REVIEWS

Revenger and the Fog

Revenger and the Fog hits and hits hard, with force and propulsion. Charles Forsman starts his story running and never stops. First, there’s Reggie, a/k/a Revenger. She rocks a shaved head, and favors black sleeveless t-shirts. A badass. Then there’s … Continue reading

 

Weird 6

While it served as the definitive memento mori for centuries, the image of the skull became played out through overuse in the late twentieth century, circa the publication of the Appetite for Destruction album art. Afterwards it only signified a … Continue reading

 

The Complete Strange Growths: 1991-1997

A collection of Jenny Zervakis’ long-running, quietly influential comics zine from the 1990’s, the first book project published by Spit and a Half. Continue reading

 

Pretending Is Lying

Reading the New York Review Comics edition of Dominique Goblet’s Pretending Is Lying, I was reminded of an old Phoebe Gloeckner interview with Gary Groth in The Comics Journal. It’s commonly believed that the harrowing experiences she depicted in A … Continue reading

 

Fire!!

Since ending the regular run of his seminal series Hate!, Peter Bagge has been experimenting with all sorts of different genres. He wrote an all-ages series with Yeah! (drawn by Gilbert Hernandez), wrote and drew some of a hilarious comic about a … Continue reading

 

Pat Palermo’s Galveston Diary

Pat Palermo is a New York-based artist who has been an active participant in the art world while maintaining an identity as a cartoonist. This  doesn’t seem like such a strange thing now, as more and more people are getting … Continue reading

 

Fetch: How a Bad Dog Brought Me Home

This follow up to Nicole J. Georges’ previous graphic memoir, Calling Dr. Laura, continues Georges’ coming-of-age saga, this time centering on her deep, lasting relationship with Beija, a “Bad Dog.” Continue reading

 

Sunburning

Keiler Roberts’ newest volume of loosely assembled memoir strips, Sunburning, is a more assured, confident, and cohesive collection than her prior work. While Roberts displayed a distinct authorial voice, a refreshing lack of fussiness with her blunt and direct pencil … Continue reading