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Honestly

Today on the site, for your Labor Day Weekend reading pleasure we have RJ Casey with the case against Craig Yoe.

We are at peak reprint. Because of this, the only worthwhile publishing projects reissuing old comic strips or books need to be either uncovering hidden gems and critical missing links to bygone eras, or repackaging material in a way that makes it more historically relevant or capital-I “Important.” Craig Yoe does neither.

The hardcovers discharged monthly by the IDW imprint Yoe Books have varying themes and subject matters, ranging from wacky horror stories and wacky romance stories, all the way to wacky funny-animal stories. Yoe Books look like they’ve been put through the Print Shop Deluxe ringer. They are all faux-sturdy, piss-poor print jobs, and committed to a cookie-cutter 9”x11” template, no matter the size or layout of the original material. This is because Yoe is the Spencer’s Gifts of archivists—forever more interested in novelty than preservation.

Eyes that go googly over nostalgia are often clouded by it as well. That can be the only reason these books look like they are assembled from color Xerox copies. It appears that the pages were scanned from the original comic book, blown up, and then that enlargement was shrunk down again to fit the book’s page size.

Elsewhere:

This is a wonderful and amply illustrated memoir by the illustrator Brad Holland, who was hugely influential in the 1970s and 80s.

Frank Santoro and Comics Workbook are hosting workshops at the upcoming SPX

 


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