
Over time, last year’s Maine Comic Arts Festival in Portland has come to seem increasingly like a particularly productive orchard. Here’s more of what was plucked.

Over time, last year’s Maine Comic Arts Festival in Portland has come to seem increasingly like a particularly productive orchard. Here’s more of what was plucked.
*Normally, I would leave the link-blogging to Journalista, but since Mr. Deppey is out sick, I figured it might make for weekend reading: Williams always has something worthwhile to say.
**Miles is my coworker, so full disclosure and all of that.
Rob reviews a batch of minicomics from Sam Spina.

A while back I took a look at a chapter, the second, of Colleen Frakes’ Woman King that was assembled, offered and reviewed as a mini. I found that segment to be a fine encapsulation in fantasy of a dilemma of leadership, experienced here by a young girl chosen to rule, in time, over a clan of bears.

You know the beginning-of-the-workweek drill: more comics gathered from last year’s Maine Comics Arts Festival. No joke.
Rob reviews two minicomics from Colleen Frakes: Giant Size Comic Relief and Color Comics.
Rob reviews a number of minis from Brian John Mitchell’s Silber Media, including JUST A MAN #2 & 3 (art by Andrew White), MARKED #1 (art by Jeremy Johnson), WORMS #5 (art by Kimberlee Traub) and ULTIMATE LOST KISSES #11 (art by Dave Sim).

Minis, joy of man’s desiring. Women’s, too!
As usual, these were gathered at the inaugural Maine Comics Arts Festival held in Portland last year.
Rob reviews Eric H’s minicomic, ODD JOBS #1.