
Crossovers: Big and dumb, so why don’t kids like them?

Crossovers: Big and dumb, so why don’t kids like them?
Boring superhero art is examined for shortcomings, hints of ability.

Witness the birth of Swimming MODOK.

The Bendis-Kirby one-two punch gets a demonstration in the kickoff to Siege.

How the new Empowered special gives a guided tour of the series’ psyche.
Age of Geeks

The Owl Ship’s controls in Watchmen: The Film Companion, photographed by Clay Enos; ©2009 DC Comics.
In the late 1970s, when this magazine came to be, Alan Moore was kicking around from one clerk job to another, collecting his paychecks from places like the Northampton gas board. He wanted to be an artist and seer, but he couldn’t find the nerve to collar his destiny. One night he had a dream: His 10-year-old self looked at him and wanted to know what had happened to their life. A decade later, Moore was finishing Watchmen, and now he sits in his living room in Northampton, keeping an irritated distance from the $150 million dumb idea Hollywood has raised over his bright idea from a quarter-century back.
Alison Bechdel; Houghton Mifflin Harcourt; 416 pp., $25; B&W, Hardcover; ISBN: 978-0618968800
In the following article you will find phrases like “dicks become a big part of life” and “penetration is in.” Traditionally, among a certain class of people, these…