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Today on the site, Robert Kirby reviews the recent Spanish comics anthology Spanish Fever:

The talent roster in Spanish Fever ranges from well-known pros like Miguel Gallardo and Max, to newer artists like Ana Galvañ and Clara-Tanit Arqué. There’s a wide variety of narrative and visual styles, ranging from traditional underground comix to the ubiquitous European “big nose” style to work that would look at home in an American minicomic. In subject matter, the stories range from autobiographical, political, and quotidian to surreal and just flat-out weird. It’s an eclectic stew that comes together agreeably, making a good case for the vibrancy of the Spanish comics scene, though a few weaknesses keep it from being a truly top-notch compendium.

In his introduction, Eddie Campbell notes that the new Spanish comics all share the importance of authorial voice, i.e., that they feature characters that are pure expressions of the authors, beholden to no meddling publishers or corporations. Garcia’s forward to the collection extrapolates on this theme, offering a mini-history of Spain’s comics leading to its current artistic renaissance amid the country’s current economic crisis.

Elsewhere:

Lauren Weinstein's wonderful strip, Normel Person, has a new installment -- one of her best.

NPR reviews Mr. Seabrook. 

Daniel Clowes is having a rare solo show in Paris. Here's the artwork on view. I love seeing Dan's preliminaries, as nerdy as that is.

 


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