Today on the site:
Hayley Campbell reads Nate Powell’s Any Empire against an extraordinary backdrop and asks a few questions.
Jack Adler, the noted production man at DC Comics from 1946 to 1981, has passed away. Mark Evanier has a summary of Adler’s career. Adler was responsible for the stunning look of DC covers in the 1960s, innovating in color and texture.
Our corporate overlords report that Linda Medley is selling original pages from the yet-to-be-published Starstruck mini-series Galactic Girl Guides. Worth a look for the scans alone.
Sean T. Collins has “Fifteen observations about Craig Thompson’s Habibi. This is the first real response to the book I’ve yet seen.
Jog’s pal Peter Milligan is interviewed about his work for DC’s 52, specifically Red Lanterns, and says:
I suppose one of the main aims of this book is to take what have hitherto been monomaniacal bad guys and turn some of them at least into something more rounded and more compelling.
Gotta start somewhere!
Over at the Forbidden Planet blog there’s a report on an exhibition of work by Maurice Tillieux, whose Murder by High Tide is one my favorite books of this year, even though I’m still trying to figure out a way to write something intelligent about it. Click over for some juicy photos and good info.
And here’s one of my favorite Jack Kirby stories — 1958’s The World is Ours.
Finally, I’ll be giving a talk Thursday night at the Scottsdale Museum of Contemporary Art at 7 pm, with artist John Haddock. Come and heckle me if you’re near Scottsdale, Arizona.
Joe McCulloch brings you another edition of his column, the only weekly comics buying guide that matters.
Kim Thompson explains the back story behind that mysterious photo comic from last week. It involves a very young Mark Gruenwald.
Another interview with Maurice Sendak, this time at the New York Times.
Matt Seneca innovates a new way to perform criticism online, starting a site just to demonstrate what he means for this dissection of a short Jerry Moriarty piece.
Stephen Bissette writes a follow-up post to his recent essay on not wanting to draw your graphic novel.
And this is old, but new to me: Kim Munson has posted the three Sundays of Lil’ Abner in which Al Capp parodied Charles Schulz’s Peanuts. (via)
It’s a new week.
Yesterday Frank Santoro announced the beginning of a cartooning correspondence course. He says:
There are a lot of cartooning courses and classes available right now. CCS, SVA, and SCAD – but I want to do it differently: a one-on-one 8-week correspondence course over phone, e-mail and snail mail. I’d like to use the work and development for a book about making comics. I’m going to focus specifically on advancing your understanding of layouts, color, contour line drawing, and printmaking for producing comic books. The 8-week class is $500. This class is limited: only ten students will be accepted.
I would apply just to learn from the maestro, but he’d never take me. Anyhow, Frank’s also posting some beautiful drawings on his own site, like this one.
And today we bring you the latest from R.C. Harvey, this time exploring a curious byway of comics history and education via the story of Max Eastman. Harv begins:
Whilst wandering lonely as a cloud in a foreign clime some years ago, I toured a couple nifty dusty old bookstores (the dust was a big part of the nift) and chanced upon a tome called Enjoyment of Laughter, a 1936 opus by Max Eastman. It was the author’s name that stopped me. Wasn’t Max Eastman, I asked myself, the editor of the rabble-rousing socialist magazine, The Masses, back in the 19-teens?
-Tom Spurgeon’s moving, thorough obituary of Dylan Williams.
-Via Eddie Campbell, an excellent essay about the cartoonist Glenn Dakin by Rich Baez.
-Daniel Best explains why the team of Ross Andru and Mike Esposito was important.
-Not comics: This long piece about Alex Katz is a good look at an aging artist, manly competition, and the way one atmosphere of the art world functions. It pertains here mostly because of how it applied to artists in any medium, and because Katz remains, in many ways, an artist whose sense of line and figure is applicable to cartoon drawing.
This morning, we bring you a new installment of Sean T. Collins’s column on up-and-coming cartoonists, this time featuring L. Nichols.
We also plan to continue adding new remembrances to our collection of tributes to Dylan Williams as they come in.
Alan Gardner comes out in favor of the newspapers who have pulled Garry Trudeau’s recent Doonesbury strips previewing material from the new Sarah Palin biography, but I have a hard time understanding why, based on the strips published so far. This is pretty tame stuff.
Rich Baez writes a long post about the often overlooked Glenn Dakin. (via Eddie Campbell.)
Finally, you might have seen the photo comic made by a very young Kim Thompson that is currently making the rounds online. Or maybe you’ve been reading his most recent dream journals. What I want to know is if this is the same Kim Thompson whose heretical letter was published in Captain America 194 in 1976?
(Thanks, Sean Howe.)
Today we’re giving the site over to Dylan Williams. We are posting the first handful of a series of tributes we hope to continue, as well as an unpublished 2008 interview with Dylan about his relationship to punk rock. We want to thank everyone who contributed, and especially Chris Cilla, an author whose masterpiece-to-date, The Heavy Hand, was recently published by Sparkplug, for turning around a wonderful portrait of his friend and publisher in record time. And I speak for Tim when I extend our deepest condolences to his friends and family.
Zak Sally has written a lengthy and very moving piece about Dylan at The Comics Reporter, where Tom continues to collect links to other tributes and remembrances.
Most other links would seem rather silly, so instead I’ll offer two by artists that Dylan completely schooled me on:
Here’s a wonderful page of original art by H.G. Peter (it was Dylan who was responsible for Peter being in my book Art in Time) translated into Spanish.
And here’s a link to a trove of great Mort Meskin stories — ditto the above.
Thank you, Dylan.
This morning sees the debut of another episode of TCJ Talkies, this time featuring Mike Dawson’s interview with the cartoonist and podcaster Alex Robinson. It was recorded at last weekend’s SPX.
We also have another review of Alan Moore & Kevin O’Neill’s latest League of Extraordinary Gentlemen volume, this time by Sean T. Collins. It was written before Charles Hatfield had turned in his review, and so shouldn’t be viewed as a direct response.
As far as other links go, I believe we neglected to mention that the winners of this year’s Ignatz Awards have been announced.
Gabrielle Bell gives an interview with Comic Books Resources regarding her recent month of webcomics and her work on Mome, among other things.
Frank Young takes a look at John Stanley’s use of violence.
Patrick Marfort reviews The Comics Journal #301.
I hadn’t realized that novelist Ishmael Reed actually took classes in cartooning to help with his most recent book, much less that he’d since become a regularly published cartoonist himself.
Finally, Tom Spurgeon continues to collect links to online stories and remembrances of Dylan Williams, well worth reading. Stay tuned for our own coverage as the week continues.
On the site today:
Shaenon Garrity relates her own experiences with Kickstarter.
A couple of months ago, I needed $10,000 to self-publish a big omnibus collection of my webcomic Narbonic. By way of explanation, I am not one of your big-name webcartoonists. At this point people are vaguely familiar with my work, but I’m not one of those folks with half a million page views and people queuing up to buy t-shirts with my characters’ hip and witty comments printed on them. I have a moderate but very devoted (and very entertaining) audience, and I am in no danger whatsoever of making a living from my comics.
Joe McCulloch, who, this weekend, via SPX, finally stayed long enough in one place to really get talking, brings us the week in comics.
And Rob Clough brings us a review of Lewis Trondheim’s book Little Nothings Vol. 4.
More later, people. Forgive the short entry.
We just returned from SPX, which was the first convention of its kind I ever attended, and which still seems to me to be the one I always have the most fun at. (I still have never gone to TCAF, though. And the Brooklyn festival probably has a higher percentage of comics & art that I am interested in and wouldn’t be able to find elsewhere. But I live near NYC, so that doesn’t have the same out-of-town event feeling.) Anyway, though I missed seeing Frank Santoro and various other people who didn’t make it, this was one of the most fun and successful-seeming SPX shows that I can remember. We will have further and fuller coverage of the event in the near future.
News of the death of longtime show fixture Dylan Williams could not help but cast a pall on things. He was an inspirational figure to many, and a champion of deserving work that was often almost impossibly uncommercial. Chris Mautner at Robot 6 has gathered some of the online tributes from people in the comics world who knew him (here is another), and I expect there will be many more coming. [Tom Spurgeon is collecting links about Williams here.]
Today on the website, we bring Steven Brower’s examination of the dream comics of Jack Kirby, Joe Simon, and Mort Meskin.
Amazon’s Omnivoracious reviews the latest issue of The Comics Journal.
Stephen Bissette shares how he responds when people ask him to draw their graphic novels.
Maurice Sendak talked to the Paris Review in advance of his upcoming book.
Mike Rhode at Washington’s City Paper interviewed many of this weekend’s exhibitors, including Craig Thompson, Keith Knight, etc.
Last week, Kevin Huizenga did a brief but good online q&a with the Fantagraphics website.