Copra #1
Accessibility is overrated! So is context. When I was myself a wee sprat just coming up in the world, most of the comics for sale at the local 7/11 seemed to operate according to the guiding principle of, “climb aboard … Continue reading
Everyone’s A Critic: The Ultimate Cartoon Book
Everyone’s a Critic: The Ultimate Cartoon Book is dedicated to disproving its title. The New Yorker cartoonists represented in this collection are mostly uninterested in criticizing life, art, or criticism. The anti-critical project of the book is the beating of … Continue reading
Get Over It
I’ve never read a comic made by an attendee of the Center For Cartoon Studies before. This isn’t due to a conscious aversion— it’s not like I pick up a book, see CCS in the artist’s bio, and put the … Continue reading
Meat And Bone
The first thing that strikes me about Meat and Bone is Kat Verhoeven’s incredible skill at drawing memorable characters. Her figures have that warm, animation-ready look that conveys at once movement and emotion, the feelings of an instant and the … Continue reading
The End Of The World
Six years after its initial publication by Antibookclub in 2013, Penguin Random House has re-released Don Hertzfeldt’s first graphic novel The End of the World. For those unfamiliar with the acclaimed animator’s only comic, The End of the World consists … Continue reading
Punisher: Soviet #1
Garth Ennis’s take on Punisher comics is at this point as battle-tested and successful a formula as any of the all-time Marvel runs that get spoken about in more hallowed tones: Claremont on X-Men, Miller on Daredevil, Windsor-Smith on Conan. I … Continue reading
Rusty Brown
The last time I read a book that won the Pulitzer Prize – or at least, the last time I read a book for the specific reason that it had won the Pulitzer Prize – was Jennifer Egan’s A Visit … Continue reading
Naked Body: An Anthology of Chinese Comics
An introduction to the world of indie Chinese comics, co-edited by one of its leading lights. Continue reading
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