COLUMNS

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Simplify, Stupid

Does Will Eisner really deserve so much more respect than Don Martin and Dave Berg? Continue reading

 

Notes Toward a Future Understanding of Wally Wood

Why is the art of Wally Wood so hard to describe, so hard to get at? Why am I so interested in his art, while the similarly painstaking craftsmanship of a Joe Kubert or Will Eisner leaves me cold? Continue reading

 

At the Mountains of Madness

Within the collection of the Museum of Modern Art in New York City, we come across Sherrie Levine’s 1989 art work Untitled (Mr. Austridge: 2). It is not currently on view, but was up in the galleries from June 30, … Continue reading

 

Where I’m Coming From (Part 2)

Zines disappear arbitrarily and without warning. For the final installment in this series, I’ve tried to write about a great many, in the hopes that works that have moved me might open up forgotten corners of what is possible in cartooning.
Continue reading

 

Where I’m Coming From (Part 1)

The minicomics and zines that shaped the columnist’s aesthetics. Continue reading

 

Anything But Reality

How both George Herriman’s final Krazy Kat strips and the overpacked silliness of Mort Weisinger’s Silver Age Superman illustrate the true power of cartoon storytelling. Continue reading

 

Feininger’s Grandkids

What if comics held up Lyonel Feininger as a model rather than Jack Kirby? Continue reading