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David Mazzucchelli Disavows Forthcoming Batman Reprint

I recently asked artist David Mazzucchelli about the forthcoming reprint of Batman: Year One, set for release March 14 from DC. David told me the following:

DC just sent me this book last week, and I really hope people don’t buy it. I didn’t even know they were making it, and I don’t understand why they thought it was necessary —  several years ago, DC asked me if I’d help put together a deluxe edition ofBatman: Year One, and Dale Crain and I worked for months to try to make a definitive version. Now whoever’s in charge has thrown all that work in the garbage. First, they redesigned the cover, and recolored my artwork — probably to look more like their little DVD that came out last year; second, they printed the book on shiny paper, which was never a part of the original design, all the way back to the first hardcover in 1988; third — and worst — they printed the color from corrupted, out-of-focus digital files, completely obscuring all of Richmond’s hand-painted work. Anybody who’s already paid for this should send it back to DC and demand a refund.

I asked if he’d contacted DC, and David explained that he “wrote letters and sent emails to the president, both publishers, and the editor in charge of special editions. No response.” I asked about his forthcoming Artist’s Edition of his Daredevil work, and he replied, “Scott Dunbier has been in touch with me from the beginning; I supplied all the scans of the artwork.”

This seems like a ridiculous and avoidable mistake by DC since, indeed, they had a willing collaborator in David, but somehow it’s not terribly surprising.

 

Maybe Ask First

Today on the site: Tom Spurgeon in conversation with Brian Ralph and C.F. at the 2011 Brooklyn Comics and Graphics Festival. And Frank Santoro gives us a peek at his comic book haul.

In other news:

Comic book veteran and the last surviving artist to have been published in Action Comics #1, Sheldon Moldoff, has passed away. We’ll have his TCJ interview and an obituary online later this week.

Tom Spurgeon (him again!) has a great interview with Charles Hatfield about his book Hand of Fire: The Comics Art of Jack Kirby. TCJ is working on a roundtable discussion of Hatfield’s excellent work.

And finally, a handful of mid-1980s video interviews with comic book artists have popped up on YouTube, courtesy of an organization called Big City D2D. Particularly noteworthy is the Marie Severin piece in which she talks about creating characters and is extremely funny, to boot.

Marie Severin

Howard Chaykin

Will Eisner

Gold.

 

The Politics of Inexperience

Say a fond farewell to Emily Flake, whose final diary entry is up today. Thanks, Emily.

And now to links, almost all of which turn out to revolve around political questions, coincidentally enough.

First, Brandon Graham gives good interview. In this one, he speaks (as a sometime comics porn creator himself) about what comic books get wrong about sex.

Speaking of what comic books get wrong about sex, Tom Spurgeon pulled out a recent Newsarama interview with Catwoman writer Judd Winick in which the former Real World star pulled a Nigel Tufnel and acted as if the reason people were up in arms about his run on the title is because it was too “sexy.” Well, maybe he was acting—Tom expresses justifiable amazement at Winick’s ability to remove the nuance of this discussion. Based solely upon the utter insipidity of all the Winick work I’ve read, I’d say it’s an open question whether he’s cynically and intentionally pretending not to understand the underlying issues, or that he’s just actually not smart enough to get it. Of course, I guess it could be a combination of the two.

This is old (in internet time) but still relevant.

Matt Seneca has an essay on Crepax’s Valentina, possibly his favorite comic of all time. (Incidentally, for at least the first hour of that Inkstuds roundtable I linked to the other day, the main subject Matt, Joe McCulloch, and Tucker Stone discuss is European erotic comics and the portrayal of rape therein. That kind of work is not my bag, but it’s an interesting if uncomfortable talk nonetheless.)

James Romberger writes about the male perspective, too, in a roundup of brief reviews of comics by Alex Toth, Adrian Tomine, Joost Swarte, and Jim Steranko, among others. He also slams Chester Brown’s Paying for It hard, ultimately finding the whole thing “fucking depressing.” I don’t dispute many of James’s points, but Brown’s book has only grown in my estimation over the past year— it truly supports multiple valid perspectives on what it’s up to in a way that only the best art does. Try finding a non-risible interpretation of the Catwoman comic mentioned earlier.

And then of course there’s the way comics portray race. The Forbidden Planet blog alerts us to an impassioned take on the recent Tintin in the Congo written by the novelist China Miéville, arguing on the side of Bienvenue Mbutu Mondondo instead of Hergé’s publishers. It’s worth reading, if for no other reason then that intelligent arguments from Mondondo’s point of view have gotten precious little attention. (Incidentally, in the course of his essay, Miéville links to a lengthy series of blog posts denouncing Alan Moore and Kevin O’Neill’s use of the “golliwog” character in League of Extraordinary Gentlemen.)

And there’s lots of video for you to watch on a lazy Friday afternoon:

Robert Crumb talking to Gary Groth in India (via)

Jules Feiffer (via)

And Jerry Moriarty’s new YouTube channel (via)

 

Met-Hal UrLahnt

Today on the site: Emily Flake’s Thursday involves whiskey and cigarettes, as any good Thursday should. And Rob Clough reviews African American Classics.

Elsewhere:

This may or may not be news: The 1987 documentary The Masters of Comic Book Art is now on YouTube in its entirety. I suggest skipping to the 20 minute mark to listen to Steve Ditko explain Mr. A. I forgot about this section, and I really enjoyed listening to his voice. Moebius is at the 38 minute mark. This is just a pretty fine glimpse at these artists in the flesh. It’s also so very funny to think how different the canon was.

http://www.youtube.com/watch?v=L3ckwlLsW78&feature=player_embedded

-Hey, I missed this Best of 2011 international, multi-contributor list hosted by Paul Gravett.

-Oh look, it’s Hal Foster Tarzan dailies.

-This is just…. wow. Passion. I wish I had it.

-And Eddie Campbell catches a couple of swipes. Good ones, too.

 

Stumble Year

Mike Dawson’s got a new episode of TCJ Talkies up, this time interviewing the cartoonist Box Brown about starting up his own publishing venture, Retrofit.

And Emily Flake is in day three of her Cartoonist’s Diary week. Now it’s exercise time.

Three of our regular contributors—Joe McCulloch, Matt Seneca, and Tucker Stone—have appeared on the Inkstuds radio show to talk about comics for three hours. I haven’t been able to listen to this yet, but with that lineup I’m sure it’s fantastic.

Speaking of podcasts, I don’t think we’ve mentioned yet that Comix Claptrap is back, and has a good interview with Tom Hart about starting up SAW in Gainesville.

Bill Kartalopoulos reviewed the latest Kramers Ergot anthology over at Print, and Brad Mackay reviewed Someday Funnies over at the Globe and Mail.

Fan blogger Colin Smith has an interesting post about reading Seth’s It’s a Good Life If You Don’t Weaken and realizing that at lot of the biases and prejudices he’d always attributed to Seth weren’t actually in evidence.

Via Frank Santoro, here‘s Rob Liefeld.

Okay, I guess this is settled then. Things like that make me depressed about comics’ position in the world. Then I remember that every other art form tends to get the same belittling treatment (Arthur beats Macbeth as our greatest literary king!), and the depression becomes more general.

 

It’s a Discovery

Today on the site: Emily Flake’s week-long diary continues as cartoon-submission time rolls around at The New Yorker. And the irrepressible Joe McCulloch brings us his week in comics.

Elsewhere… Jan Berenstain, of The Berenstain Bears, passed away. The Forbidden Planet blog pays tribute to Brett Ewins. And two from Comics Alliance: Douglas Wolk on the great Gilbert Hernandez book, Birdland and a round-up of last weekend’s announcements from Image Comics, which is becoming a  go-to place for well-done and creative (and creator-owned) genre material. I don’t think many people would have predicted Black Kiss 2 back in 1994. Huh.

 

Up the Hill Again

Eric Buckler interviewed Wilfred Santiago, of 21 and Pop Life. Here’s an excerpt:

I have worked in the industry non-stop since the 1990s, to varying degrees of failure. It went from “no way do I want to write” to “let’s give it a shot” to actually doing it. Unlike working with someone else’s script, there’s no linear method when I work on my own. That is to say I write while I ‘toon, and I ‘toon while I write. So the most important step is editing–what’s left on the page before going to the printer and into the sweaty hands of readers. I do believe writing has improved my cartooning. I don’t think it’s an accident that some of the best cartoonists are writers. I’m not putting myself in that group but I strive for it.

Brandon Soderberg reviews the first issue of the new Bulletproof Coffin mini-series.

Emily Flake reports for duty on her first day as our latest cartoonist diarist. Things start well, with a trip to the dentist.

And yesterday, in his latest column, Frank explained how he got home after his lengthy west coast tour.

Elsewhere, John Porcellino names some of his favorite comics of 2011. I always like it when people save these lists for late winter/early spring (see Rob Clough’s on this site from the other week).

The Guardian has a nice profile of Tomi Ungerer, and gallery of some of his art. I’m hoping this is a sign that, as with Maurice Sendak over the past year, we are suddenly due for a million interviews with him.

And Françoise Mouly has a Tumblr.

 

Photo Finish

Today on the site Kristian Williams reviews The Complete Alan Moore Future Shocks:

Future Shocks collects some of Moore’s earliest humor work from 2000 A.D. (the magazine, not the year). Most of the stories are short, just a couple of pages, but some combine to make up a longer, ludicrous arc. Though they date from the early eighties, they feel like they belong to an earlier era: the humor is a little like the early Mad — oddball and mocking — often mixed with the morbid twist-ending of old E.C. comics.

And elsewhere on internet… Tom Spurgeon offers a modest proposal that we writers-about-comics link creator’s names to their creations when writing about whatever the latest iteration of those properties. It’s a good idea, and one that can build the idea of those linkages to, one hopes, will highlight the debt we owe to those artists.

No transitions here: This is a Hodler link special: Plastic Man in Pynchon’s Gravity’s Rainbow; TCJ contributors Joe McCulloch and Tucker Stone write about some recent movies. J. Caleb Mozzocco on the book Jackie Ormes: The First African American Woman Cartoonist

A final reminder: Your applications for the Santoro Correspondence Course are due today! Frank also has some comic-making format options up here.

Last but not least, fave local comic shop and culture producer Desert Island is celebrating its 4th anniversary tonight with a blowout party from 7 to 9 pm. On the docket: Beer and 20% of everything. 540 Metropolitan Ave, Brooklyn NY 11211.