It’s a Gas

Today on the site: Listen closely to the SDCC panel on music and comics with David Lasky and William Stout.


I've completely missed this very funny Tumblr site by Zohar Lazar: Ignatz is Unfunny.

The Forward on Bob Fingerman's opening at MoCCA.

Here's a review of a book I'm looking forward to reading: The Strange Tale of Panorama Island.

I like this gallery of images from the last day of Comic-Con. And here are Tom Spurgeon's final thoughts on SDCC 2013.

And Doug Aitken interviews Raymond Pettibon.


Challenging the Concept of Free Content

It's the time of the week when Joe McCulloch tells us about all the newest, most interesting comics coming out in stores tomorrow.


—Deb Aoki, formerly of, has launched a brand-new site this morning, Manga Comics Manga.

Here are the winners of the 2013 Eisner Awards. Building Stories and Saga did especially well.

—I'm probably not going to link to a lot of Comic-Con reports this year, but I liked this one from Philip Nel.

—If your interest was at all piqued by the announcement of new S. Clay Wilson books on the way, please go to Justin Green's blog entry passing a message from Wilson's wife Lorraine Chamberlain about Wilson's current health and financial situation (you may remember he received a traumatic brain injury a few years ago), and information about how you can help (Green's offering an incentive of his own for doing so).

—This sounds interesting. Starting this August, Tom Hart's SAW will be offering an online comics history course.

—Tom Spurgeon interviewed Chris Roberson and Allison Baker on the one-year anniversary of Monkeybrain Comics.

—Sarrah Horrocks writes about Red Sonja.

Jim Rugg inks John Buscema.



Today on the site:

R.C. Harvey profiles Helen Hockinson:

Parker and Hokinson shared an admiration for the redoubtable editor of The New Yorker. “We set great store by the judgment of Harold Ross,” Parker wrote, adding Hoky’s opinion: “When he pencils ‘Not funny’ in the margin of a drawing and I look at it later, I generally realize to my horror that it isn’t,” she said.

Although her relationship with the magazine and its editor was, for the most part, “extremely happy,” as Parker reported, there was an occasion of unhappiness when she discovered that Peter Arno was being paid more for his cartoons than she was for hers. This discrepancy doubtless arose because of Ross’s labyrinthian pay scale that resulted in higher pay for full-page cartoons—and Arno was diligent in opting for full-page ideas every time. But Hoky, put out by the perceived inequity, refused to send in any more drawings until the playing field was leveled. Ross promptly did the right thing.

Hokinson kept her pocket-sized sketchpad with her at all times, and once, at least, after her celebrity as the creator of the Hokinson Woman was established, her habit of drawing wherever she was gave her a chuckle. She was sketching at a flower show when she overheard a broad-beamed woman saying to her friends, “Watch out. I understand Helen Hokinson comes here for material.” Hoky, who was at that very moment unobtrusively drawing the speaker, giggled to herself but didn’t miss a stroke of the pencil.



That enormo Comic-Con over on the other coast generated some news. Tom Spurgeon kept a good running commentary. The Beat already has some panel summaries.

The New Yorker on Rube Goldberg.

And Harlan Ellison profiled by New York magazine.


The Influence of Slander

Today, we bring you Craig Fischer's review of Michel Rabagliati's latest graphic novel, Paul Joins the Scouts. This piece of course acts as something of a pendant to the larger essay Craig wrote about Rabagliati's work recently, which he summarizes briefly within the new review:

Here on TCJ a few weeks ago, I wrote an essay about Rabagliati’s work before Scouts, arguing that readers can assemble a rough but consistent chronology for Rabagliati/Paul’s life from the events presented and alluded to in such “stand-alone” books as Paul Has a Summer Job (2002) and The Song of Roland (2009/English translation 2012). Scouts fills out the chronology further, showing us much more of Paul’s childhood than we’ve previously seen. I also mentioned that Paul’s father typically gets a lot more narrative attention from Rabagliati than Paul’s mother, but that too is corrected in Scouts, where Paul’s mother Aline is portrayed as a vivacious young wife frustrated by living in an apartment next door to two nosy relatives, one of whom is Paul’s great-aunt Janette, “seamstress, hat-maker and old maid” (17), who we’ve seen previously (as a much older person) in Paul Moves Out (2004/2005). The pleasures of the Paul series are two-fold: each individual graphic novel has a proper beginning, middle and end, and can be read on its own, but those who read the entire series notice reoccurring characters and motifs and can assemble a broader picture of Paul’s life.


—There's some kind of convention going on today, but I have no idea how to find out any information about it. It's really important to me that I know every bit of information about the big sfx movies I'm not going to see in two years, though. Truly at a loss here...

—Toronto developer David Mirvish is selling the "Mirvish Village" plot of land, which means that local comics institution The Beguiling will probably be needing a new location soon. The Toronto Star has the story.

—John Adcock & Huib van Opstal have teamed up with a post gathering two rare articles written about the mysterious Herbert Edmund Crowley in 1911 and 1915.

—Ng Suat Tong deploys Walter Benjamin's conception of kitsch while looking at the work of Frank King, George Herriman, Kevin Huizenga, and Jack T. Chick.

—Betsy Gomes at the CBLDF site has an interesting story about how a 1940 anti-comic-book law is being used today to prosecute the owner of a website that posted an alleged snuff video.

Buster Keaton, Ed "Big Daddy" Roth fan



On the site today: Good news: Frank Santoro is back with a new installment of his column. This week Frank remembers 2009 and has some thoughts on the lifespan of a comic. Stay tuned for more.


Sean T. Collins on Gabrielle Bell.

It's SDCC-time and The Beat has some announcements and here's a LGBT guide to the con.

Here's a local profile of Jim Rugg.

A review of Ulli Lust's Today is the Last Day of the Rest of Your Life.

A remembrance of cartoonist Jackie Ormes.

Brandon Graham has been reading some Terminator comics.


Cui Bono

After the success of the most recent Superman film (and made hundreds of millions of dollars), Michael Dean has written "Who Owns the Man of Steel?", a history of the rights battle over the character to show who exactly is getting paid, and why, and a good primer for those who haven't followed the situation closely:

You may be forgiven if you’ve lost track of who owns the rights to the protagonist of Man of Steel. On the other hand, you probably won’t be surprised to learn that the legal seesaw between the heirs of Superman’s creators and Warner/DC landed solidly in favor of the corporation earlier this year, just before the release of its big-budget tent-pole movie.

An appeal of a ruling against the heirs of Joe Shuster is pending, but it is before the same appeals court that ruled against the Siegel heirs in January. Warner Senior Vice-President of Corporate Communications Paul McGuire told the Journal a ruling on that appeal is expected soon.

Marc Toberoff, attorney for the heirs, vowed to continue the fight. Warner, however, considered itself the winner of not just the battle but the war. “This is a great day for Superman, for his fans, for DC Entertainment and for Warner Bros,” the company announced, following the court’s latest ruling against Siegel’s heirs. If this is the end of what has been an epic struggle over control of one of the world’s most valuable properties, how happy an end is it? Is it really a great day for Superman, his corporate owners, and his fans? And what kind of day is it for comics creators?


—The Harvey Award nominations have been announced.

Journal columnist Jared Gardner has launched a series of articles exploring Franco-Belgian comics translated into English.

—Matt Madden, fresh off his entry into the French Order of Arts & Letters, files another long report from his and wife Jessica Abel's life in Angoulême.

—Michael Dooley previews the "Wonder Women: On and Off Paper" exhibition being held at the Women's Museum in San Diego concurrently with the upcoming Comic-Con.

Michael DeForge was interviewed for the Your Dreams My Nightmares podcast, and Maris Wicks was interviewed by Tom Spurgeon.

—The Comics Internet®'s "favorite" French cartoonist, Boulet, goes to Vermont and CCS.

—Brian Michael Bendis answers a reader's question about Orson Scott Card.



Well ok, it's Tuesday so Joe McCulloch has things to tell you about this week's comics. And we have added a tribute to Kim Thompson by Steve Brodner to the post.


Domingos Isabelinho wonders "Did Comics Criticism Ever Exist?"

MORE Joe McCulloch, this time on late (recent) Steve Ditko.

Wired has some Comic-Con etiquette tips for you.

And the A.V. Club has a list of 17 superhero stories by alternative cartoonists.


Building Day

Good morning, folks. Today we have another review from the indefatigable Rob Clough, this time his take on Thomas Herpich's White Clay. Here's a sample:

"Mensch" and "The Wedding Cauldron" are examples of just how comfortable Herpich is working in a fantasy milieu, even if both go way beyond the scope of a typical fantasy story. "Mensch" is about a soldier in some ancient war who falls and is replaced by a different version of himself, a better version who had been the better nature of himself that he had long ignored. Once again, the idea that there's a better version of one's self that's lurking out there, waiting to take over comes to the fore in this comic. The real kicker is that Herpich convinces the reader that this other self deserves to take over. "The Wedding Cauldron" is about a man discovering these impish little shape-changing creatures who perform mischief at a wedding he doesn't really want to be attending. The melancholy fellow feels his spirits lifted by following them into the forest, even as the imps are terrified that he will kill them, especially since one of their disguises works so poorly. Once again, Herpich is interested in people hiding and literally changing their identities, only it's from an outside perspective this time around.


—Interviews Dept.Journal writer Chris Mautner interviews Journal writer Marc Sobel about Sobel's new book, The Love and Rockets Companion. ICv2 interviews the indescribable Jack Katz on the republication of his First Kingdom.

—History Dept.
No one's going to beat this series of posts by Todd Klein on the history of DC Comics for a while. Start here and keep going. And Ladies Making Comics does a short profile of the under-appreciated Dori Seda.

—Miscellaneous. The Lambda Literary Review gathers comics recommendations from LGBT cartoonists, including Harold Cruse, Ellen Forney, Roberta Gregory, and Justin Hall, among others. The Projects festival has announced their upcoming lineup. Jacob Canfield compares Steve Ditko to Jack T. Chick.