Besides Joseph Losey, one filmmaker, to my knowledge, provided David Wayne’s talents and presence with fully ample and honorable space: star stature.
Previously: Part One.
Besides Joseph Losey, one filmmaker, to my knowledge, provided David Wayne’s talents and presence with fully ample and honorable space: star stature.
Previously: Part One.
An appreciation of character actor David Wayne.

Preston Sturges’s Diamond Jim — the corpulent life and gastronomic loves of 19th-century entrepreneur and (as here depicted by Edward Arnold) zealous chowhound, James Brady — is (as directed by Edward Sutherland, from Sturges’ screenplay) a cheerfully sensual saga: leisurely,…
Took me out of myself for a couple of hours.
Phelps critiques the book and the subsequent stage and film adaptations.

As promised: my interview with the dance critic Mindy Aloff, author of Hippo in a Tutu: Dancing in Disney Animation (Disney Editions, 2009). I learned a lot from her book, and enjoyed interviewing her for the Journal. The interview…
In the next few days I hope to post my interview with Mindy Aloff, the author of an excellent new book on Disney and dance, Hippo in a Tutu (2009). Aloff is an established dance critic who has written for…
Donald Phelps examines the art of the married stage-and-screen actors Jessica Tandy and Hume Cronyn.
I have never been a fan of the phrase “not comics.” Rather than drawing a hard line between “comics” and the world at large, I prefer to think of comics as an art form and as a set…

One of the innovative features planned for the new cutting edge online Comics Journal is a load of stuff from the old, stodgy out-of-date Comics Journal under the rubric Funnybook Roulette Archives. The plan is to go back to the antediluvian origins, but events give the following item reason to jump the line. A momentous cultural event like the 20th anniversary of The Simpsons raises many questions. One such question is, “How can it be the 20th anniversary when the first episode was a Christmas special?” Another is, “How can I personally exploit this manufactured media event?” In my case, it provides the opportunity to pull the following chestnut out of the open fire, an article in response to a previous media event manufactured around the 300th episode of the series. It originally appeared in one of the bedsheet issues of the Journal (the one with the Simpsons article in it). The series remains in the same state of equilibrium it was in when I wrote it, reminiscent of Krusty the Clown in the episode where an omnipotent Bart makes him stay on the air 24 hours a day. It still has its moments and I still have yet to be seriously tempted to stop watching it.