I’m Not Here

Canadian artist gg might have the most consistent and unified aesthetic of any comics artist working today. Her clean, snowy drawings and lonely stories bleed out into all aspects of her online presence – from an impeccably curated instagram profile … Continue reading


Morton: A Cross-Country Rail Journey

It’s pretty wild to remember that we have a foreign country right to the north of the United States! That’s only a little bit of a joke, given the familiarity of various Canadian metropolitan locations to television audiences the world … Continue reading


Shiver: Junji Ito Selected Stories

Hey, wanna hear a scary story? The internet has transformed the impulse for expressing affection into a dehumanizing and monetizable force! Well, I didn’t say it was going to be a new story… it’s like Dracula. You’ve heard it before. … Continue reading


Rumble #1

John Arcudi’s Rumble returns with a new artist, David Rubin, a new #1 on the cover, and a new direction for the series. Arcudi uses this new #1 to fill in latecomers like me on the labyrinthine history of the … Continue reading


How to Read Nancy

“You can’t teach genius,” my friend and colleague Glenn Bray quipped in a recent email exchange. As an after-school teacher of comics, cartooning, and storytelling, I must bow my head and agree. One out of 50 of the middle-school kids … Continue reading


Shirtless Bear-Fighter!

Ultimately we’re left with a book whose defense rests on the same ethical foundation as Family Guy: if the whole of culture is simply a pile of signifiers and clichés, then there’s no moral weight in joking about stereotypes. Everything is a stereotype, right? No harm is intended since everybody is getting off with the same treatment? Right? Continue reading


Old Ground

Noel Freibert’s Old Ground has a premise that puts it somewhere between a B-horror film and a Pixar release. Years of neglect have turned the Old Maple Grove cemetery into a home for a cast of odd characters: Otto, a … Continue reading


I Am Not Okay With This

Forsman’s ability to maintain the immediacy of Syd’s point of view without completely surrendering to it results in a complex piece of work and one of the most honest depictions of the emotional telescoping effect of both depression and adolescence. Continue reading