Essay posts

Norman Pettingill: His Life

Posted by Gary Groth on March 9th, 2010 at 12:01 AM

In June, Fantagraphics Books will publish a collection of Norman Pettingill’s work. Comic fans may remember that Robert Crumb published some of Pettingill’s cartoon drawings in Weirdo in the mid-’80s. The idea of publishing an entire book collecting Pettingill’s work was first broached to me by Johnny Ryan, a Pettingill fan (and the cartoonist behind Angry Youth Comics and Prison Pit), a few years ago. The John Michael Kohler Arts Center in Sheboygan, Wisconsin, is the repository for most of Pettingill’s work, and agreed to help us put together a book. Johnny wrote a brief appreciation; R. Crumb loved Pettingill’s work and wrote a brief introduction. But, so little is known about Pettingill himself that I felt the book required a short biography of the man — so I wrote one.

There has been very little written about Pettingill, making it difficult to put together a story of his life. I had only previously read “A Visit with Norman Pettingill” by Rodney Shroeter from Comic Art # 3 (2003), which was useful but also problematic: it charted the broad arc of Pettingill’s life in desultory fashion, but also contained inaccuracies and internal discrepancies. I was able to separate fact from fiction by interviewing Pettingill’s sons, Bud and Jack, and by consulting a lifelong friend of Pettingill’s, Jim Pink, all of whom proved generous with their time and helpful.

*This is the latest draft, which may be slightly revised for publication.

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Like a Mechanical Bird: The Peculiar Stoicism of David Wayne (Part Two of Two)

Posted by Donald Phelps on March 3rd, 2010 at 12:01 AM

Besides Joseph Losey, one filmmaker, to my knowledge, provided David Wayne’s talents and presence with fully ample and honorable space: star stature.

Previously: Part One.

Like a Mechanical Bird: The Peculiar Stoicism of David Wayne (Part One of Two)

Posted by Donald Phelps on March 2nd, 2010 at 12:01 AM

An appreciation of character actor David Wayne.

Mid-Life Creative Imperatives Part 3 (of 3)

Posted by Gary Groth on February 26th, 2010 at 12:01 AM

The Journal began publishing almost the same month that Art Spiegelman and Bill Griffith’s underground comix anthology Arcade ended — as good an event as any to signal the last whimper of the underground movement.

Mid-Life Creative Imperatives Part 2 (of 3)

Posted by Gary Groth on February 25th, 2010 at 12:01 AM

The writer Benjamin Peret once raged that the United States represented “the most emphatic garbage, the ignoble sense of money, the indigence of ideas, the savage hypocrisy in morals, and altogether … a loathsome swinishness pushed to the point of paroxysm.”

Preface to Mid-Life Creative Imperatives (Part 1 of 3)

Posted by Gary Groth on February 24th, 2010 at 12:01 AM

A few days ago Jeet Heer posted a historical-speculative essay over at Comics Comics titled “The Mid-Life Crises of The Great Commercial Cartoonists” that caught my attention. His premise is that a move from working within the paternalistic corporate structure of commercial comics to more independent creative work formed a pattern “common to commercial comic book artists of [Wally Wood’s]’s era.” His examples of this pattern were Jack Kirby, Steve Ditko, Gil Kane, and Will Eisner. Heer refines his premise thusly: “All these cartoonists started off as journeymen artists, had a mid-life crisis which made them try do more artistically ambitious work, but ended up being thwarted either by the limits of their talent or the constraints of marketplace.”

After I read Heer’s piece, something was tugging at me, and I realized I’d touched on a similar theme in a piece I’d written 15 years ago.

The Wooden Boy: Onward and Upward

Posted by Donald Phelps on February 23rd, 2010 at 12:01 AM

Angelo Patri’s Pinocchio in America is a a saga of immigrant boyhood in the U. S. A that actually enlarges upon the original’s florid melodramatics and earthy vigor.

Why I’m optimistic about DC Comics’ new management team

Posted by Dirk Deppey on February 19th, 2010 at 2:19 AM

 

I have to say, the longer I think about DC Entertainment president Diane Nelson’s selections to take over management of the company from outgoing publisher Paul Levitz, the smarter those selections look.

A Tale of Two Conventions

Posted by R. Fiore on February 19th, 2010 at 12:01 AM

T. Hodler has an interesting post on the Comics Comics website (looking very snazzy in its new digs, incidentally) touching on among other things the kinship between science fiction and comics fandom, which put me in mind of…

Lucky Jim: Very Good, Eddie

Posted by Donald Phelps on February 12th, 2010 at 12:01 AM

Preston Sturges’s Diamond Jim — the corpulent life and gastronomic loves of 19th-century entrepreneur and (as here depicted by Edward Arnold) zealous chowhound, James Brady — is (as directed by Edward Sutherland, from Sturges’ screenplay) a cheerfully sensual saga: leisurely,…

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