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@#$%&!

Today, for any of you tired of the Lee/Kirby debate that continues to rage, Rob Kirby (no relation, I assume) tells us all about the Latvian comics anthology, š! #14. Here’s a sample of his presentation:

The theme for this latest issue is sports, which at first seems surprisingly conventional, coming from an anthology with past themes such as “Female Secrets” and “Midnight Sun.” Happily, the comics inside are anything but ordinary. Many of the š! creators seem to delight in presenting warped or heightened realities that veer from lighthearted whimsy to dark and downbeat.

I’ve slowly become familiar with the work of many of the contributing artists, some of whom have become favorites. It’s a treat to see König Lü. Q. and Lai Tat Tat Wing included here (I believe the former is in every edition), two artists who couldn’t be more dissimilar in style and content. Lü. Q. traffics in silly or non sequitur one-page strips with simple, childlike drawings, a type of comics I’ve always found irresistible. His “Real Quidditch” strip is a deadpan take on the Harry Potter series sans the “magic.” Meanwhile, “Taken” by Lai Tat Tat Wing, features another of the artist’s delightfully trippy identity-swapping, reality-changing narratives, drawn with a playful rather than stuffy formalism. His work would have fit neatly in RAW back in the day, no problem.

Elsewhere:

—Interviews. Jeet Heer appears on Inkstuds to discuss his monograph on Françoise Mouly. The Guardian interviews Joe Sacco about his new WWI book, The Great War. (They have a preview of the book, too.) And Michael Cavna at the Washington Post asks Jeff Smith about his new place on the CBLDF board.

—History & Profiles. BK Munn writes an obituary for the Canadian editorial cartoonist Roy Peterson. Mike Lynch has a few links regarding a new book on Archie cartoonist Bob Montana. Daily Ink has a short post on Mandrake artist Phil Davis. And I don’t know why, but I’m getting major deja vu vibes off this Slate article on the history of swearing in comic strips.

—Other Stuff. Tom Spurgeon reviews the new Bill Everett collection. It is fun to read an article in mainstream media going on and on about how well comic books handle ethnic and sexual diversity compared to movies. If true, this is kinda hilarious, too, though in a different way. Finally, Rob Kirby, today’s reviewer, is trying to fund a new LGBT-themed anthology via Kickstarter.

 

Admit It

Frank Santoro files his column from the road.

And James Romberger reviews In the Days of the Mob.

Elsewhere:

A new book on Bob Montana outside of Archie. Mike Lynch’s announcement of the book includes this quote, which is the best I’ve read about comics in a long while:

“Bob didn’t want his friends to think he was all about the comic strip,” said Anderson. “One of his friends told me that he used to say, ‘What kind of person would you think I was if my ego and self worth were wrapped up in a comic strip?’”

What kind of person indeed?

Comics repression in Egypt.

Writer-about-comics Gene Kannenberg, Jr. podcasts.

A preview of Brandon Graham’s new Multiple Warheads rarities collection.

Darryl Ayo Brathwaite on cartoonists as human beings.

Rob Liefeld on the halcyon days of the X-Men.

More love for Ed Piskor from his hometown paper.

Not comics: The great film critic Stanley Kauffmann passed away and James Wolcott and David Denby pay tribute to him.

 

 

Big Books

Paul Tumey is back today with a new column trying to make sense of the long and varied career of George Carlson. Here’s a snippet:

In the year 8113 A.D., the most remembered cartoonist of our time may not be any of our currently revered comics creators. Not Winsor McCay, George Herriman, Jack Kirby, Robert Crumb, Art Spiegelman, or Chris Ware. As incredible as it may seem, long after the last comic books of our time have crumpled into dust, the cartoonist of our era that People of The Future will dig (perhaps literally) could be a guy named George Carlson — an under-appreciated, largely overlooked cartoonist, illustrator, game designer, and graphic artist extraordinaire who will finally get his due with the forthcoming release of Perfect Nonsense: The Chaotic Comics and Goofy Games of George Carlson by Daniel Yezbick. The spirit of George Carlson’s playful, surreal world can be seen in everything from Pee-wee’s Playhouse to 24-hour comics.

People of the distant future may know about Carlson not because of Yezbick’s book (although it’d be nice to think so), but more likely because of the Crypt of Civilization, a room-sized time capsule that lies underneath what is currently known as Oglethorpe University, in Atlanta, Georgia.

When future human beings pry open the rusty door of the Crypt, they will see plaques on the walls created by George Carlson. The bold, Art Deco graphics on the plaques, barely visible in the photograph of the Crypt’s interior, are presented in a manner that looks back in time to the hieroglyphs seen on the walls of ancient Egyptian burial chambers. In 1940, the Crypt’s creator, Oglethorpe University president Dr. Thornwell Jacobs set the year for the time capsule’s opening at 8113 A.D. – exactly the same amount of years into the future as the number of years spanning backwards in time from 1940 to the oldest known Egyptian tomb.

Elsewhere:

—Profiles & Interviews. Steven Heller profiles Sunday Press publisher Peter Maresca. Rebecca Meiser at Cleveland magazine profiles Joyce Brabner about her handling of Harvey Pekar’s legacy, her sometimes prickly relationships with collaborators, and her own upcoming work. I can’t wait to listen to Gil Roth’s interview with Drew Friedman. Missed this earlier, but Last Gasp has begun a series of Weirdo: Where Are They Now? mini-profiles of Weirdo contributors.

Fangoria‘s Philip Nutman, who also worked as a comics writer and editor, has passed away.

—JC Menu has sent in his tribute to Kim Thompson. We’ve added it to the Thompson tributes page here on the site.

—Anime News Network reports on the cancellation of Barefoot Gen translator Alan Gleason’s appearance at a Japanese school, apparently partially due to ongoing political controversy over Keiji Nakazawa’s work.

—Jessica Abel & Matt Madden have released the longlist of Notable Comics for Houghton Mifflin’s Best American Comics of 2013.

—The Columbus Dispatch reports on the expansion of the Billy Ireland museum.

—Tom Spurgeon has posted an early review of Joe Sacco’s The Great War.

—And finally, Peggy Burns and the D&Q store appear briefly in this video:

 

Contradictory Impulses

It’s Tuesday, so Joe McCulloch is here to give you the goods on the week’s more interesting releases.

Guess who has a Tumblr? The aforementioned Mr. McCulloch, that’s who.

I didn’t know about the YouTube channel for the forthcoming book The Secret History of Marvel Comics.

The great Al Jaffee’s archives are going to Columbia University.

Tom Spurgeon reviews The Best of EC volume 1, Artist’s Edition. And Treasury of Mini-Comics, reviewed.

Finally, we’ve all felt this way.

 

Surprise

Today our webcomics columnist Shaenon Garrity writes about a new favorite of hers, Dana Simpson’s Heavenly Nostrils.

Elsewhere, the comics internet is filled almost entirely with interviews.

Prairie Dog talks to Jeet Heer about his new book on Françoise Mouly:

I wrote an article for the National Post about 10 years ago where I was trying to describe Art Spiegelman’s career as an editor. I had written: ‘Leaving Françoise Mouly aside for a moment, Art Spiegelman’s achievements are blah, blah blah’. My partner, quite rightly, called me on that, and asked ‘Why are you leaving Françoise Mouly aside? She was as important at RAW magazine as Art Spiegelman.’ And that really got me thinking because I had been aware of Françoise my whole life, and respected her and the magazine that she did, but I’d never written about her. For every one article that anyone has ever written about Francoise, there are at least 500 to 1,000 articles written about her husband.

Alex Deuben at CBR talks to Rutu Modan and Ramona Fradon.

Here’s Fradon:

I believe that Marie Severin and I were the only women drawing superheroes at the time. It’s funny that she was drawing Sub-Mariner while I was drawing Aquaman. People always used to ask me if I knew her, but I didn’t meet her until years later, at a convention. I didn’t work in a bullpen like Marie did so, aside from being uncomfortable with male fantasies and the violent subject matter. I never really experienced what it was like being the only woman working in a man’s world.

The School Library Journal talks to Hope Larson. And CBC talks to Miriam Katin.

And Michael May at Robot 6 had the bright idea of talking to retailer Mike Sterling in the aftermath to DC’s Villains Month:

I was generally okay with it, with my reaction split between the comic fan in me (“Oh, those sound like fun!”) and the retailer in me (“Gee, great, can’t wait to figure out my order numbers on these”). That latter reaction sounds more serious than I actually felt. It’s more like, well, there go the publishers, making my life more difficult again! Whaddaya gonna do?

 

Pun Intended

Dan is out of town, so I’m filling in today. Rob Kirby is here with a review of Brendan Leach’s Iron Bound:

On a rainy night, two young gang members in black leather jackets, Eddie and Bento (aka Benny), are arguing on a bus traveling from Asbury Park to their hometown of Newark, New Jersey. Another young man seated in front of them unwisely asks them to “speak more softly.” This prompts a vicious attack from the hair-trigger-tempered Benny, despite Eddie’s attempts to rein him in. Blood is shed; Eddie and Benny are thrown off the bus and beat a hasty retreat. With this prologue, Brendan Leach ushers us back to 1961 and the criminal underworld of Newark’s Iron Bound section. In this pitiless arena, any attempt to get ahead faces obstacle after obstacle, trust comes at a premium, and good intentions are likely not good enough. Iron Bound reads like a delicious amalgam of a vintage Jim Thompson crime noir novel with illustrations reminiscent of (mutant) Ben Katchor fused with a hint of Lynda Barry’s early punky-scrawly-scratchy style.

Elsewhere:

—Interviews. Whenever you start to think that mainstream media coverage of comics has greatly improved, you come across something like Metro’s interview with Isabel Greenberg. Veteran newspaperman Chris Mautner shows how it’s done talking to Brian Ralph. And Inkstuds plays host to Jess Johnson.

—Reviews & Commentary. Sean T. Collins writes about Sophie Franz’s “Andy”. Sean Kleefeld speculates on the first black comic-book hero.

—”News.” Ulli Lust has a huge photo-blog post of her recent trip to the United States, in which many other cartoonists are featured. Rob Clough writes about the new comics show in Durham he’s helping to set up. The Archie Comics/Nancy Silberkleit legal drama continues to provide copy for the New York tabloids. Jason T. Miles has revamped his Profanity Hill online store. MoCCA has announced their 2014 special guests, including Howard Cruse, Alison Bechdel, Fiona Staples, and Robert Williams.

—Misc. I love that Sean Howe’s Marvel Comics Tumblr is still churning out great curiosities like this. Mike Lynch writes about the big comics movie of 1948.

 

Landscape

Today Frank Santoro takes a look at comics press history by way of three magazines from the mid-1990s: Indy, Feature, and Destroy All Comics.

Elsewhere:

—News. Pioneering comics scholar Sol Davidson has passed away. Jeff Smith has joined the CBLDF’s Board of Directors. In a move that tempts bloggers to make statements on what it means for the direct market’s future, Dark Horse has dropped its distributor Diamond for Random House. In a move that tempts bloggers to resurrect old posts, after 63 years, the military newspaper Stars & Stripes has dropped Beetle Bailey, apparently for budgetary reasons.

—Reviews & Commentary. James Romberger reviews Dash Shaw’s New School. Derek Royal and Tof Eklund discuss Dash Shaw’s comics career to date. Kevin Huizenga reviews Seth’s new Palookaville. Sarah Horrocks discusses the coloring of Brendan McCarthy. Rob Clough reviews the Chris Duffy-edited Fairy Tale Comics. And in The Caravan, Rakesh Khanna discusses Vishwajyoti Ghosh’s This Side, That Side: Restorying Partition, as well as graphic novels in India more generally.

—Misc. Mark Waid gives advice to comic-book freelancers. Jim Rugg remixes Dan Clowes. And Time talks to Ed Piskor:

 

New Titles

Dominic Umile reviews Ramsey Beyer’s Little Fish.

Ramsey Beyer’s spirited, often warm chronicling of her real-life journey through her freshman year at college is as much driven by the familiar trappings of teenagedom as it is punk rock, against-the-grain sensibility. Little Fish: A Memoir From a Different Kind of Year is a mixed media affair, with Beyer employing an intimate DIY approach honed in her adolescent zine-making days as often as she does black and white comics art, melding list- and poetry-driven prose with personal comics. Humble as it may seem, Beyer’s blend of rough, zine patchwork-styled pages and graphic memoir is marked by a bold perspective on diary comics and the graphic storytelling medium.

Elsewhere:

Tom Spurgeon briefly on health insurance.

Lovely sequence by Leslie Stein.

Tom Scioli talks to Ed Piskor.

CNN on Archie.

Craig Thompson on his contribution to Fairy Tale Comics

And Gary Panter at CCAD