



Tuesday, November 12, 2002

More on the Simon suit
(Comic Books) Finally, a little more clarity arrives on the nature of the recent judgement in the Joe Simon/Captain America lawsuit, courtesy of the
New York Law Journal:

"'If an agreement between an author and publisher that a work was created for hire were outside the purview of Section 304(c)(5), the termination provision would be rendered a nullity,' (Judge McLaughlin) said.

"'Litigation-savvy publishers would be able to utilize their superior bargaining position to compel authors to agree that a work was created for hire in order to get their works published.'"

The case now goes back to the lower court, where Simon's suit will proceed as initially intended.
Posted @ 1:10 AM by Dirk Deppey | permalink


The lonesome death of Percy Crosby
(Comic Strips) I try not to poach too many links from other weblogs, especially sites I admire as much as
Egon, because I don't want to rob others of reasons to read them as well -- but this one was just too good not to note. Last Saturday's Newsday featured the story of Joan Tibbetts, daughter of Skippy cartoonist Percy Crosby, who after all these years is still dealing with the aftermath of her father's death:

"In short, Tibbetts believes her father, who admitted to being an alcoholic, was a political prisoner at Kings Park. But because so much time has passed, it's difficult to corroborate her theory.

"What is known, however, is that during his confinement, Crosby had cranked out an enormous amount of work, some described as brilliant. Short stories, essays, poems, political analyses, journal entries and a series of books on the arts he called his opus. Instead of horses and dancers, his drawings now were of fellow inmates, pathetic men with catatonic stares. Since many who knew Crosby at the hospital have since died, it is difficult to establish his mental state at the time of his confinement. All agree that Crosby was eccentric, but the question remains whether he was sane.

"Peter Cussen, 65, a former nurse at the Kings Park mental hospital, recalls Crosby as a stocky man with closely cropped, fair hair, blue eyes and a taste for fine clothes. Crosby wasn't a typical patient, Cussen said. He seemed 'very paranoid' and 'stood out.' He ranted endlessly about having his freedom stolen and the name of his cartoon character used without his permission, according to Cussen, a longtime resident in the Kings Park community."

Last month Tibbetts filed suit against Unilever Bestfoods North America over the trademark to the term "Skippy," which the company uses to sell peanut butter and which her father had believed since 1933 to be an infringement upon his character's trademark.
Posted @ 1:10 AM by Dirk Deppey | permalink


Byron's back
(Graphic Novels) One of the first North American publishers of comic books in collected book form, Byron Preiss, has announced his intention to return to the game next year with a new imprint.
Publishers Weekly has the story:

"Preiss has collaborated with publishers like Bantam to publish graphic novels in the past with mixed results. But, he said, there's a new climate for book format comics. 'When you look at the shelves of graphic novels in Virgin Mega stores and see Doubleday and Norton publishing graphic novels, you know the market has changed.'

"Ibooks Graphic Novels will publish a mix of genres by new artists and veteran comics creators. Books will be in both color and black and white. Preiss said the titles will offer original material as well as 'new agglomerations' of published and unpublished content. Dean Motter, former designer at DC Comics, will design the line."

Ibooks' first announced titles include Vietnam Journal by Don Lomax, Vic and Blood by Harlan Ellison and Richard Corben, and a collection of comics adaptations of stories by Raymond Chandler.
Posted @ 1:10 AM by Dirk Deppey | permalink


Laugh at this man
(Gag Cartooning) Danny Shanahan, whose work graces the cover of the recent "cartoon issue" of
The New Yorker, will be the subject of an exhibition at Bard College in Annandale, New York, entitled "Art from the New Yorker: Covers and Drawings." The exhibit kicks off Thursday with a slide presentation and opening reception, and continues through November 26th. The Poughkeepsie Journal has the details:

"Shanahan plans to discuss his career and a typical working day. He will also give a demonstration and leave time for questions.

"'I have a couple that are just my own favorites that are technically not The New Yorker's, but could have been,' Shanahan said. 'They don't give you much direction. They are looking for someone who is unique, creative in their own right and has their own voice.'"

The slide presentation begins at 7 PM, with the reception held half an hour later, at the Bertelsmann Campus Center. Admission is free. Call 845-758-6822 for further details.
Posted @ 1:10 AM by Dirk Deppey | permalink



Monday, November 11, 2002

A=A
(Comics Events) Attention Toronto: In conjunction with comics store
The Beguiling, writer Blake Bell will be appearing at 6:30 PM at the Palmerston Library Auditorium, just north of Bloor on Palmerston Avenue. He's ostensibly there to sign copies of his new book I Have to Live With This Guy!, but the bulk of the evening will be spent on a slideshow and discussion of the life and work of legendary cartoonist and recluse Steve Ditko, whom Bell is profiling in his next book, Steve Ditko: The Mysterious Traveler. You can view the flyer for the event here, or call The Beguiling at 416-533-9168 between 11 AM and 7 PM for more information.
Posted @ 12:15 AM by Dirk Deppey | permalink


One week's warning
(Commentary) The current
TCJ Audio Archive MP3 files, featuring extensive excerpts from the classic Journal interview with the late EC Comics/MAD magazine publisher William Gaines, will come down on Friday morning to make way for the next monthly installment. Consider yourself warned.

Rather short day's entry, don't you think? All apologies -- the fact of the matter is that I've just spent the last two days hard at work on Sunday's headliner entry, and I'm beat beyond beat. (Scroll down one notch to the entry entitled "The Fog Hollow memorial address" and click the link; you'll see what I mean.) In any case, I think the below entry should be enough to chew on for a day or so, don't you? Regular blogging will resume Tuesday morning. See you then.
Posted @ 12:15 AM by Dirk Deppey | permalink



Sunday, November 10, 2002

The Fog Hollow memorial address
(Comics Retailing) As promised yesterday, Episode VI of Marvel Lovefest 2002 includes an extended history of the stormy weather speculation has caused the direct sales market over the years, as well as my arguments against the encouragement of such practices in the present day. It's way too long to fit comfortably on this page, so I've given it a page all its own --
click here to read it, or here for a printer-friendly copy of the essay.
Posted @ 9:00 PM by Dirk Deppey | permalink


See you next Wednesday
(Comics Events) Doing anything Wednesday? If you happen to live in either New York City or Seattle, I have a few suggestions:

  • New York first -- Tony Millionaire is back in the Big Apple on a rare visit, in town to promote his new cartoon collection The House on Maakies Corner with a signing at Jim Haney's Universe on West 33rd Street, from 4-7 PM (call 212-268-7088 for more info). The next night he'll be at the Clayton Patterson Gallery (161 Essex) from 7-10 PM, attending the opening reception for an exhibition of his work. Fair warning: his website implies that the gallery opening will be a formal affair...

  • On to Seattle! According to our message board (warning: linkrot ahead), mini-comix creators and readers can amble on down to the Richard Hugo House (1634 Eleventh Avenue on Capitol Hill) this Wednesday evening from 6-10 PM for a nice, low-key potluck and get-together. Bring food, bring art, bring comics, bring 'zines, and spend the evening hanging out with your peers. Admission is free. Call 206-322-7030 for more information.

See you back here Monday.
Posted @ 1:15 AM by Dirk Deppey | permalink



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