International posts

“Cool Japan” is no longer enough

Posted by Roland Kelts on July 5th, 2010 at 12:01 AM

“Cool Japan” was an apt brand for the early days of manga/anime fandom. But now it’s an impediment.

G. Willow Wilson Interview conducted by Ian Burns Part Three (of Three)

Posted by admin on June 25th, 2010 at 12:01 AM

In the conclusion of this three-part interview, Wilson talks about the cancellation of Air, the Standard Attrition website, the challenges inherent in writing memoir and being interrogated by little blonde stewardesses.

G. Willow Wilson Interview conducted by Ian Burns Part Two (of Three)

Posted by admin on June 24th, 2010 at 12:01 AM

In Part Two of a three-part interview, Wilson talks about how it’s harder to break into comics than The New York Times, writing superhero books in continuity, and how she scripts.

G. Willow Wilson Interview conducted by Ian Burns Part One (of Three)

Posted by admin on June 23rd, 2010 at 1:50 PM

“I’m a comic-book writer who wears a headscarf,” says G. Willow Wilson.”That should be a contradiction.” Indeed, in a time when the news is riddled with stories about violence over cartoons depicting the Prophet Muhammad, and the ties between the West and the Middle East are increasingly strained, those characteristics could easily be dismissed as conflicting. But Wilson chooses to write not only about how the West and the Middle East conflict, but how they complement each other.

Wilson made her debut in the comics medium with her book Cairo, which she collaborated on with artist M.K. Perker (and with whom she is currently collaborating on their ongoing Vertigo series, Air). Originally from Colorado, Wilson now splits her time between Seattle, Wash., and Cairo, Egypt. In her new memoir, The Butterfly Mosque, she shares her love of Islam; how she became immersed in Egyptian life; and the difficulties she had reconciling her love for both Western and Middle Eastern culture.

During their recent interview in Seattle, which took place on June 11, 2010, Wilson spoke to Ian Burns about her career thus far, her experiences in the comics industry and a concept she calls “hyperpraxis.”

It Was the War of the Trenches

Posted by Kristian Williams on June 22nd, 2010 at 12:01 AM

Tardi has produced a beautiful comic on a ghastly subject.

Translation Roundtable (Part Three of Three)

Posted by Kristy Valenti on June 4th, 2010 at 12:01 AM

In the final installment of a three-part conversation regarding comics translation, the panelists mull over censorship, works that have been translated previously, puns, scanlations, process and the marketplace, among other topics.

Tezuka Awards Winners

Posted by Anne Ishii on June 3rd, 2010 at 9:11 AM

The Osamu Tezuka Cultural Awards were presented last week. Some beautiful looking books I look forward to seeing. Check out the full list here (in Japanese but I’m sure you can navigate through the book covers).

What I’m…

Translation Roundtable (Part Two of Three)

Posted by Kristy Valenti on June 3rd, 2010 at 12:01 AM

In the second part of a three-part conversation on comics translation, our intrepid panelists discuss “faithfulness,” the temptation to improve upon the source text, sound effects, accents, working with word balloons and much more.

Translation Roundtable (Part One of Three)

Posted by Kristy Valenti on June 2nd, 2010 at 12:01 AM

This roundtable was inspired by Matt Thorn’s essay “On Translation.” Anjali Singh (translator of Marjane Satrapi’s Persepolis 2), Helge Dascher (translator of Michel Rabagliati’s Paul books), Camellia Nieh (translator of Osamu Tezuka’s Ode to Kirihito) and Kim Thompson (my boss, who is currently translating Jacques Tardi books) graciously agreed to take part in this discussion; it turns out they were just as curious as I was to learn about what strategies their peers employ to tackle questions of faithfulness to the text, the challenges specific to working with the medium of comics, censorship, authorial and editorial give-and-take, etc. The following conversation, conducted April 18, 2010, goes a long way to explaining the brass tacks of something that, when done well, is fairly transparent to the reader. — Kristy Valenti

Participants: Anjali Singh, Kim Thompson, Camellia Nieh and Helge Dascher; Moderator: Kristy Valenti; Transcription: (The Amazing) Jenna Allen

If it ain’t broke — OCX 2010

Posted by Matthias Wivel on June 1st, 2010 at 8:07 PM

The Oslo Comics Expo saw its fourth annual iteration this past weekend. The formula established at the inaugural festival in 2007 remains pretty much in place — a day-and-a-half of programming, concentrating mostly on Norwegian creators, a small-but-interesting-and-somewhat-eclectic roster of international guests (Jim Woodring and Becky Cloonan headlined this year) — a pleasant, laid-back atmosphere, and a big party to round everything off.

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