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An Interview with Lawrence Hubbard

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We asked the great Johnny Ryan, author of Prison Pit and Angry Youth Comix to interview one of his favorite cartoonists, Lawrence Hubbard, who has just released the collected Real Deal Comix. Real Deal Magazine was a barely-known but much-loved comic published in the 1990s that contained hardcore gangster, Blaxploitation-influenced comics. It was rediscovered a few years back and written about over at my old alma mater, Comics Comics, and Lawrence did his first public appearance in years in 2010 at Cinefamily with Johnny in honor of my book, Art in Time. So we've brought them together again for a conversation about the new book.

Johnny Ryan: At what age did you start drawing? Who were the artists that inspired you? Was there a point early on that you knew you wanted to pursue art as a career? Did you receive any encouragement from your family? Was anyone else in your family an artist or have interest in art?

Lawrence Hibbard: I started drawing at the age of 3. I liked drawing mechanical things like trains, cars, buildings houses, and then I decided I needed to add people to the mix, at that young age I knew I wanted to be some kind of an artist, I loved to draw and couldn't think of anything else I wanted to do. My mother encouraged me very much, my father sometimes, but he was a cold and distant man. My influences were the artist who drew the comics in the Los Angeles Times at the time, Rick O’Shay, Brenda Starr, Rex Morgan MD, Chester Gould's Dick Tracy. I liked it because it was violent, characters got killed, I remember one panel where Dick Tracy punched a guy with an upper-cut and his teeth shattered and blood flew out of his mouth! In a Sunday comic strip. I also loved Doug Wildey who drew Johnny Quest. I admired his realism. At that time Disney’s Wonderful World of Color came on Sunday night, and they would do specials about the "nine old men” -- their great animators like Ollie Johnson and the rest who worked on Dumbo, Snow White etc., and I decided I wanted to be an animator.

For comic book artist I always loved Jack Kirby, Steve Ditko, and Steranko. Also E. Simms Campbell, an African American cartoonist whose work was in Esquire, Playboy, Stag etc. I would like to do a film about him if I ever get a chance. I was also a big fan of Mad magazine in its prime, Mort Drucker, Angelo Torres, Dave Berg, Al Jaffee, George Woodbridge, Jack Davis, etc.

What was your high school experience like? Did you enjoy it? Did you ever have to beat the shit out of some wise ass punks?

My high school years were rough, my father had run out on us three years earlier and we were pretty broke, living on welfare and food stamps. I didn't have any clothes or other fly gear a lot of my friends had (bellbottom pants, print shirts, platform shoes, cool hats, looking like the Jackson Five). I pretty much kept a low profile, but I always enjoyed my art classes.  After High School, I got a job at a now defunct savings and loan in the stock room, doing shipping and receiving and unloading trucks, no time for college, broke needed money. Over the years I took classes at Santa Monica College, UCLA, Otis Art Institute, but never had time to get a degree, always working and taking care of other people. Funny thing is all my fights took place in junior high school (what they call middle school now) when I was there in the early '70s the gang bang shit was getting hot and heavy here in Los Angeles, Crips, Brims, Ace Duce, Piru’s (now called Bloods).

And you had a bunch of assholes running around talking that shit who were just wannabes, they would wear the gang attire, talk the talk, but they had never been jumped into “The Set.” These motherfuckers were always talking about jacking somebody, they tried to jack me numerous times. I fought like a motherfucker. I’m proud to say that after three years at Louis Pasteur Junior High I did not give up one cent! I was broke and angry and wasn't taking any shit! I remember one time I fought 2 guys at once in the boys bathroom, they tried to jack me for my few wretched cents I had, I was like G.C, “Fuck this shit you ain't taking my money!" It was like a fuckin' movie! I slammed one dude's head into the sink, threw an elbow at the other to get him off of me, then went to work on him, I felt no pain, no fear, I started growling, I felt a primal rage! They both said, "Fuck it! It ain't worth it" and ran out the bathroom! I felt real mannish after that! If I can fight two motherfuckers  at once, one ain’t shit!  Word got around after that, I got my respect! I never fucked with anybody and I never backed down from anybody, when you’re in a fight you go into the zone, your adrenalin is pumping, your in survival mode, you feel the pain of the punches later! If a fool tried to jack me and stepped to me and said  “Homeboy, give me a quarter!’ I'd say “Fuck a quarter, I got a dollar! All you gotta do is take it from me” And they would punk out as usual.real-deal-73

Did you ever use your art to get women? List their names and phone numbers.

The majority of the chicks I have run into over the years don’t care about art that much. Ask me this again when and if I get the “Real Deal Show”!

There's been some attempts to turn Real Deal into an animated TV show. Can you tell us about that?

A few years back J.J. Villard, the most hardcore Real Deal fan on the planet, got us a pitch meeting with Nick Weidenfeld at Fox Animation. Nick had just been hired as head of a new project called ADHD “Animation Domination High Definition”, and they were looking for new shows. This was the first pitch meeting I had ever been to and I was nervous and sick on the stomach, it was me, J.J. Villard, who had worked with Nick at Cartoon Network, and Adam Weisman, art director for Stussy, who had done a video about me and my work for Stussy.

It was so Hollywood! A cute young assistant ushered us into his office and offered us water, a minute later Nick entered the with his personal assistant, plopped down on the couch and said “What you got for me?” I think J.J. started talking first since they knew each other, then Adam showed him the one minute animated scene of Real Deal on a tablet, Nick smiled and laughed and seemed to be digging on it, then Nick started asking me about Real Deal, for a second my mind went blank -- “Real Deal, who what?” Then I just started talking and went into the zone, gave Nick and his man several issues of Real Deal. Nick was smiling and said “I have to have this!” and we had a development deal! I couldn't believe it! I had heard of people pitching for years and never getting shit! Anyway the money that was offered was so low I’m not going to mention it, but we had a deal.

After many meetings and tables full of sandwiches and drinks it was decided to hire a writer since me and Adam both had full time jobs and JJ was about to go into production with King Starking. After several meetings we decided on a talented young man named Brian Ash. He really studied the material well and seemed to pick up the Real Deal vibe. He wrote a full script and outlines to ten other scripts -- good work. Anyway to make a long story short, after about a year we stopped getting phone calls, feedback and requests for comic books. We contacted the studio to find out what was going on, and when were we going into production. They finally got back with us and said some studio big wig in New York thought it was too violent and didn't want to do it. They we’re sorry and asked if I wanted to come in and talk about it. I felt like someone had ripped my guts out! As usual, I had to say fuck it! and kept on going.real-deal-23

What was the lowest point in your life and how were you able to get through it?

I’ve been through many low points in my life, many deaths, many financial problems, etc. But one of the worst things to happen was when my partner in Real Deal, Harold Porter Mc Elwee, aka RD Bone, died of a stroke and a heart attack in April of 1998. I couldn't have loved him anymore than anyone could; he was like a blood brother to me. It was devastating, and the fact that our futures were entwined with each other, we were going to have our studios together, comic books, animation, live action etc. Now it’s all gone! It can’t be! I have to keep going!

Tell us about your working schedule. How often do you get to draw? How are you able to balance having a "day job" with being an artist?

I currently work as a security guard in a high-rise building in the Miracle Mile area. I work Saturday through Wednesday, I’m off Thursdays and Fridays. I can only draw on my off days because when I get home on my work days about 11:30 pm I just pass the fuck out. We walk about three miles a day on our patrols  and we stand a lot, dealing with the idiots who come to the building and running out the homeless people who want to camp out in the lobby. It can be very draining. That's the most frustrating thing about it is not getting enough drawing time, artist are like athletes and musicians, the more we practice the better we get! I worked for years in the IT industry as a Production Control Analyst, Computer Operator, Tape Librarian, Data Control Specialist. All those good jobs have either been outsourced or turned into month-to-month contract jobs with no benefits. I’ve been a licensed insurance salesman, but that's all commission-based and a hard grind, one week you make money the next you don't. I suffer for my art.real-deal-45

What do you have to say to those college sucking wimps out there that think your comics are too violent, misogynistic, and racist?

What I have to say to them is “Fuckin' read Real Deal.” Whenever you have idiots who say that stupid shit, the first question I ask them is, “Have you read it?” Then they always say, “No.” Real Deal is satire and if you don’t get it, put the book down and step away from the table! People are so wrapped up in this politically correct bullshit its like they’re brains are constipated! They're like Pavlov's dog. If they see or hear things that aren't PC, they blurt out certain responses without knowing what the fuck they're talking about!

I just learned from the Inkstuds podcast that you're really into conspiracy theories. What are the ones you're most concerned about? Where do you go to find the most exciting conspiracy theories?  

You know it’s funny that so many things we are told just don't make any sense if you think them through logically. Sometimes if you bring these things up, the powers that be try to slap you down or destroy you after they give you a chance to get your “mind straight” of course! I don’t want the shadow government coming after me, because I’m ill equipped to do battle with them. But just get into the details of the assassinations of JFK, MLK, RFK, Malcolm X, also 9/11, The USS Liberty etc. Many things just don’t add up and there are many coincidences and connections between the people involved that seem improbable, and thanks to the internet I see lots of people are thinking the same things I am. That's what inspired me to create Real Deal #8 “The Psyop Issue”, it will show how it all fits together, at least in G.C.’s life!


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