High-Low
Best Of 2014
A personal list of Clough’s favorite comics published last year, both long and short. Continue reading
Comics From Oceania: Pikitia Press
Matt Emery’s Pikitia Press is located in Melbourne, but Emery is a New Zealand native and unsurprisingly publishes the work of a number of Kiwis as well as Aussies. The scene has long been small but feisty but it has grown dramatically in the past five to ten years. Continue reading
State of the Art: QU33R
Kirby’s new anthology is very much a reaction to and extension of Justin Hall’s No Straight Lines. If the latter represents the past of queer comics, Kirby wanted to take a snapshot of its present. Continue reading
The Ballpoint Worlds of Jeremy Baum
Baum’s comics and illustrations revolve around a set of subverted genre themes, as fantasy, conspiracy, and science fiction tropes are blended with pet images. Continue reading
The Wuvable World of Ed Luce
Some have referred to Luce’s Oaf comics as “the gay version of Scott Pilgrim,” but the obvious alt-comics comparison is Jaime Hernandez. Continue reading
MCAD and the Minneapolis Scene
Rob Clough takes a close look at the local comics scene in Minneapolis, and particularly the work of current and former students from the Minneapolis College of Art and Design (MCAD). Continue reading
Sequential Artists Workshop: Output From The First Year
The sense I get from SAW’s first year is that Hart’s aim was to create a collaboration and dialogue with his students, rather than create a rigid differentiation between the teacher and his pupils. Continue reading
