Author Archives: Frank Santoro
This week we’re going to look at how ye olde masters like Nicolas Poussin composed his figurative works with geometry. Continue reading
This week we’re going to do some detective work and breakdown a Tintin page.
This week we’re going to look at how margins can determine timing and sequencing in North American comic books. Continue reading
This week we’re going to look at how the 6 x 9-inch printed live area situates itself on the North American comic book page and spread. Continue reading
We’ll be looking at paper sizes available for making comics on American photocopier machines. So bust out your ruler, triangle, and compass. Continue reading