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By Jeremy Pinkham
The Internet is a large, musty warehouse, full-to-bursting with myriad things in a hopeless state of disarray. And, as every garage sale fanatic knows, wherever a large number of disorganized materials are hoarded in quantity, some of them are bound to be comics. The purpose of this column, then, will be to spare the comics enthusiast with access to the Internet the undignified travail of crawling through the glorified cyber-muck on hands and knees in search of scraps of reading matter, like some comic shop pariah on the hunt for a mint-condition issue #49 of Not Brand ECCH. For, with little investment of time and effort on your own part beyond the occasional blink to maintain eyelid lubrication, I will endeavor herein on a regular basis to present for your consideration, entertainment, and elucidation the hidden gems and artifacts of the world-wide motherload of comics and comic-related culture to be found amongst the dusty, unkempt piles of random documents which fill the many Dantean levels of the Internet. The comics focussed on will tend to be those of "alternative" or "classic" description, with occasional forays into mainstream comics of artistic or nostalgic interest, in following with the de-facto concentration of this magazine and the desire of this columnist to avoid dehydration from excessive vomiting.
Beyond a simple survey of sites for the armchair enthusiast, I intend to use this column to examine the aesthetic and business issues which confront those attempting to bring the traditionally print-bound art of comics to the Internet, given the idiosyncrasies and limitations of this relatively recent electronic medium. The Internet has been hailed by some as a savior for the comics form, in that it may possibly serve as means for widening the distribution of artistically ambitious comic books beyond the Diamond-dominated direct market of comic-book shops. To investigate this claim, I intend to examine in coming installments some of the more noteworthy fledgling attempts to forge such a means of alternative distribution, and report back on the latest skirmishes in the fight to expand the reach of culturally worthwhile comic books via the World Wide Web. And if we're lucky, we'll all learn something useful along the way.
A word of caution before we begin: Internet addresses are notoriously fickle. A site may change locations or even disappear completely between the time of this column's publication and your reading thereof. If your Internet browser returns an error informing you that a site mentioned in this column no longer exists, don't give up with a simple shrug of the shoulders. Search for the site using one of the many search engines provided for free on the Net. My personal favorite is the HotBot search engine (http://www.hotbot.com), which, unlike many others, provides an "exact phrase" search that plucks the info-wheat you're looking for from the rubbish chaff of porno sites, multilevel marketing scams, etc. Simply type in the name of the creator of the site mentioned (for instance, our old "Fit To Print" friend "Cat Yronwode,") or the name of the comic in question, select the "Exact Phrase" option, hit the "Search" button, and see what pops up. More often than not, you'll find the site still exists and has simply changed addresses.
HERE THERE BE FANBOYS (AND WORSE)
Let's begin with a cautionary tale: the five tackiest comics-related sites on the Internet, as selected in the clutches of a particularly rotten mood. Let's hope this burst of bracing bad taste prepares you all straight away for the depravity and squalor that can lie in wait out there, just aching to drive the unprepared comics reader instantly mad, so that, in the end, you'll be utterly convinced of the need for this column's benevolent guidance ad nauseum for the forseeable future. (And, besides, it's fun to disparage.)
5) HEY KIDS! COMICS!: THE OFFICIAL MICHAEL GRABOIS HOME PAGE
The title of this site begs the question: are there a dangerous spate of unofficial Michael Grabois home pages out there? But seriously, it's difficult to put this site down, as it's obvious the author has put a lot of hard work into maintaining a fine, free resource for Legion of Superheroes fans. But what the fuck; this site takes the word "fanboy" to a new level of meaning. Let's trash it.
These excerpts from the featured San Diego Con diary, for instance, sound like they could have been satirically penned by a gleeful Daniel Clowes:
Jim Drew showed us his 'Dune' action figures he's going to make into Bouncing Boy, Star Boy, and Livewire. KC started a round-robin 'chat' on paper, while team 'Legion' kicked butt on on-line trivia. Total bill was almost $200. Afterwards, we went back to the Marriott where we could hear ourselves, and we talked Legion stuff until midnight: sales, the Real Ending to the SW6 storyline, marketing dept. screwing up LSH promotional items, characters, history, internet, etc. Then we called it a nightŠ Whew.
Picked up my first buy of the con: seven of the eight LSH Slurpee cups from 1973 for 3 bucks each (I'm only missing Mon-el). I beat Troy McNemar to the table by about 2 minutes, so he got the duplicates.
Stopped off at the DC booth at the end of the day to meet everyone, saw Vernon Harmon in his Wildfire costume. I had already seen Leman as Cosmic Boy, Damage, and Mon-el, but missed him as Superboy, Dragonmage, and Captain Marvel Jr. Wound up debating Kevin Dooley about Hal Jordan.
Helpfully, in a related article, the site warns:
In the end, though, you can't help but fall under the charming spell of the Legion of Superheroes drinking games included on this site, wherein players are instructed to "[drink once ifŠ] someone misspells Ayla, Luornu, Imra, Cargg, Bgztl, or Shvaughn. Twice if someone mispronounces Ayla." Give in. Don't even try to resist the simple enchantments of the "Test your Tyroc IQ" game, the helpful guide to the "real" ages of Legion of Superheroes members, and the self-described "Anal Retentive Mike Grell Checklist" (a project future art historians will doubtless thank us for). As an anonymous comment in the site's guest book says, "you PEOPLE ARE PRETTY SCREWED UP BUT ITS KINDA COOL."
4) THE DEFINITIVE X-MEN EROTICA ARCHIVE
and
WONDER WOMAN AND FRIENDS
Fortunately, indeed. These two unaffiliated sites are good examples of the vibrant "fan fiction" community which thrives like a termite colony on the creaky timbers of the Internet. Everyday people from all walks of life (presumably) log on to the Net and, like Superman walking into a phone booth, instantly transform into full-fledged comic book authors, whose texts are read, in-kind, by other Net citizens! These two examples boast the added bonus of orgasmic intent, which renders the whole process all the more amusing for the casual observer.
Here's the opening paragraph from an offering on the X-Men site entitled, seductively, "My Night With Spider-Man:"
And I'm sorry to say, in the interests of protecting minors, I'll have to leave you wondering.
The Wonder Woman site is less playful, alas. The authors represented there seem to uniformly have it in for this raven-tressed symbol of feminine power, as evidenced in such stories as: "The Crushing of Wonder Woman," "The Capture of Wonder Woman," "The Domination of Wonder Woman," "The Taming of Wonder Woman," and "Wonder Woman in Slave Training." (Perhaps these titles help explain the failure of the Equal Rights Amendment?) Not all are so gruesome, though; an unbiased observer would have to admit there's a certain happy ring to the title "Wonder Woman's Pregnant Adventure."
Finally, I should warn the potential visitor to such fan fiction sites of a darker side: their placid, utopian facades can be regrettably disrupted by human, decidedly un-superheroic, conflict from time to time. Fortunately, a well-timed verbal retort from the Webmaster can usually quell such unruliness:
CATHERINE YRONWODE'S LUCKY MOJO
I fear for my own "mojo," lest I be careless in describing this site, but proceed I must. Catherine "cat" Yronwode (her name usually printed entirely in lower-case letters, after the manner of the somewhat less comics-accomplished e.e. cummings), was the famous editor-in-chief of Eclipse Comics, a long-disintegrated independent comics concern. But she may be best remembered by comics fans for her seemingly omnipresent column of record for the comics industry, "Fit to Print," each installment of which presenting cat's endearing, oddball vision of the world around her. Fans, then, will be happy to learn that cat is busily converting the entire run of "Fit to Print" to HTML. Some might argue these columns are ephemeral in quality, of passing interest once, but certainly not several years past their expiration dates. I would have to disagree; for who can deny the timeless relevance of yronwode's introduction of Eclipse's new production manager Rich Powers, back in the "Fit to Print" of February, 1992 (http://www.luckymojo.com/ftp408.html):
ŠHis sex life is 'sporadic,' he has no pets, and he drives a 1972 Pontiac Ventura formerly owned by a woman who rarely drove it. He enjoys oil painting and bicycling, and he listens to reggae, ska, and pop music from New Zealand. His favourite animals are 'marine mammals, especially orcas,' and he dreams about them often. In one memorable dream he was swallowed by an orca and woke up immediately. He says that this dream led to 'about five years' worth of drawings' on the subject of orcas, the drawings accompanied by text about aggression in human beings.
He prefers Thai food to that of other ethnicities, but he does not know how to make Thai iced tea.
It's the simple things that make life worthwhile, and yronwode has not forgotten this valuable lesson. Until these essays can receive the full coffee-table treatment they deserve, the Web will have to do.
Happily, one can still find back issues of such Eclipse favorites as Adolescent Radioactive Black Belt Hamsters and Naive Inter-dimensional Commando Koalas for sale on the site, but a visitor can also sense that yronwode's wandering spirit has somehow moved from those bygone days of comic book celebrity on to wrestle with greater, more spiritual concerns. The majority of her Web space is now, in fact, occupied by explorations into what some would deem "the fringe": tantric sex, sacred geometry, instructional guides for women interested in joining The Craft of Freemasonry, sales of amulets, charms, "hoodoo" oils, incense, ritual candles, "sachet powders" - truly, as she describes her own stock: "everything from penis amulets to mojo hands." Drop by, if you're in the neighborhood, and wish this eclipsed comics pioneer luck on her journeys beyond our materialistic plane.
2) HEART OF THE DREAMING
and
SANDMAN ATE MY BALLS
For better or worse, the work of English expatriate Neil Gaiman on his youth-angst fairytale Sandman has inspired a flurry of deeply-felt emotions in his often quite gothic comic-book fans. Two Internet sites, in particular, demonstrate how widely two melodramatic Gaimaniacs can vary in their reactions to the man's work while remaining essentially similar in their unredeemable lack of good taste.
"Heart of the Dreaming" is an admittedly ambitious attempt, an impressive struggle to create an electronic world inspired by Gaiman's fantasies. It's unfortunate, then, that the pages therein are dominated by the stench of pretentious, third-rate Tolkienism as filtered through a firehose spray of new-age fairy-angel crap.
To penetrate Gaiman's stronghold on the site, the reader must navigate a mystical path to "The Magician's Castle," slogging patiently through pages designed to simulate an epic journey (first past the "Lake of Nymphs," then through the "Meadow of the Mysts" - you may find yourself longing with each tantalizing step for those halcyon, acne-blemished days of Advanced Dungeons & Dragons) to Gaiman's Oz-like inner sanctum. Twee medieval music and dramatic animal sound effects accompany the reader on this mythic voyage, instilling a proper mood of awe, humility, and sweet anticipation at the imminent prospect of gaining privileged access to the "Dream King's" circle of electronic worship.
Finally, as you approach the gates of Gaiman central:
If doing so requires kissing this much ass, you might want to reconsider.
"Sandman Ate My Balls," fortunately, is short and - dare I say it? - sweet. No fancy gimmicks here. This ain't the first "Ate My Balls" site, and it probably won't be the last, unless this cheap fad (reportedly begun by a "Mr. T Ate My Balls" page) has finally breathed its last. The formula, if you've missed it, consists of clipping pictures from your favorite piece of popular culture and drawing crude representations of testicles on them, adding captions and sometimes word balloons to theoretically amuse your friends. Basically, it's do-it-yourself fumetti on glue fumes - ten times dumber than your usual fumetti, which is saying a lot. The result is usually so shockingly stupid and sophomoric you simply have to laugh at the sheer crudity of the attempt, and the "Sandman Ate My Balls" page succeeds on this lowbrow score. Take as proof this single line of narrative: "Delirium dreams of a world of butterflies and balls."
1) THE ARCHIE-BOARD: "THE PLACE TO RAP ABOUT RIVERDALE"
Could John Goldwater have known back in 1941 that the delightfully pep-injected adventures of his then-nascent Riverdale gang would be the cause for thoughtful, almost academic discussion of comics craft and reader-penned fiction some fifty-plus years into in the future? I doubt it. But here, in the bustling activity of the "Archie-Board," helmed by the mono-monikered monitor of memorable murmurings known as "Tracy" (his or her gender being left to reader imagination) that wild dream has become electric reality for Archie enthusiasts all over the world.
In an indignant message entitled "I have something that makes sence [sic] Tracy. All the main characters have a comic, and Reggie is a main character...where's his series??" for instance, a similarly sexually ambiguous Riverdale fan named Roxxy complains:
Tracy replies thoughtfully on the artistic reasons for this unfortunate deficit in the Archie Comics lineup:
One wonders - is Alan Moore available?
The above-mentioned Roxxy elsewhere submits a moving, and perhaps somewhat autobiographical, story of sexual epiphany told from the point of view of an emergingly pubescent Jughead:
OH NOOOO! It can't be! My old girl friend is coming to visit me! Reggie won't stop making fun of my beloved, and now she's hear [sic]! Reggie is gaga! I cant belive [sic] it myself. After telling Archie all of my past, I had to face my old girl, for one last chanse [sic]. She never forgot me, not one little bit, after a tearfull [sic] conversation, I got my very first kiss. I had to say goodbye to her, but she promissed[sic] so, to write to me and call. I guess theres [sic] more to life than just milkshakes and hamburgers!
If further revelations of this sort are what you're after, then I suppose nothing I say can deter you from immersing yourself in the chastely seductive joys of Archie Comics fandom on the Internet. (May God preserve your soul.) As for the rest of you, whom I hope to have properly frightened with the prospects of utter inanity presented by the five sites described above, I'll meet you back here next time, for what I hope to make an actually useful excursion into comics worth reading on the World Wide Web.
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