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My New Year's Eve as a Fly on the Wall
Bitter Vitriol Posing as Resolutions of All the Comics Publishers
By Eric Evans

In the year 2000, I resolve...

At Marvel:

  • Not, under any circumstances, to suck.
  • Not to drive away the few talented creators we have left.
  • To realize we can say "no" to a TV show or animation proposal that seems shoddy.

PLUS, Marvels' new CEO Peter Cuneo has a number of resolutions, among them...
  • To find out who the hell this punk Peter Parker is.
  • To find out why his staffers feel that comics should be marketed any differently than deodorant or dish soap.
  • To read this Dazzler all the kids are talking about.

At Dark Horse:

  • To better exploit every dead movie franchise with six or seven new Aliens/Predator crossover series and at least two Darth Maul books.
  • To get some of their decent books into supermarkets and Quik-E-Marts, even at the cost of that seventh Star Wars title.
  • To keep Mike Mignola fat with Hellboy merchandise so that he'll stay happy and productive no matter what.

At Eros:

  • To be sexy... and we mean hot, buttered sexy.

At ABC:

  • To finish research on revolutionary "No Sleep" drug so Alan Moore can keep up this pace for another year.

At Drawn & Quarterly:

  • To publish a book or two this year (not counting calendars).
  • To really lean on our roster of genuinely talented creators to produce regularly (and by regularly I don't mean yearly).

At Wizard:

  • To occasionally feature an Alex Ross cover or two -- the kids seem to respond to his stuff.
  • To acknowledge the better alternative creators -- not! (Fratboy humor, y'know).

At Sequential Tart:

  • To wear tighter, more revealing clothes, even if no one can see them online.
  • To consider printing a yearbook on real paper that a guy can read on the toilet.

At CBG:

  • To move on to a new generation of creators -- we've milked this Carl Barks thing for all we could.
  • To try and produce one page of content for every three pages of ads.

At DC/Vertigo:

  • To take better advantage of all the potential of Golden-Age characters left untapped by clever Brits.
  • To re-think this whole "the title has run its course" thing we allowed with Neil Gaiman --if Siegel wins the lawsuit, we'll need every copyright, and title, we can get.
  • To milk that Bruce Timm cat dry.
  • To at least consider putting MAD Magazine out of its misery.

At Acclaim:

  • To try it again (with all the same crappy books that failed to click the first time around).

At Viz:

  • To squeeze every drop of income possible out of the twitching Pokémon corpse.

At Image:

  • To somehow gratify those Top Cow weasels enough that they won't break away completely.
  • To publish dozens upon dozens of weird, odd new comics, and actually support them for more than 3 issues to see if they stick.
  • To ask McFarlane to at least mention comics once while discussing his balls on ESPN.

At Radio Comix:

  • To someday produce a wank book featuring a woman without a tail.

At Archie:

  • To stay the course... things will come around...

At ONI:

  • Two new Clerks spin-offs? The time is now!
  • To keep eyes peeled for signs of dissatisfaction on the part of Dark Horse's Mavericks.

At Slave Labor:

  • To find the next Evan Dorkin, and hope he's half as funny -- that whole goth thing didn't work out as well as hoped.

At Aardvark Vanaheim:

  • If not to just stop, to at least entertain the notion.

At Fantagraphics:

  • To somehow persuade/bribe Dan Clowes and Jim Woodring to produce more than one comic every year or two.
  • To get Measles into the hands of a reader under 20, and feature content that would appeal to that fictional reader.
  • To convince those apes at The Comics Journal to drop the whole mainstream-friendly thing they've been up to, and get back to raking muck and making enemies.


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