Today on the site, we’re thrilled to have Peter Bagge interviewing Kaz, focusing mostly on the early years. Great, great stuff from two giants of the medium.
BAGGE: Almost all of your work is set in a rundown, urban residential landscape – not unlike Hoboken or Jersey City, though more depressed than those places are now. Might this be the Hoboken of your youth permanently planted in your psyche? Or perhaps because you moved back there when you started doing comics in earnest?
KAZ: Yes, Hoboken and Jersey City did look like Betty Boop backgrounds back in the 60’s. It’s perhaps a psychic space that reflects my own run down mind. But the simple truth is that I like drawing depressed backgrounds and interiors as well as weird architecture.
BAGGE: Your interiors always include naked light bulbs, pealing wallpaper, broken plaster, torn shades and wobbly floorboards. You should have been an interior decorator! Ha ha. And the exteriors include abandoned littered sandlots and people going in and out of sewers. Stuff that kids are fascinated with, actually (or at least when we were kids).
KAZ: Yes, sewers are fascinating. I love the idea that there’s an underground world connecting the whole city. I lost a lot of Spalding rubber balls down sewers. My brother Vincent accused our mom of shoving his dog, Zero down a sewer after she was sick of taking care of it. He claims a friend saw her do it. When he confronted her she denied it. The dog just disappeared. Zero the sewer dog.
BAGGE: I just heard Zero’s echoing, ghostly bark! Since you mentioned Betty Boop, I’m guessing those type of backgrounds also evoke cartoons and comics from the 30s and 40s that clearly had a huge influence on you. Were you always drawn to that old-timey stuff, or did it start to grow on you once you were out on your own?
KAZ: I think I always liked it. I never considered it old timey. Just different. The underground comics that influenced me the most had the same feeling. Robert Crumb and Kim Deitch. But yes, I was drawn to them because they looked like Hoboken. I found drawing plain suburban houses, storefronts, and strip malls pretty boring at the time.
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