It is with red and brimming eyes that we must say goodbye to Dylan Horrocks today, who has turned in his fifth Cartoonist’s Diary entry for us.
Tucker Stone seems a little out of sorts himself this morning, though for his own reasons (read: he spends too much time thinking about superhero comics). Experience his crackup in real time in the latest installment of Comics of the Weak.
And Matthew Thurber and Rebecca Bird team up to join our stable of reviewers, with a jointly written appraisal of Bill Griffith’s mammoth retrospective, Lost and Found.
Elsewhere, new dad Dan Nadel has an article on David Shrigley for the Brooklyn Rail.
BK Munn entertainingly argues with the cover feature from the latest issue of Broken Pencil, which itself is an attempted take-down of “high-art” zines from the likes of people like Marc Bell and Amy Lockhart.
Brandon Graham always gives good interview.
Finally, and not really comics, the online reaction (shock, outrage, supreme umbrage) to this fan- and critic-baiting New York Times interview with The Wire creator David Simon reminds me more than a little of whining and hurt feelings that appear whenever Alan Moore gives a cranky interview dismissing dumb comic books. I don’t think I will ever understand why people take these kinds of comments from artists personally. Simon got up peoples’ noses by saying that it is impossible to accurately judge a television show’s success until the whole thing can be seen. This is true. Critics get mad because what are they supposed to do? Wait five years before reviewing a series? What they are supposed to do is not care what David Simon thinks about them. You aren’t writing for the artists, you’re writing for yourself and your readers. And that goes double if you aren’t even a critic. The only reason to care if Alan Moore thinks you’re too dumb to read his comic is if you have a sneaking suspicion he may be right. In which case, go hit the library or take a class or something. Jeez.
Happy Pesach and/or Easter, et cetera.