“This Strange Profession”: Abner Dean Interrogates the Gag
The “Brave Nude World” of philosopher, psychologist, psychiatrist, anthropologist, and cartoonist Abner Dean.
The “Brave Nude World” of philosopher, psychologist, psychiatrist, anthropologist, and cartoonist Abner Dean.
Ken Parille digs through 60 years of comics and says things about words. He explores a diverse creative cast, from Bill Griffith, Gabrielle Bell, and Julia Gfrörer to Jerry Siegel, John Byrne, and Grant Morrison — with a brief appearance by Otto Binder.
In Part I of this two-part survey, Ken Parille reviews twelve comic books and graphic novels, paying attention to the words they use.
Things are not going well on Mars or on Earth. Chris Ware tells these tales with the help of a cartoonist’s best friend: the circle.
Grid asks and Grid answers, sort of . . .
Greatness and minimalism in a disposable kid’s comic . . .
Mind-blowing kisses, bitter tears, manic desperation, luxurious eyebrows, and comic book history in Charles Burns’s new graphic novel.
Grid explores the innovative visual techniques of artist Steve Ditko.
A close reading of an unusual comic by the innovative cartoonist John Hankiewicz. Bonus: the full comic is included!
Working through the new book.
Ken Parille looks at Super-Ugly Muscles and Male Superhero Outfits.
The first GRID of the new year looks at a handful of comics and graphic novels from 2011.
In this month’s Grid, we talk about Daniel Clowes’s The Death-Ray. Please add your two cents or more in the comments section.
They’ve hyped the new Justice League #1 as a “Game-Changer.” But is it? The Comics Journal investigates.
Ditko is a satirist — Ditko creates Black and White Black Comedy with Sick Humor. Ditko’s Creeper: Performance, Heroism, and Mania. Ditko is the single most innovative artist/humorist to come out of the Mainstream Comics Industry. Discuss.
K asks, “Is there a right way to draw IT?” X, Y and Z answer, arguing about “The Libertarian Aesthetic.”
A look at scenes of creation, drawing, and comics-making.
Cartoonist and teacher Ivan Brunetti discusses his new book with Ken Parille.
Ken Parille takes a close look at Moto Hagio’s “Bianca” and finds something sinister.